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Steve Turre - Steve Turre (1997) FLAC

Steve Turre - Steve Turre (1997) FLAC

BAND/ARTIST: Steve Turre

  • Title: Steve Turre
  • Year Of Release: May 7 and June 20, 1996
  • Label: Verve Records
  • Genre: Jazz, Latin Jazz, Post Bop
  • Quality: Flac lossless (Tracks)
  • Total Time: 01:06:19
  • Total Size: 427 MB
  • WebSite:
Tracks

1. In a Sentimental Mood
2. The Emperor
3. Let It Go
4. Ayer Lo Vi Llorar
5. Coastin' With Bobby
6. Steve's Blues
7. Inocencia
8. Mongo 'n' McCoy

Personnel

Arranged By – Marty Sheller (pistas: 4), Steve Turre (pistas: 1 to 3, 5 to 8)
Art Direction, Design – Chika Azuma
Bass – Andy Gonzalez (pistas: 1 to 8)
Bass Trombone – Douglas Purviance* (pistas: 6)
Bongos – Manny Oquendo (pistas: 4)
Cello – Akua Dixon (pistas: 1, 4, 7)
Conch [Shells] – Douglas Purviance* (pistas: 1, 2, 5 to 8), Frank Lacy (pistas: 2, 5), Jimmy Bosch (pistas: 1, 2, 5 to 8), Robin Eubanks (pistas: 1, 2, 5 to 8), Steve Turre (pistas: 1, 2, 5, 6)
Conductor – Akua Dixon (pistas: 2, 5, 6)
Congas – Milton Cardona (pistas: 2, 4 to 6, 8), Mongo Santamaria (pistas: 8)
Design [Styling] – Estée Ochoa
Djembe [Djimbe] – Kimati Dinizulu (pistas: 2)
Drums – Horacio "Negro" Hernandez* (pistas: 4, 8), Portinho (pistas: 1, 3, 7), Victor Lewis (pistas: 2, 5, 6)
Drums [African] – Kimati Dinizulu (pistas: 5)
Engineer – David Merrill
Engineer [Assistant] – Bob Farrell (7), Teddy Trewhella
Executive-Producer – Richard Seidel
Flugelhorn – Jon Faddis (pistas: 5), Randy Brecker (pistas: 1, 3, 7)
Guitar – Romero Lubambo (pistas: 1, 3, 7)
Liner Notes – Steve Turre
Marimba, Marimba [Balifone], Gong – Stefon Harris (pistas: 2)
Other [Grooming] – Lia Van De Donk
Percussion – Herculano Federici (pistas: 1, 3, 7), Manny Oquendo (pistas: 4)
Piano – Stephen Scott (5) (pistas: 2, 5, 6), Willie Rodriguez (3) (pistas: 4, 8)
Shekere [Shakere] – Milton Cardona (pistas: 5)
Surdo – Herculano Federici (pistas: 1, 3, 7)
Timbales, Cowbell, Guiro – Manny Oquendo (pistas: 8)
Trombone – Britt Woodman (pistas: 6), Douglas Purviance* (pistas: 1 to 8), Frank Lacy (pistas: 2, 5), J.J. Johnson (pistas: 2, 6), Jimmy Bosch (pistas: 1 to 8), Robin Eubanks (pistas: 1 to 8), Steve Turre (pistas: 1 to 8)
Trumpet – Alfredo "Chocolate" Armenteros (pistas: 4, 8), Jon Faddis (pistas: 2, 6), Randy Brecker (pistas: 1, 3, 7)
Vibraphone – Stefon Harris (pistas: 5)
Viola – Ron Lawrence (pistas: 1, 3, 7)
Violin – Carlos Baptiste (pistas: 1, 3, 7), Regina Carter (pistas: 1, 3, 7)
Vocals – Cassandra Wilson (pistas: 1), Graciela Perez (pistas: 4)


No wonder Steve Turre merely used his name as the title of this tour de force, for it is a supremely ambitious, self-defining project that covers an enormous amount of ground and means on one small disc. With his trombone and signature conch shells as a base, Turre expands his reach to embrace the Western Hemisphere -- particularly Cuba and Brazil -- arranging, composing, inviting stellar guests to chip in, and ending up with a beautiful, swinging record that can't be mistaken for anyone else's. One gets a powerful dose of Turre's unique sound world on the fascinating opening track, "In a Sentimental Mood," done bossa nova style with a conch shell solo that sounds like late-period Dizzy Gillespie and a smoky Cassandra Wilson vocal. There are ample layers of Turre's multi-tracked conch shell harmonies, the sweetest ensemble sound this side of Lombardo and one that is used as a genuinely musical ingredient, not a gimmick. Turre is secure enough to feature the majestic sound of J.J. Johnson, who plays magnificently on the lengthy tone poem "The Emperor" -- whose title undoubtedly refers to the elder trombone giant -- and on "Steve's Blues." Afro-Cuban music plays a major role here, as Mongo Santamaria's veteran chartmeister Marty Sheller arranges "Ayer Lo Vi Llorar" for the 81-year old Queen of Boleros, Graciela Perez -- and then Mongo himself duels with the madly comping McCoy Tyner on, of course, "Mongo 'n' McCoy." The booklet notes (by Turre himself) are an exhaustive play-by-play of what was clearly an exhausting project, yet the final product has much of the exuberance of a spontaneous jam session.

Richard S. Ginell


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