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Vegh Quartet - Béla Bartók: The Complete String Quartets (2017) [Hi-Res]

Vegh Quartet - Béla Bartók: The Complete String Quartets (2017) [Hi-Res]

BAND/ARTIST: Vegh Quartet

  • Title: Béla Bartók: The Complete String Quartets
  • Year Of Release: 2017/2021
  • Label: Praga Digitals
  • Genre: Classical
  • Quality: flac 24bits - 96.0kHz +Booklet
  • Total Time: 02:33:19
  • Total Size: 2.46 gb
  • WebSite:
Tracklist

CD1
01. String Quartet No. 1, Sz. 40: I. Lento - attaca
02. String Quartet No. 1, Sz. 40: II. Poco a poco accelerando all'allegretto - Introduzione allegro - attaca
03. String Quartet No. 1, Sz. 40: III. Allegro vivace
04. String Quartet No. 3, Sz. 85: I. Prima parte. Moderato - attaca
05. String Quartet No. 3, Sz. 85: II. Seconda parte. Allegro - attaca
06. String Quartet No. 3, Sz. 85: III. Ricapitulazione della prima parte. Moderato
07. String Quartet No. 3, Sz. 85: IV. Coda. Allegro molto
08. String Quartet No. 5, Sz. 102: I. Allegro
09. String Quartet No. 5, Sz. 102: II. Adagio molto
10. String Quartet No. 5, Sz. 102: III. Scherzo. Alla bulgarese - Trio
11. String Quartet No. 5, Sz. 102: IV. Andante
12. String Quartet No. 5, Sz. 102: V. Finale. Allegro vivace

CD2
01. String Quartet No. 2, Sz. 67: I. Moderato
02. String Quartet No. 2, Sz. 67: II. Prestissimo, con sordino
03. String Quartet No. 2, Sz. 67: III. Non troppo lento
04. String Quartet No. 4, Sz. 91: I. Allegro
05. String Quartet No. 4, Sz. 91: II. Prestissimo, con sordino
06. String Quartet No. 4, Sz. 91: III. Non troppo lento
07. String Quartet No. 4, Sz. 91: IV. Allegretto pizzicato
08. String Quartet No. 4, Sz. 91: V. Allegro molto
09. String Quartet No. 6, Sz. 114: I. Mesto - Più mosso, pesante - Vivace
10. String Quartet No. 6, Sz. 114: II. Mesto - Marcia
11. String Quartet No. 6, Sz. 114: III. Mesto - Burletta. Moderato
12. String Quartet No. 6, Sz. 114: IV. Mesto


Bartók’s complete string quartets, as played by the Végh Quartet back in 1954, is still the best interpretation of this fabulous musical encapsulation of the 20th century. The first Quartet (1907) glorifies Beethoven’s 16th, while the sixth closes with the quarter tones of a wistful (mesto) and gradually etiolating refrain. In turn expressionist, with Webern-like denseness, then discursive, exploiting timbre to the full, the rural undercurrent is magnified, its acoustic scale and inventive rhythms inspired by contemporary music from central Europe, Turkey and North Africa. In all, a sense of powerful authenticity: a genuine transfiguration.

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