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Yehudi Menuhin - Bach: Orchestral Suites & Concertos (2013)

Yehudi Menuhin - Bach: Orchestral Suites & Concertos (2013)
  • Title: Bach: Orchestral Suites & Concertos
  • Year Of Release: 2013
  • Label: Warner Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 8:05:33
  • Total Size: 2.39 GB
  • WebSite:
Tracklist:

01. 4 Orchestral Suites, BWV 1066-9, Suite No. 1 in C, BWV 1066: I. Ouverture
02. 4 Orchestral Suites, BWV 1066-9, Suite No. 1 in C, BWV 1066: II. Courante
03. 4 Orchestral Suites, BWV 1066-9, Suite No. 1 in C, BWV 1066: III. Gavottes I & II
04. 4 Orchestral Suites, BWV 1066-9, Suite No. 1 in C, BWV 1066: IV. Forlane
05. 4 Orchestral Suites, BWV 1066-9, Suite No. 1 in C, BWV 1066: V. Menuets I & II
06. 4 Orchestral Suites, BWV 1066-9, Suite No. 1 in C, BWV 1066: VI. Bourrées I & II
07. 4 Orchestral Suites, BWV 1066-9, Suite No. 1 in C, BWV 1066: VII. Passepieds I & II
08. 4 Orchestral Suites, BWV 1066-9, Suite No. 2 in B Minor, BWV 1067: I. Ouverture
09. 4 Orchestral Suites, BWV 1066-9, Suite No. 2 in B Minor, BWV 1067: II. Rondeau
10. 4 Orchestral Suites, BWV 1066-9, Suite No. 2 in B Minor, BWV 1067: III. Sarabande
11. 4 Orchestral Suites, BWV 1066-9, Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II
12. 4 Orchestral Suites, BWV 1066-9, Suite No. 2 in B Minor, BWV 1067: V. Polonaise et double
13. 4 Orchestral Suites, BWV 1066-9, Suite No. 2 in B Minor, BWV 1067: VI. Menuet
14. 4 Orchestral Suites, BWV 1066-9, Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
15. 4 Orchestral Suites, BWV 1066-9, Suite No. 3 in D, BWV 1068: I. Ouverture
16. 4 Orchestral Suites, BWV 1066-9, Suite No. 3 in D, BWV 1068: II. Air
17. 4 Orchestral Suites, BWV 1066-9, Suite No. 3 in D, BWV 1068: III. Gavottes I & II
18. 4 Orchestral Suites, BWV 1066-9, Suite No. 3 in D, BWV 1068: IV. Bourrée
19. 4 Orchestral Suites, BWV 1066-9, Suite No. 3 in D, BWV 1068: V. Gigue
20. 4 Orchestral Suites, BWV 1066-9, Suite No. 4 in D, BWV 1069: I. Ouverture
21. 4 Orchestral Suites, BWV 1066-9, Suite No. 4 in D, BWV 1069: II. Bourrées I & II
22. 4 Orchestral Suites, BWV 1066-9, Suite No. 4 in D, BWV 1069: III. Gavotte
23. 4 Orchestral Suites, BWV 1066-9, Suite No. 4 in D, BWV 1069: IV. Menuet
24. 4 Orchestral Suites, BWV 1066-9, Suite No. 4 in D, BWV 1069: V. Réjouissance
25. Musikalisches Opfer, BWV 1079 (ed. Boyling): Ricercar a 3
26. Musikalisches Opfer, BWV 1079 (ed. Boyling): First Group of Canons
27. Musikalisches Opfer, BWV 1079 (ed. Boyling), Sonata en trio (flute, violin and continuo): Largo
28. Musikalisches Opfer, BWV 1079 (ed. Boyling), Sonata en trio (flute, violin and continuo): Allegro
29. Musikalisches Opfer, BWV 1079 (ed. Boyling), Sonata en trio (flute, violin and continuo): Andante
30. Musikalisches Opfer, BWV 1079 (ed. Boyling), Sonata en trio (flute, violin and continuo): Allegro
31. Musikalisches Opfer, BWV 1079 (ed. Boyling): Second Group of Five Canons
32. Musikalisches Opfer, BWV 1079 (ed. Boyling): Ricercar a 6
33. Brandenburg Concerto No. 1 in F, BWV 1046: I. [Allegro]
34. Brandenburg Concerto No. 1 in F, BWV 1046: II. Adagio
35. Brandenburg Concerto No. 1 in F, BWV 1046: III. Allegro
36. Brandenburg Concerto No. 1 in F, BWV 1046: IV. Menuet - Trio I - Menuet - Polacca - Trio II - Menuet
37. Brandenburg Concerto No. 2 in F, BWV 1047: I. [Allegro]
38. Brandenburg Concerto No. 2 in F, BWV 1047: II. Andante
39. Brandenburg Concerto No. 2 in F, BWV 1047: III. Allegro assai
40. Brandenburg Concerto No. 3 in G, BWV 1048: I. [Allegro]
41. Brandenburg Concerto No. 3 in G, BWV 1048: II. Adagio (Trio Sonata for organ, BWV 530, movement II: arranged for violin, viola and Continuo by Benjamin Britten)
42. Brandenburg Concerto No. 3 in G, BWV 1048: III. Allegro
43. Brandenburg Concerto No. 4 in G, BWV 1049: I. Allegro
44. Brandenburg Concerto No. 4 in G, BWV 1049: II. Andante
45. Brandenburg Concerto No. 4 in G, BWV 1049: III. Presto
46. Brandenburg Concerto No. 5 in D, BWV 1050: I. Allegro
47. Brandenburg Concerto No. 5 in D, BWV 1050: II. Affettuoso
48. Brandenburg Concerto No. 5 in D, BWV 1050: III. Allegro
49. Brandenburg Concerto No. 6 in B Flat, BWV 1051: I. [Allegro]
50. Brandenburg Concerto No. 6 in B Flat, BWV 1051: II. Adagio ma non tanto
51. Brandenburg Concerto No. 6 in B Flat, BWV 1051: III. Allegro
52. Triple Concerto in A Minor, BWV 1044: I. Allegro
53. Triple Concerto in A Minor, BWV 1044: II. Adagio ma non tanto e dolce
54. Triple Concerto in A Minor, BWV 1044: III. Tempo di Allabreve
55. Concerto for Harpsichord and Strings in D minor BWV1052: I. Allegro
56. Concerto for Harpsichord and Strings in D minor BWV1052: II. Adagio
57. Concerto for Harpsichord and Strings in D minor BWV1052: III. Allegro
58. Concerto for Harpsichord and Strings in E BWV1053: I. [Allegro]
59. Concerto for Harpsichord and Strings in E BWV1053: II. Siciliano
60. Concerto for Harpsichord and Strings in E BWV1053: III. Allegro
61. Concerto for Harpsichord in D BWV 1054 (from Violin Concero BWV 1042): I. [Allegro]
62. Concerto for Harpsichord in D BWV 1054 (from Violin Concero BWV 1042): II. Adagio e piano sempre
63. Concerto for Harpsichord in D BWV 1054 (from Violin Concero BWV 1042): III. Allegro
64. Concerto for Harpsichord and Strings in A BWV1055: I. Allegro
65. Concerto for Harpsichord and Strings in A BWV1055: II. Larghetto
66. Concerto for Harpsichord and Strings in A BWV1055: III. Allegro ma non tanto
67. Concerto for Harpsichord and Strings in F minor BWV 1056: I. [Allegro]
68. Concerto for Harpsichord and Strings in F minor BWV 1056: II. Largo
69. Concerto for Harpsichord and Strings in F minor BWV 1056: III. Presto
70. Concerto for Two Harpsichords and Strings in C minor BWV1060: I. Allegro
71. Concerto for Two Harpsichords and Strings in C minor BWV1060: II. Adagio
72. Concerto for Two Harpsichords and Strings in C minor BWV1060: III. Allegro
73. Concerto for Two Harpsichords and Strings in C BWV1061: I. (without tempo indication)
74. Concerto for Two Harpsichords and Strings in C BWV1061: II. Adagio ovvero Largo
75. Concerto for Two Harpsichords and Strings in C BWV1061: III. Fuga
76. Concerto for Three Harpsichords and Strings in D BWV1064: I. Allegro
77. Concerto for Three Harpsichords and Strings in D BWV1064: II. Adagio
78. Concerto for Three Harpsichords and Strings in D BWV1064: III. Allegro
79. Concerto for Four Harpsichords and Strings in A minor BWV 1065: I. Allegro
80. Concerto for Four Harpsichords and Strings in A minor BWV 1065: II. Largo
81. Concerto for Four Harpsichords and Strings in A minor BWV 1065: III. Allegro
82. Violin Concerto in A Minor, BWV 1041: I. [Allegro]
83. Violin Concerto in A Minor, BWV 1041: II. Andante
84. Violin Concerto in A Minor, BWV 1041: III. Allegro assai
85. Double Violin Cocnerto in D Minor, BWV 1043: I. Vivace
86. Double Violin Cocnerto in D Minor, BWV 1043: II. Largo ma non tanto
87. Double Violin Cocnerto in D Minor, BWV 1043: III. Allegro
88. Violin Concerto in E, BWV 1042: I. Allegro
89. Violin Concerto in E, BWV 1042: II. Adagio
90. Violin Concerto in E, BWV 1042: III. Allegro assai
91. Concerto for Violin, Oboe and Strings in D Minor, BWV 1060: I. Allegro
92. Concerto for Violin, Oboe and Strings in D Minor, BWV 1060: II. Adagio
93. Concerto for Violin, Oboe and Strings in D Minor, BWV 1060: III. Allegro

The legendary violinist Yehudi Menuhin was the eldest child of Russian-born Hebrew scholars who met in Palestine, emigrated to New York City, and moved to San Francisco soon after their son's birth. After just three years of violin study, Yehudi made a legendary debut at age seven with the local symphony. His Carnegie Hall debut three years later, in the Beethoven Violin Concerto, garnered praise that likened him to Mozart as a prodigy, whereupon the family (which now included sisters Hephzibah and Yaltah) lived gypsy-like in hotels wherever Yehudi was engaged at enormous fees. But the child's talent was instinctive. As Fritz Kreisler was to remark later on, "Because the young Menuhin had anticipated so early and so much of what nature had given him, I foresaw that he would have great difficulties." And he did.

When an eminent elder colleague requested a scale after the boy had played Lalo's Symphonie espagnole flawlessly, Menuhin wrote in his autobiography, Unfinished Journey, "I groped all over the fingerboard like a blind mouse.... I played the violin without being prepared for violin playing." He began recording early on (playing among other works Elgar's Violin Concerto at 16, with the composer conducting) and continued to concertize, making a world tour of 73 cities during his 19th year. At the end, however, he felt "tired, indifferent, and sad," and in 1936 began an 18-month sabbatical. Menuhin resumed playing in 1938, but never after with the sublime confidence of his preadolescent years.

During World War II he gave more than 500 concerts for Allied and American troops, but stirred a hornet's nest of controversy as the first major Jewish artist to perform in postwar Germany. Likewise, after the Six Day War in the Middle East, he was vilified for performing charity concerts in Arab countries. Increasingly he devoted himself to the training of young artists, both near London (which became his home in 1952) and at Gstaad, Switzerland. Also in 1952 he went to India, became a disciple of yoga, and a colleague of sitarist Ravi Shankar. He recorded with Shankar, as he did subsequently with jazz violinist Stéphane Grappelli. In the middle 1950s Menuhin took up conducting, but was no better schooled than he had been as a child violinist -- and he was conspicuously less successful despite having made a steady stream of recordings begninning in 1958. At age 82 he was guest conducting the Warsaw Symphony on tour when he suffered a fatal heart attack in Berlin.

Menuhin was named Chevalier of the Légion d'honneur in 1948, to the British knighthood in 1965, and to a Lordship in 1993. For his work on behalf of peace worldwide, he was named ambassador of goodwill to UNESCO in 1992. His dedication to the "minds and hearts" of young musicians well may be remembered after his pre-adult celebrity has faded to black. Menuhin married twice, fathered four children, and played frequent recitals with sisters Hephzibah (1920-1981), starting in 1930, and years later with Yaltah (1922-2001), notably at the Bath Festival he founded and directed in the 1960s. ~ Roger Dettmer


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