L'Orchestre de la Suisse Romande & Jonathan Nott - Debussy & Schoenberg: Pelléas & Mélisande (2021) [DSD & Hi-Res]
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BAND/ARTIST: L'Orchestre de la Suisse Romande, Jonathan Nott
- Title: Debussy & Schoenberg: Pelléas & Mélisande
- Year Of Release: 2021
- Label: Pentatone
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz / DSD64 +Booklet
- Total Time: 01:29:16
- Total Size: 393 mb / 1.51 / 3.54 gb
- WebSite: Album Preview
Tracklist
CD1
01. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act I: A Forest [1]
02. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88] Act I: Golaud & Mélisande
03. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act I: A Forest [2]
04. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act I: Pelléas - A Room in the Castle
05. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act I: Mélisande, Golaud, Pelléas
06. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act II: A Well in the Garden - Pelléas & Mélisande
07. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act II: Golaud, Mélisande
08. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act III: Mélisande, Pelléas - One of the Castle's Towers
09. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act III: Golaud Appears
10. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act IV: A Room in the Castle - Golaud & Mélisande
11. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88]: Act IV: A Well in the Garden - Pelléas, Mélisande
12. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act IV: Golaud Appears - The Death of Pelléas
13. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act V: A Room in the Castle
14. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act V: Castle Maids Appear
15. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act V: The Immutability of Destiny
CD2
01. Pelleas und Melisande, Op. 5, Pt. 1: First Movement Sonata Form - Introduction. Die Achtel ein wenig bewegt
02. Pelleas und Melisande, Op. 5, Pt. 1: First Theme Group. Heftig - Sehr warm. in breiter Bewegung
03. Pelleas und Melisande, Op. 5, Pt. 1: Second Theme Group. Lebhaft
04. Pelleas und Melisande, Op. 5, Pt. 2: Scherzo with Episodes. Sehr rasch
05. Pelleas und Melisande, Op. 5, Pt. 2: Ring Falls Into the Well. Golaud Falls from His Horse
06. Pelleas und Melisande, Op. 5, Pt. 2: Golaud Wounded in Bed. Golaud's Jealousy
07. Pelleas und Melisande, Op. 5, Pt. 2: Pelléas & Mélisande. Love
08. Pelleas und Melisande, Op. 5, Pt. 2: Episode Ia. Sehr langsam
09. Pelleas und Melisande, Op. 5, Pt. 2: Episode Ib
10. Pelleas und Melisande, Op. 5, Pt. 2: Episode II. Sehr langsam. Gedehnt
11. Pelleas und Melisande, Op. 5, Pt. 3: Slow Movement - Introduction. Ein wenig bewegt
12. Pelleas und Melisande, Op. 5, Pt. 3: Love Theme. Langsam
13. Pelleas und Melisande, Op. 5, Pt. 3: Im Zeitmaß
14. Pelleas und Melisande, Op. 5, Pt. 3: Development. Ein wenig bewegter
15. Pelleas und Melisande, Op. 5, Pt. 3: Coda
16. Pelleas und Melisande, Op. 5, Pt. 4: Recapitulatory Finale - Recapitulation of Introduction. Sehr langsam
17. Pelleas und Melisande, Op. 5, Pt. 4: Recapitulation of First Theme. Etwas bewegt
18. Pelleas und Melisande, Op. 5, Pt. 4: Recapitulation of Love Theme
19. Pelleas und Melisande, Op. 5, Pt. 4: in gehender Bewegung
20. Pelleas und Melisande, Op. 5, Pt. 4: Epilogue. Breit
![L'Orchestre de la Suisse Romande & Jonathan Nott - Debussy & Schoenberg: Pelléas & Mélisande (2021) [DSD & Hi-Res]](https://www.dibpic.com/uploads/posts/2021-11/1636469907_jonathan-nott-debussy-schoenberg-pelleas-melisande-2021-back.jpg)
This new OSR recording presents the two most ambitious musical responses to Maurice Maeterlinck’s 1893 epoch-making play Pelléas et Mélisande Conductor Jonathan Nott has created a new suite of Debussy’s opera, which is much more extensive, and focuses more on the actual drama and symphonic development than existing suites that rely heavily on Debussy’s interludes. Schoenberg’s Pelleas und Melisande is often perceived as relatively “amorphous”, its narrative structure obscure, leaving concealed all but the most explicit references to the drama on which Schoenberg based it. In this recording, Jonathan Nott introduces a novel track division and analytical track titles that make the music’s relation to the story much more tangible to the listener. Programming it next to the music of Debussy’s opera allows us to compare both works, and to see how the most important innovators of turn-of-the-century music responded to this haunting, Symbolist story.
CD1
01. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act I: A Forest [1]
02. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88] Act I: Golaud & Mélisande
03. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act I: A Forest [2]
04. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act I: Pelléas - A Room in the Castle
05. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act I: Mélisande, Golaud, Pelléas
06. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act II: A Well in the Garden - Pelléas & Mélisande
07. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act II: Golaud, Mélisande
08. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act III: Mélisande, Pelléas - One of the Castle's Towers
09. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act III: Golaud Appears
10. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act IV: A Room in the Castle - Golaud & Mélisande
11. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88]: Act IV: A Well in the Garden - Pelléas, Mélisande
12. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act IV: Golaud Appears - The Death of Pelléas
13. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act V: A Room in the Castle
14. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act V: Castle Maids Appear
15. Pelléas et Mélisande (Suite symphonique) [After Debussy's L. 88], Act V: The Immutability of Destiny
CD2
01. Pelleas und Melisande, Op. 5, Pt. 1: First Movement Sonata Form - Introduction. Die Achtel ein wenig bewegt
02. Pelleas und Melisande, Op. 5, Pt. 1: First Theme Group. Heftig - Sehr warm. in breiter Bewegung
03. Pelleas und Melisande, Op. 5, Pt. 1: Second Theme Group. Lebhaft
04. Pelleas und Melisande, Op. 5, Pt. 2: Scherzo with Episodes. Sehr rasch
05. Pelleas und Melisande, Op. 5, Pt. 2: Ring Falls Into the Well. Golaud Falls from His Horse
06. Pelleas und Melisande, Op. 5, Pt. 2: Golaud Wounded in Bed. Golaud's Jealousy
07. Pelleas und Melisande, Op. 5, Pt. 2: Pelléas & Mélisande. Love
08. Pelleas und Melisande, Op. 5, Pt. 2: Episode Ia. Sehr langsam
09. Pelleas und Melisande, Op. 5, Pt. 2: Episode Ib
10. Pelleas und Melisande, Op. 5, Pt. 2: Episode II. Sehr langsam. Gedehnt
11. Pelleas und Melisande, Op. 5, Pt. 3: Slow Movement - Introduction. Ein wenig bewegt
12. Pelleas und Melisande, Op. 5, Pt. 3: Love Theme. Langsam
13. Pelleas und Melisande, Op. 5, Pt. 3: Im Zeitmaß
14. Pelleas und Melisande, Op. 5, Pt. 3: Development. Ein wenig bewegter
15. Pelleas und Melisande, Op. 5, Pt. 3: Coda
16. Pelleas und Melisande, Op. 5, Pt. 4: Recapitulatory Finale - Recapitulation of Introduction. Sehr langsam
17. Pelleas und Melisande, Op. 5, Pt. 4: Recapitulation of First Theme. Etwas bewegt
18. Pelleas und Melisande, Op. 5, Pt. 4: Recapitulation of Love Theme
19. Pelleas und Melisande, Op. 5, Pt. 4: in gehender Bewegung
20. Pelleas und Melisande, Op. 5, Pt. 4: Epilogue. Breit
This new OSR recording presents the two most ambitious musical responses to Maurice Maeterlinck’s 1893 epoch-making play Pelléas et Mélisande Conductor Jonathan Nott has created a new suite of Debussy’s opera, which is much more extensive, and focuses more on the actual drama and symphonic development than existing suites that rely heavily on Debussy’s interludes. Schoenberg’s Pelleas und Melisande is often perceived as relatively “amorphous”, its narrative structure obscure, leaving concealed all but the most explicit references to the drama on which Schoenberg based it. In this recording, Jonathan Nott introduces a novel track division and analytical track titles that make the music’s relation to the story much more tangible to the listener. Programming it next to the music of Debussy’s opera allows us to compare both works, and to see how the most important innovators of turn-of-the-century music responded to this haunting, Symbolist story.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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