St. Martin's Chamber Choir, Timothy J. Krueger - Henri Hardouin: Complete Four-Part a cappella Masses, Volume One (2013)
BAND/ARTIST: Timothy J. Krueger, St. Martin's Chamber Choir
- Title: Henri Hardouin: Complete Four-Part a cappella Masses, Volume One
- Year Of Release: 2013
- Label: Toccata Classics
- Genre: Classical
- Quality: FLAC (tracks + booklet)
- Total Time: 1:00:46
- Total Size: 242 MB
- WebSite: Album Preview
Tracklist:
Mass No. 1 - Incipite Domino in tympanis
01. Kyrie
02. Gloria
03. Credo
04. Sanctus
05. O salutaris hostia
06. Benedictus
07. Agnus Dei
08. Domine salvum fac regem
Mass No. 3 - Jucundum sit eloquium meum
09. Kyrie
10. Gloria
11. Credo
12. Sanctus
13. O salutaris hostia
14. Benedictus
15. Agnus Dei
16. Domine salvum fac regem
Mass No. 4 - Exaltate et invocate nomen ejus
17. Kyrie
18. Gloria
19. Credo
20. Sanctus
21. O salutaris hostia
22. Benedictus
23. Agnus Dei
24. Domine salvum fac regem
Mass No. 1 - Incipite Domino in tympanis
01. Kyrie
02. Gloria
03. Credo
04. Sanctus
05. O salutaris hostia
06. Benedictus
07. Agnus Dei
08. Domine salvum fac regem
Mass No. 3 - Jucundum sit eloquium meum
09. Kyrie
10. Gloria
11. Credo
12. Sanctus
13. O salutaris hostia
14. Benedictus
15. Agnus Dei
16. Domine salvum fac regem
Mass No. 4 - Exaltate et invocate nomen ejus
17. Kyrie
18. Gloria
19. Credo
20. Sanctus
21. O salutaris hostia
22. Benedictus
23. Agnus Dei
24. Domine salvum fac regem
Henri Hardouin (1727–1808) was a chorister in Rheims Cathedral, rising swiftly through the ranks to become maître de chapelle – until the French Revolution disbanded religious establishments.
As a priest he was in potential danger and seems to have gone into hiding until, in 1794, the death of Robespierre allowed him to resume his duties.
Hardouin’s six four-part masses, published in 1772, are unusual for their time in being a cappella and enjoyed wide circulation in pre-Revolutionary France.
Since then they have been roundly neglected – an omission this two-CD survey intends to rectify.
As a priest he was in potential danger and seems to have gone into hiding until, in 1794, the death of Robespierre allowed him to resume his duties.
Hardouin’s six four-part masses, published in 1772, are unusual for their time in being a cappella and enjoyed wide circulation in pre-Revolutionary France.
Since then they have been roundly neglected – an omission this two-CD survey intends to rectify.
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