R.E.M. - New Adventures In Hi-Fi (Remastered) (2021) [Hi-Res]
BAND/ARTIST: R.E.M.
- Title: New Adventures In Hi-Fi (Remastered)
- Year Of Release: 2021
- Label: Craft Recordings
- Genre: Rock
- Quality: 24bit-192kHz FLAC (tracks)
- Total Time: 65:21
- Total Size: 2.50 GB
- WebSite: Album Preview
Tracklist:
1. How The West Was Won And Where It Got Us (Remastered) (4:31)
2. The Wake-Up Bomb (Remastered) (5:08)
3. New Test Leper (Remastered) (5:26)
4. Undertow (Remastered) (5:10)
5. E-Bow The Letter (Remastered) (5:24)
6. Leave (Remastered) (7:17)
7. Departure (Remastered) (3:29)
8. Bittersweet Me (Remastered) (4:05)
9. Be Mine (Remastered) (5:33)
10. Binky The Doormat (Remastered) (5:01)
11. Zither (Remastered) (2:34)
12. So Fast, So Numb (Remastered) (4:12)
13. Low Desert (Remastered) (3:32)
14. Electrolite (Remastered) (4:05)
1. How The West Was Won And Where It Got Us (Remastered) (4:31)
2. The Wake-Up Bomb (Remastered) (5:08)
3. New Test Leper (Remastered) (5:26)
4. Undertow (Remastered) (5:10)
5. E-Bow The Letter (Remastered) (5:24)
6. Leave (Remastered) (7:17)
7. Departure (Remastered) (3:29)
8. Bittersweet Me (Remastered) (4:05)
9. Be Mine (Remastered) (5:33)
10. Binky The Doormat (Remastered) (5:01)
11. Zither (Remastered) (2:34)
12. So Fast, So Numb (Remastered) (4:12)
13. Low Desert (Remastered) (3:32)
14. Electrolite (Remastered) (4:05)
25th-anniversary edition of R. E. M.'s tenth studio album, New Adventures in Hi-Fi. First released in 1996, the album was R. E. M.'s last studio recording with founding member Bill Berry who left amicably the following year. As the band's fifth collaboration with long-time producer Scott Litt (Green, Out of Time, Automatic for the People and Monster), the album experiments with new sonic textures, filled with cinematic imagery, dissonant notes and haunting effects. The platinum-selling title includes the singles "Electrolite," "E-Bow the Letter" (featuring Patti Smith) and "Bittersweet Me," and represents R. E. M.'s longest studio release with a total run time of 65 minutes. New Adventures in Hi-Fi grew to cult status years after its release, with several press retrospectives--and band members themselves--ranking it among the top albums in R. E. M.'s recorded catalogue.
"Recorded during and immediately following R.E.M.'s disaster-prone Monster tour, New Adventures in Hi-Fi feels like it was recorded on the road. Not only are all of Michael Stipe's lyrics on the album about moving or travel, the sound is ragged and varied, pieced together from tapes recorded at shows, soundtracks, and studios, giving it a loose, careening charm. New Adventures has the same spirit of much of R.E.M.'s IRS records, but don't take the title of New Adventures in Hi-Fi lightly -- R.E.M. tries different textures and new studio tricks. "How the West Was Won and Where It Got Us" opens the album with a rolling, vaguely hip-hop drum beat and slowly adds on jazzily dissonant piano. "E-Bow the Letter" starts out as an updated version of "Country Feedback," then it turns in on itself with layers of moaning guitar effects and Patti Smith's haunting backing vocals. Clocking in at seven minutes, "Leave" is the longest track R.E.M. has yet recorded and it's one of their strangest and best -- an affecting minor-key dirge with a howling, siren-like feedback loop that runs throughout the entire song. Elsewhere, R.E.M. tread standard territory: "Electrolite" is a lovely piano-based ballad, "Departure" rocks like a Document outtake, the chiming opening riff of "Bittersweet Me" sounds like it was written in 1985, "New Test Leper" is gently winding folk-rock, and "The Wake-Up Bomb" and "Undertow" rock like the Monster outtakes they are. New Adventures in Hi-Fi may run a little too long -- it clocks in at 62 minutes, by far the longest album R.E.M. has ever released -- yet in its multifaceted sprawl, they wound up with one of their best records of the '90s." (Stephen Thomas Erlewine, AMG)
Bill Berry, drums, percussion
Peter Buck, guitar, mandolin, bouzouki, bass
Mike Mills, bass, piano, backing vocals, synthesizer, organ
Michael Stipe, vocals, synthesizer
Nathan December, guitar
Scott McCaughey, ARP Odyssey synthesizer, paino
Mike Mills, fuzz bass, backing vocals, Farfisa organ
Patti Smith, vocals
Recorded 1995–1996 at Recorded at Bad Animals, Seattle
Additional recording & mixing at John Keane Studio, Athens and Louie's Clubhouse, Los Angeles
Tracks 1, 3, 5, 9 recorded at Seattle Studio • Track 2 recorded in Charleston
Track 4 recorded in Boston - Tracks 6, 13 recorded in Atlanta soundcheck
Track 7 recorded in Detroit - Track 8 recorded in Memphis soundcheck
Track 10 recorded in Phoenix - Track 11 recorded in Philadelphia dressing room
Track 12 recorded in Orlando soundcheck - Track 14 recorded in Phoenix soundcheck
Mastered at Gateway Mastering
Produced by Scott Litt, R.E.M.
"Recorded during and immediately following R.E.M.'s disaster-prone Monster tour, New Adventures in Hi-Fi feels like it was recorded on the road. Not only are all of Michael Stipe's lyrics on the album about moving or travel, the sound is ragged and varied, pieced together from tapes recorded at shows, soundtracks, and studios, giving it a loose, careening charm. New Adventures has the same spirit of much of R.E.M.'s IRS records, but don't take the title of New Adventures in Hi-Fi lightly -- R.E.M. tries different textures and new studio tricks. "How the West Was Won and Where It Got Us" opens the album with a rolling, vaguely hip-hop drum beat and slowly adds on jazzily dissonant piano. "E-Bow the Letter" starts out as an updated version of "Country Feedback," then it turns in on itself with layers of moaning guitar effects and Patti Smith's haunting backing vocals. Clocking in at seven minutes, "Leave" is the longest track R.E.M. has yet recorded and it's one of their strangest and best -- an affecting minor-key dirge with a howling, siren-like feedback loop that runs throughout the entire song. Elsewhere, R.E.M. tread standard territory: "Electrolite" is a lovely piano-based ballad, "Departure" rocks like a Document outtake, the chiming opening riff of "Bittersweet Me" sounds like it was written in 1985, "New Test Leper" is gently winding folk-rock, and "The Wake-Up Bomb" and "Undertow" rock like the Monster outtakes they are. New Adventures in Hi-Fi may run a little too long -- it clocks in at 62 minutes, by far the longest album R.E.M. has ever released -- yet in its multifaceted sprawl, they wound up with one of their best records of the '90s." (Stephen Thomas Erlewine, AMG)
Bill Berry, drums, percussion
Peter Buck, guitar, mandolin, bouzouki, bass
Mike Mills, bass, piano, backing vocals, synthesizer, organ
Michael Stipe, vocals, synthesizer
Nathan December, guitar
Scott McCaughey, ARP Odyssey synthesizer, paino
Mike Mills, fuzz bass, backing vocals, Farfisa organ
Patti Smith, vocals
Recorded 1995–1996 at Recorded at Bad Animals, Seattle
Additional recording & mixing at John Keane Studio, Athens and Louie's Clubhouse, Los Angeles
Tracks 1, 3, 5, 9 recorded at Seattle Studio • Track 2 recorded in Charleston
Track 4 recorded in Boston - Tracks 6, 13 recorded in Atlanta soundcheck
Track 7 recorded in Detroit - Track 8 recorded in Memphis soundcheck
Track 10 recorded in Phoenix - Track 11 recorded in Philadelphia dressing room
Track 12 recorded in Orlando soundcheck - Track 14 recorded in Phoenix soundcheck
Mastered at Gateway Mastering
Produced by Scott Litt, R.E.M.
Download Link Isra.Cloud
R.E.M. - New Adventures In Hi-Fi (Remastered) Hi-Res.rar - 2.5 GB
R.E.M. - New Adventures In Hi-Fi (Remastered) Hi-Res.rar - 2.5 GB
Year 2021 | Rock | Alternative | Indie | HD & Vinyl
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