Henryk Szeryng, SWR Sinfonieorchester Baden-Baden und Freiburg, Hans Rosbaud - Henryk Szeryng plays Nardini, Vieuxtemps, Ravel & Schumann (2015)
- Title: Henryk Szeryng plays Nardini, Vieuxtemps, Ravel & Schumann
- Year Of Release: 2015
- Label: SWR Classic
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:15:48
- Total Size: 362 mb
- WebSite: Album Preview
Tracklist
01. Violin Concerto in E Minor: I. Allegro moderato
02. Violin Concerto in E Minor: II. Andante cantabile
03. Violin Concerto in E Minor: III. Allegro giocoso
04. Violin Concerto No. 4 in D Minor, Op. 31: I. Andante - Moderato
05. Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Trio
06. Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marziale. Allegro
07. Tzigane, M. 76 (Version for Violin and Orchestra)
08. Violin Concerto in D Minor, WoO 23: I. in kräftigem, nicht zu schnellem Tempo
09. Violin Concerto in D Minor, WoO 23: II. Langsam -
10. Violin Concerto in D Minor, WoO 23: III. Lebhaft doch nicht schnell
Among the great violinists of the 20th century, Henryk Szeryng (1918-1988) was once regarded as a supreme master, but has now faded from memory. Szeryng‘s fame is not comparable to that of Jascha Heifetz, David Oistrakh, Nathan Milstein or Yehudi Menuhin, although he was often mentioned along with them.
No question, his performances set standards, the major record companies vied for his favor, and he was a popular guest at major orchestras throughout the world. In the great concertos by Beethoven and Brahms, he was considered authority and even today, remains for Hilary Hahn, a preeminent Bach interpreter.
Henryk Szeryng performed in Germany regularly over the decades. In 1955 Szeryng played with the Sinfonieorchester des Südwestfunks under the direction of the legendary conductor Hans Rosbaud. These live recordings of a Romantically-edited version of Nardini‘s E Minor Concerto and the popular fourth concerto by Vieuxtemps was followed in March 1957 by studio recordings of Ravel's "Tzigane" and the Robert Schumann‘s Violin Concerto. Szeryng had a very special sympathy for this neglected score that his heard in one of his first recordings of it. Szeryng was the first major violinist after Kulenkampff and Menuhin to recognize the value of this grandiose masterpiece and it play publicly.
01. Violin Concerto in E Minor: I. Allegro moderato
02. Violin Concerto in E Minor: II. Andante cantabile
03. Violin Concerto in E Minor: III. Allegro giocoso
04. Violin Concerto No. 4 in D Minor, Op. 31: I. Andante - Moderato
05. Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Trio
06. Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marziale. Allegro
07. Tzigane, M. 76 (Version for Violin and Orchestra)
08. Violin Concerto in D Minor, WoO 23: I. in kräftigem, nicht zu schnellem Tempo
09. Violin Concerto in D Minor, WoO 23: II. Langsam -
10. Violin Concerto in D Minor, WoO 23: III. Lebhaft doch nicht schnell
Among the great violinists of the 20th century, Henryk Szeryng (1918-1988) was once regarded as a supreme master, but has now faded from memory. Szeryng‘s fame is not comparable to that of Jascha Heifetz, David Oistrakh, Nathan Milstein or Yehudi Menuhin, although he was often mentioned along with them.
No question, his performances set standards, the major record companies vied for his favor, and he was a popular guest at major orchestras throughout the world. In the great concertos by Beethoven and Brahms, he was considered authority and even today, remains for Hilary Hahn, a preeminent Bach interpreter.
Henryk Szeryng performed in Germany regularly over the decades. In 1955 Szeryng played with the Sinfonieorchester des Südwestfunks under the direction of the legendary conductor Hans Rosbaud. These live recordings of a Romantically-edited version of Nardini‘s E Minor Concerto and the popular fourth concerto by Vieuxtemps was followed in March 1957 by studio recordings of Ravel's "Tzigane" and the Robert Schumann‘s Violin Concerto. Szeryng had a very special sympathy for this neglected score that his heard in one of his first recordings of it. Szeryng was the first major violinist after Kulenkampff and Menuhin to recognize the value of this grandiose masterpiece and it play publicly.
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