Katherine Broderick & James Baillieu - Chanson Perpétuelle (2016)
BAND/ARTIST: Katherine Broderick, James Baillieu
- Title: Chanson Perpétuelle
- Year Of Release: 2016
- Label: Champs Hill Records
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:21:06
- Total Size: 251 mb
- WebSite: Album Preview
Tracklist
01. Soir Païen
02. La captive, H 60
03. Chansons madécasses, M 78: I. Nahandove
04. Chansons madécasses, M 78: II. Aoua
05. Chansons madécasses, M 78: I. Il est doux
06. Histoires naturelles, M 50: I. Le paon
07. Histoires naturelles, M 50: II. Le grillon
08. Histoires naturelles, M 50: III. Le cygne
09. Histoires naturelles, M 50: IV. Le martin-pêcheur
10. Histoires naturelles, M 50: V. La pintade
11. Viens! Une flûte invisible soupire
12. Proses lyriques, L 90: I. De rêve
13. Proses lyriques, L 90: II. De grève
14. Proses lyriques, L 90: III. De fleurs
15. Proses lyriques, L 90: IV. De soir
16. Une flûte invisible
17. Violins dans le soir
18. Chanson Perpetuelle
Soprano Katherine Broderick joins instrumentalists including pianist James Baillieu, flautist Adam Walker, cellist Tim Lowe and the Heath Quartet in a new recording of French chamber songs.
Drawn from the late 19th and early 20th centuries, the repertoire draws together works by some of the finest French composers of the era, featuring pieces by Gaubert, Berlioz, Ravel, Caplet, Debussy, Saint-Saëns and Chausson.
Broderick introduces the collection with her own thoughts on the connection between singer and pianist, and the joys of including more players in this collaboration : “There is an indefinable communication between a singer and pianist in the medium of song. It is quite intimate and, I like to imagine, something akin to telepathy. It is a really exciting experience to add more players into the mix. I always relish the chance to sing with chamber musicians. It’s the closest I’ll come to knowing the interdependency of the dynamics between players in a string quartet.”
Currently an ENO Harwood Artist, Katherine Broderick has a flourishing career in opera, concert and recital, and was the winner of the 2007 Kathleen Ferrier Award. In demand at opera houses in the UK and Europe, her stage repertoire encompasses Wagner, Verdi, Mozart and Britten.
This recording follows her 2012 Champs Hill release of Lieder for the Turn of a Century (CHRCD046) with Malcolm Martineau, described as “...beautifully shaped and superbly sung...” by BBC Radio 3 and by Gramophone as “... a judicious mix of not-too-brash bravado and playful sensuality makes this performance just the ticket.”
01. Soir Païen
02. La captive, H 60
03. Chansons madécasses, M 78: I. Nahandove
04. Chansons madécasses, M 78: II. Aoua
05. Chansons madécasses, M 78: I. Il est doux
06. Histoires naturelles, M 50: I. Le paon
07. Histoires naturelles, M 50: II. Le grillon
08. Histoires naturelles, M 50: III. Le cygne
09. Histoires naturelles, M 50: IV. Le martin-pêcheur
10. Histoires naturelles, M 50: V. La pintade
11. Viens! Une flûte invisible soupire
12. Proses lyriques, L 90: I. De rêve
13. Proses lyriques, L 90: II. De grève
14. Proses lyriques, L 90: III. De fleurs
15. Proses lyriques, L 90: IV. De soir
16. Une flûte invisible
17. Violins dans le soir
18. Chanson Perpetuelle
Soprano Katherine Broderick joins instrumentalists including pianist James Baillieu, flautist Adam Walker, cellist Tim Lowe and the Heath Quartet in a new recording of French chamber songs.
Drawn from the late 19th and early 20th centuries, the repertoire draws together works by some of the finest French composers of the era, featuring pieces by Gaubert, Berlioz, Ravel, Caplet, Debussy, Saint-Saëns and Chausson.
Broderick introduces the collection with her own thoughts on the connection between singer and pianist, and the joys of including more players in this collaboration : “There is an indefinable communication between a singer and pianist in the medium of song. It is quite intimate and, I like to imagine, something akin to telepathy. It is a really exciting experience to add more players into the mix. I always relish the chance to sing with chamber musicians. It’s the closest I’ll come to knowing the interdependency of the dynamics between players in a string quartet.”
Currently an ENO Harwood Artist, Katherine Broderick has a flourishing career in opera, concert and recital, and was the winner of the 2007 Kathleen Ferrier Award. In demand at opera houses in the UK and Europe, her stage repertoire encompasses Wagner, Verdi, Mozart and Britten.
This recording follows her 2012 Champs Hill release of Lieder for the Turn of a Century (CHRCD046) with Malcolm Martineau, described as “...beautifully shaped and superbly sung...” by BBC Radio 3 and by Gramophone as “... a judicious mix of not-too-brash bravado and playful sensuality makes this performance just the ticket.”
Year 2016 | Classical | FLAC / APE
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