Dorothea Seel, Barocksolisten München - Bach: Orchestral Works (2016)
BAND/ARTIST: Dorothea Seel, Barocksolisten München
- Title: Bach: Orchestral Works
- Year Of Release: 2016
- Label: haenssler CLASSIC
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:06:37
- Total Size: 364 mb
- WebSite: Album Preview
Tracklist
01. Concerto for Violin & Oboe in C Minor, BWV 1060R: I. Allegro
02. Concerto for Violin & Oboe in C Minor, BWV 1060R: II. Adagio
03. Concerto for Violin & Oboe in C Minor, BWV 1060R: III. Allegro
04. Concerto for Flute, Violin & Harpsichord in A Minor, BWV 1044: I. Allegro
05. Concerto for Flute, Violin & Harpsichord in A Minor, BWV 1044: II. Adagio ma non tanto e dolce
06. Concerto for Flute, Violin & Harpsichord in A Minor, BWV 1044: III. Alla breve
07. Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture
08. Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau
09. Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande
10. Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II
11. Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise & Double
12. Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuett
13. Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
14. Oboe d'amore Concerto in A Major, BWV 1055R: I. Allegro
15. Oboe d'amore Concerto in A Major, BWV 1055R: II. Larghetto
16. Oboe d'amore Concerto in A Major, BWV 1055R: III. Allegro ma non tanto
Johann Sebastian Bach's entire oeuvre is characterized by arrangements of his own works, the re-utilization of movements and a general policy of "material recycling", so that many works contain references to others. This is especially true of his concertos. Many of Bach's concertos have been lost or exist only in his own arrangements.
Over and above his teaching duties, during his term as Thomaskantor and "Director musices" in Leipzig, Bach was primarily involved with delivering music for the Lutheran services at the city's central churches. But here too, he sought a sphere of activity that gave him the chance to perform instrumental music at secular venues. In 1729 he assumed direction of the students' Collegium Musicum, formed by his eminent predecessor Georg Philipp Telemann in 1704. The Leipzig collegium musicum was made up of professional musicians and students; it gave public performances once a week (more often during the Leipzig Fair) throughout the academic year; in the summer, they took place on Wednesdays from 4 to 6 p.m. at the coffee-house garden "before the Grimma Gate" and on winter Fridays from 8 to 10 p.m. at Zimmermann's Coffee House. Bach composed a great many important works for the collegium musicum; he very frequently adapted earlier compositions to suit the new conditions and available performing forces.
01. Concerto for Violin & Oboe in C Minor, BWV 1060R: I. Allegro
02. Concerto for Violin & Oboe in C Minor, BWV 1060R: II. Adagio
03. Concerto for Violin & Oboe in C Minor, BWV 1060R: III. Allegro
04. Concerto for Flute, Violin & Harpsichord in A Minor, BWV 1044: I. Allegro
05. Concerto for Flute, Violin & Harpsichord in A Minor, BWV 1044: II. Adagio ma non tanto e dolce
06. Concerto for Flute, Violin & Harpsichord in A Minor, BWV 1044: III. Alla breve
07. Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture
08. Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau
09. Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande
10. Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II
11. Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise & Double
12. Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuett
13. Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
14. Oboe d'amore Concerto in A Major, BWV 1055R: I. Allegro
15. Oboe d'amore Concerto in A Major, BWV 1055R: II. Larghetto
16. Oboe d'amore Concerto in A Major, BWV 1055R: III. Allegro ma non tanto
Johann Sebastian Bach's entire oeuvre is characterized by arrangements of his own works, the re-utilization of movements and a general policy of "material recycling", so that many works contain references to others. This is especially true of his concertos. Many of Bach's concertos have been lost or exist only in his own arrangements.
Over and above his teaching duties, during his term as Thomaskantor and "Director musices" in Leipzig, Bach was primarily involved with delivering music for the Lutheran services at the city's central churches. But here too, he sought a sphere of activity that gave him the chance to perform instrumental music at secular venues. In 1729 he assumed direction of the students' Collegium Musicum, formed by his eminent predecessor Georg Philipp Telemann in 1704. The Leipzig collegium musicum was made up of professional musicians and students; it gave public performances once a week (more often during the Leipzig Fair) throughout the academic year; in the summer, they took place on Wednesdays from 4 to 6 p.m. at the coffee-house garden "before the Grimma Gate" and on winter Fridays from 8 to 10 p.m. at Zimmermann's Coffee House. Bach composed a great many important works for the collegium musicum; he very frequently adapted earlier compositions to suit the new conditions and available performing forces.
Year 2016 | Classical | FLAC / APE
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