La Grande Chapelle, Albert Recasens - Cristóbal de Morales. Lamentabatur Iacob (2019)
BAND/ARTIST: La Grande Chapelle, Albert Recasens, Perrine Devillers, Gabriel Díaz Cuesta, Benedict Hymas, Andrés Miravete
- Title: Cristóbal de Morales. Lamentabatur Iacob
- Year Of Release: 2019
- Label: Lauda
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:03:13
- Total Size: 284 mb
- WebSite: Album Preview
Tracklist
01. Circumdederunt me, a 5 (Intr. Dominica in Septuagesima)
02. Simile est regnum coelorum / Cum sero autem factum esset, a 4 (Ant. Dominica in Septuagesima)
03. In illo tempore: Cum turba plurima, a 4 (Resp. IX Dominica in Sexagesima)
04. Immutemur habitu / Iuxta vestibulum, a 4 (Ant. post benedictionem Feria IV cinerum)
05. Inter vestibulum et altare, a 4 (Ant. post benedictionem Feria IV cinerum)
06. Emendemus in melius, a 5 (Resp. Feria IV cinerum)
07. Clamabat autem mulier / At illa venit, a 5 (Infra hebdomadam I Quadragesimae; Dominica II in Quadragesima
08. Quanti mercenarii / Pater Peccavi, a 6 (Resp. Sabbato post Dominicam II in Quadragesima)
09. Lamentabatur Iacob, a 5 (Resp. IX Dominica III in Quadragesima)
10. Accepit Iesus panes, a 4 (Ant. Dominica IV in Quadragesima)
11. Peccantem me quotidie, a 4 (In Quadragesima)
12. O Crux ave spes unica, a 5 (Vexilla regis. Dominica I Passionis)
13. In illo tempore: Stabant autem, a 4 (Feria VI post Dominicam Passionis)
14. Vigilate et orate, a 4 (Dominica II Passionis seu in Palmis)
15. Per tuam crucem / Miserere nostri, a 4 (Adoratione sanctae Crucis in
Cristóbal de Morales’ fame and influence were enormous in his own time. More than seventy prints before 1600 included some of his compositions. The works of the musician from Seville were not merely an essential part of the repertoires of the most important churches and cathedrals of Spain and America until the end of the Modern Age, but they also enjoyed extraordinary prestige among theoreticians and historians. He only worked for short periods in posts in Spain and his name remains associated with the decade he spent at the papal chapel of Pope Paul III, from 1535 to 1545. In Rome he carried out his responsibilities as cantor alongside colleagues the likes of Costanzo Festa, Jacques Arcadelt and Juan Escribano. Morales was especially interested in texts for Lent, which include the celebration of Ash Wednesday and the Septuagesima, Sexagesima and Quinquagesima Sundays. La Grande Chapelle takes full advantage of the extensive number of these motets on liturgical texts for the Lenten season to pay homage to one of the great composers of all time.
01. Circumdederunt me, a 5 (Intr. Dominica in Septuagesima)
02. Simile est regnum coelorum / Cum sero autem factum esset, a 4 (Ant. Dominica in Septuagesima)
03. In illo tempore: Cum turba plurima, a 4 (Resp. IX Dominica in Sexagesima)
04. Immutemur habitu / Iuxta vestibulum, a 4 (Ant. post benedictionem Feria IV cinerum)
05. Inter vestibulum et altare, a 4 (Ant. post benedictionem Feria IV cinerum)
06. Emendemus in melius, a 5 (Resp. Feria IV cinerum)
07. Clamabat autem mulier / At illa venit, a 5 (Infra hebdomadam I Quadragesimae; Dominica II in Quadragesima
08. Quanti mercenarii / Pater Peccavi, a 6 (Resp. Sabbato post Dominicam II in Quadragesima)
09. Lamentabatur Iacob, a 5 (Resp. IX Dominica III in Quadragesima)
10. Accepit Iesus panes, a 4 (Ant. Dominica IV in Quadragesima)
11. Peccantem me quotidie, a 4 (In Quadragesima)
12. O Crux ave spes unica, a 5 (Vexilla regis. Dominica I Passionis)
13. In illo tempore: Stabant autem, a 4 (Feria VI post Dominicam Passionis)
14. Vigilate et orate, a 4 (Dominica II Passionis seu in Palmis)
15. Per tuam crucem / Miserere nostri, a 4 (Adoratione sanctae Crucis in
Cristóbal de Morales’ fame and influence were enormous in his own time. More than seventy prints before 1600 included some of his compositions. The works of the musician from Seville were not merely an essential part of the repertoires of the most important churches and cathedrals of Spain and America until the end of the Modern Age, but they also enjoyed extraordinary prestige among theoreticians and historians. He only worked for short periods in posts in Spain and his name remains associated with the decade he spent at the papal chapel of Pope Paul III, from 1535 to 1545. In Rome he carried out his responsibilities as cantor alongside colleagues the likes of Costanzo Festa, Jacques Arcadelt and Juan Escribano. Morales was especially interested in texts for Lent, which include the celebration of Ash Wednesday and the Septuagesima, Sexagesima and Quinquagesima Sundays. La Grande Chapelle takes full advantage of the extensive number of these motets on liturgical texts for the Lenten season to pay homage to one of the great composers of all time.
Year 2019 | Classical | FLAC / APE
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