James Turnbull & Libby Burgess - Airs, Blues and Dances (2016)
BAND/ARTIST: James Turnbull, Libby Burgess
- Title: Airs, Blues and Dances
- Year Of Release: 2016
- Label: Champs Hill Records
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:09:28
- Total Size: 263 mb
- WebSite: Album Preview
Tracklist
01. Prelude: Autumn
02. Four Country Dances: I. A New Dance
03. Four Country Dances: II. Lady Day
04. Four County Dances: III. The Mulberry Garden
05. Four Country Dances: IV. Nobody's Jig
06. Music for a Lovelorn Lenanshee
07. Mountain Airs: I
08. Mountain Airs: II
09. Mountain Airs: III
10. In Shadow: I
11. In Shadow: II
12. In Shadow: III
13. In Shadow: IV
14. In Shadow: V
15. In Shadow: VI
16. Late Snow: I
17. Late Snow: II
18. Late Snow: III
19. Montana Taylor's Blues
20. Three Miniatures: I
21. Three Miniatures: II
22. Three Miniatures: III
23. Arabesque
24. Little Missenden Calm
25. Vocalise
fascinate me most about the music we recorded. The recital disc opens with Tippetts autumnal prelude, arranged for oboe and piano by Meirion Bowen, the composers personal assistant and biographer. Richard Rodney Bennett remained fascinated by John Playfords country dances, setting them for a variety of instruments. Theres a folk music link with Jonathan Doves Music for a Lovelorn Lenanshee, which takes inspiration from the popular song My Lagan Love from County Donegal, and first published in 1904 and popularized by John McCormack Retaining a folk connection, Judith Weirs Mountain Airs, scored for flute, oboe and clarinet, use the music of two traditional Scottish melodies, each freely adapted. The evocative colours of Anthony Powers In Shadow are a sound-world away, where amongst other effects, he creates myriad colours from the marriage of piano pedal notes and high-lying melodic lines Charlotte Brays Late Snow for solo oboe was inspired by M.R. Peacockes eponymous poem, a striking expression of the transition from life to death and beyond. David Matthews Montana Taylors Blues is named for Arthur Montana Taylor , whose high-octane boogie-woogie and inventive blues playing attracted a cult following among jazz fans in the 1940s. Matthews says: I was particularly struck by the poignant harmony which suggested that Taylor must have heard some classical music Schubert? during his itinerant life. The oboes expressive capabilities are probed and projected in Three Miniatures by Helen Grime Joseph Phibbs Vocalise, created in 2005, is conditioned by the effortless simplicity of the miniature works oboe melody and enhanced by the shimmering beauty of its piano part.
01. Prelude: Autumn
02. Four Country Dances: I. A New Dance
03. Four Country Dances: II. Lady Day
04. Four County Dances: III. The Mulberry Garden
05. Four Country Dances: IV. Nobody's Jig
06. Music for a Lovelorn Lenanshee
07. Mountain Airs: I
08. Mountain Airs: II
09. Mountain Airs: III
10. In Shadow: I
11. In Shadow: II
12. In Shadow: III
13. In Shadow: IV
14. In Shadow: V
15. In Shadow: VI
16. Late Snow: I
17. Late Snow: II
18. Late Snow: III
19. Montana Taylor's Blues
20. Three Miniatures: I
21. Three Miniatures: II
22. Three Miniatures: III
23. Arabesque
24. Little Missenden Calm
25. Vocalise
fascinate me most about the music we recorded. The recital disc opens with Tippetts autumnal prelude, arranged for oboe and piano by Meirion Bowen, the composers personal assistant and biographer. Richard Rodney Bennett remained fascinated by John Playfords country dances, setting them for a variety of instruments. Theres a folk music link with Jonathan Doves Music for a Lovelorn Lenanshee, which takes inspiration from the popular song My Lagan Love from County Donegal, and first published in 1904 and popularized by John McCormack Retaining a folk connection, Judith Weirs Mountain Airs, scored for flute, oboe and clarinet, use the music of two traditional Scottish melodies, each freely adapted. The evocative colours of Anthony Powers In Shadow are a sound-world away, where amongst other effects, he creates myriad colours from the marriage of piano pedal notes and high-lying melodic lines Charlotte Brays Late Snow for solo oboe was inspired by M.R. Peacockes eponymous poem, a striking expression of the transition from life to death and beyond. David Matthews Montana Taylors Blues is named for Arthur Montana Taylor , whose high-octane boogie-woogie and inventive blues playing attracted a cult following among jazz fans in the 1940s. Matthews says: I was particularly struck by the poignant harmony which suggested that Taylor must have heard some classical music Schubert? during his itinerant life. The oboes expressive capabilities are probed and projected in Three Miniatures by Helen Grime Joseph Phibbs Vocalise, created in 2005, is conditioned by the effortless simplicity of the miniature works oboe melody and enhanced by the shimmering beauty of its piano part.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
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