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The Amsterdam String Quartet - Haydn: String Quartets Vol. 2 (2009) [SACD & Hi-Res]

The Amsterdam String Quartet - Haydn: String Quartets Vol. 2 (2009) [SACD & Hi-Res]
  • Title: Haydn: String Quartets Vol. 2
  • Year Of Release: 2009
  • Label: Channel Classics
  • Genre: Classical
  • Quality: DST64 image (*.iso) 2.0 / 5.0 / FLAC (tracks) 192/24 + booklet
  • Total Time: 01:02:27
  • Total Size: 3.17 / 2.94 GB
  • WebSite:
Tracklist:

Joseph Haydn (1732-1809)

String Quartet opus 64 nr. 6
01. Allegro
02. Andante
03. Menuet. Allegretto
04. Finale. Presto

String Quartet opus 77 nr. 1
05. Allegro moderato
06. Adagio
07. Menuet. Presto
08. Finale. Presto

String Quartet opus 20 nr. 4
09. Allegro di molto
10. Un poco Adagio affettuoso
11. Menuetto. Allegretto alla zingarese
12. Presto scherzando

Haydn String Quartets, Op. 20 no. 4, Op. 64, no. 6 and Op. 77, no. 1 Joseph Haydn’s remarkable series of 68 string quartets encompasses, in effect, his entire compositional career. The ten works together comprising Op. 1, 2 and ‘Op. 0’ date from his 20s (c. 1758 – 1761); and the final nine works of Op. 76 (1797), 77 (1799) and 103 (1803) were written after the ‘London’ Symphonies, and in close proximity to his oratorios, The Creation and The Seasons. The stylistic journey Haydn took from beginning to end is striking indeed, on account of the extended time period involved and the inevitable changes in musical taste across Europe. The Op. 20 set (1772) is generally regarded as Haydn’s first ‘mature’ contribution to the string quartet genre. Two early, unauthorized editions ensured widespread dissemination – from La Chevardière (1774) and Hummel (Amsterdam and Berlin, 1779). The title page of the latter, in fact, with its engraving of a blazing midday sun, was directly responsible for the nickname that accrued to the set (‘Sun’ quartets); equally, the order in which the quartets appear in this edition established the order in which they have usually appeared in editions ever since. Op. 20 was widely admired in the late eighteenth and nineteenth centuries-by Mozart, Beethoven and Brahms (who owned the autograph scores) among others-and retained a prominent place in the twentieth-century concert hall as well….



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