Marie-Pierre Roy & Justine Eckhaut - Le Long du Quai (2021) [Hi-Res]
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BAND/ARTIST: Marie-Pierre Roy, Justine Eckhaut
- Title: Le Long du Quai
- Year Of Release: 2021
- Label: Prospero Classical
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:16:42
- Total Size: 301 mb / 1.19 gb
- WebSite: Album Preview
Tracklist
01. Trois Mélodies, Op. 23: 1. Les Berceaux
02. Vaines Tendresses: 3. Au bord de l'eau
03. Sur l'eau
04. Trois Mélodies, Op. 4: 2. Le Galop
05. Le Monde à nu
06. Neuf Mélodies retrouvées: 5. Naïs
07. Vingt mélodies, 2ème volume: 9. La voie lactée
08. Six Mélodies: 2. Enfantillage
09. Silence et nuit des bois
10. Six Mélodies, Op. 53: 1. Prière au printemps
11. Le vase brisé, FWV 84
12. Les Stalactites
13. Six Mélodies, Op. 43: 2. Le vase brisé
14. Six Mélodies: 6. Sur un album
15. La voie lactée
16. Trop tard
17. Déclin d'amour
18. Stances d'amour et de rêve: 1. Les chaines
19. Vingt mélodies, 2ème volume: 13. Ce qui dure
20. Soupir
21. Trois Mélodies, Op. 8: 1. Au bord de l'eau
22. Trois Mélodies, Op. 4: 3. Soupir
23. Stances d'amour et de reve, Op. 29: 5. Le galop
![Marie-Pierre Roy & Justine Eckhaut - Le Long du Quai (2021) [Hi-Res]](https://www.dibpic.com/uploads/posts/2021-10/1634329479_marie-pierre-roy-justine-eckhaut-le-long-du-quai-2021-back.jpg)
Sully Prudhomme - the first Nobel Prize winner for literature. His poems have inspired a variety of musicians to write wonderful compositions, including Gabriel Fauré, George Enescu and Louis Vierne. Soprano Marie-Pierre Roy and pianist Justine Eckhaut have assembled an impressive selection of these songs into a fascinating album that demonstrates the stylistic range of song composition at the turn of the 20th century and beyond.
Sully Prudhomme is concerned with metaphysics, logic, morality, aesthetics, sociology, and thus perfectly embodies the Parnassian movement, hostile to both individual outbursts and political engagement, purporting to bring poetry closer to the natural sciences, history, and philosophy. His writing is concerned with inner analysis, the search for the ideal, and advancement. He became a member of the Académie Francaise in 1882 and received the first Nobel Prize for Literature in 1901.
An art of suggestion and refinement, the French art song, mélodie, is a vast world unto itself; a world where poetry and music combine. Long the preserve of the salon, it relies precisely on the balance between a first-rate text and a score that shows consideration for intimacy in the marriage of voice and piano.
In the repertoire of this album, the performer becomes the narrator, the pianist the orchestrator. The mélodie fashion, initiated by Gounod and Berlioz, really blossoms with composers such as César Franck, Théodore Dubois and Reynaldo Hahn, but also with the "innovators" such as Chausson, Debussy, Ravel and Poulenc; at their side the undisputed master of the genre: Gabriel Fauré. The beginning of the 20th century thus represents the "golden age" of this wonderful kind of repertoire.
01. Trois Mélodies, Op. 23: 1. Les Berceaux
02. Vaines Tendresses: 3. Au bord de l'eau
03. Sur l'eau
04. Trois Mélodies, Op. 4: 2. Le Galop
05. Le Monde à nu
06. Neuf Mélodies retrouvées: 5. Naïs
07. Vingt mélodies, 2ème volume: 9. La voie lactée
08. Six Mélodies: 2. Enfantillage
09. Silence et nuit des bois
10. Six Mélodies, Op. 53: 1. Prière au printemps
11. Le vase brisé, FWV 84
12. Les Stalactites
13. Six Mélodies, Op. 43: 2. Le vase brisé
14. Six Mélodies: 6. Sur un album
15. La voie lactée
16. Trop tard
17. Déclin d'amour
18. Stances d'amour et de rêve: 1. Les chaines
19. Vingt mélodies, 2ème volume: 13. Ce qui dure
20. Soupir
21. Trois Mélodies, Op. 8: 1. Au bord de l'eau
22. Trois Mélodies, Op. 4: 3. Soupir
23. Stances d'amour et de reve, Op. 29: 5. Le galop
Sully Prudhomme - the first Nobel Prize winner for literature. His poems have inspired a variety of musicians to write wonderful compositions, including Gabriel Fauré, George Enescu and Louis Vierne. Soprano Marie-Pierre Roy and pianist Justine Eckhaut have assembled an impressive selection of these songs into a fascinating album that demonstrates the stylistic range of song composition at the turn of the 20th century and beyond.
Sully Prudhomme is concerned with metaphysics, logic, morality, aesthetics, sociology, and thus perfectly embodies the Parnassian movement, hostile to both individual outbursts and political engagement, purporting to bring poetry closer to the natural sciences, history, and philosophy. His writing is concerned with inner analysis, the search for the ideal, and advancement. He became a member of the Académie Francaise in 1882 and received the first Nobel Prize for Literature in 1901.
An art of suggestion and refinement, the French art song, mélodie, is a vast world unto itself; a world where poetry and music combine. Long the preserve of the salon, it relies precisely on the balance between a first-rate text and a score that shows consideration for intimacy in the marriage of voice and piano.
In the repertoire of this album, the performer becomes the narrator, the pianist the orchestrator. The mélodie fashion, initiated by Gounod and Berlioz, really blossoms with composers such as César Franck, Théodore Dubois and Reynaldo Hahn, but also with the "innovators" such as Chausson, Debussy, Ravel and Poulenc; at their side the undisputed master of the genre: Gabriel Fauré. The beginning of the 20th century thus represents the "golden age" of this wonderful kind of repertoire.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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