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Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart - Barcarole: Favourite Orchestral Pieces (2013)

Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart - Barcarole: Favourite Orchestral Pieces (2013)
  • Title: Barcarole: Favourite Orchestral Pieces
  • Year Of Release: 2013
  • Label: Warner Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 59:07
  • Total Size: 254 Mb
  • WebSite:
Tracklist:

1. Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Prélude 01:22
2. Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Aragonaise 02:22
3. Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Intermezzo 03:08
4. Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Les Dragons d'Alcalo 01:48
5. Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Les Toréadors 02:26
6. Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.2: Nocturne 05:19
7. Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.2: Danse Bohème 04:36
8. Die Jahreszeiten Op.37b: Barcarolle (IV. Juin) 05:09
9. Polonaise, aus der Oper 'Eugen Onegin' Op.24 04:40
10. Les Contes d'Hoffmann, Act IV: No. 13, Barcarolle, "Belle nuit, ô nuit d'amour" (Orchestral Version) 03:04
11. Thaïs, Act 2 Tableau 2: Méditation (Andante religioso) 05:05
12. Der Nußknacker Op.71, 2.Akt: Blumenwalzer 06:53
13. Hummelflug, aus der Oper 'Zar Saltan' Op.57 03:16
14. Konzertwalzer, aus der Oper 'Faust' 05:19
15. La Berceuse, aus der Oper 'Jocelyn' 04:40

Performers:
Radio-Sinfonieorchester Stuttgart
Sir Neville Marriner

Barcarole: Favourite Orchestral Pieces is a generous collection of Romantic gems performed by Neville Marriner and the Stuttgart Radio Symphony Orchestra, including popular selections by Georges Bizet, Pyotr Il'yich Tchaikovsky, Jacques Offenbach, Jules Massenet, Nikolai Rimsky-Korsakov, Charles Gounod, and Benjamin Godard. Because the music is mostly taken from famous operas and ballets, the album offers a mix of highly colorful and serenely beautiful pieces, though all of them are extremely tuneful and memorable. Marriner and the orchestra play with polish and practiced ease, so the performances are dependable, if a little predictable, and listeners will likely feel comfortable with the dynamics, tempos, and pacing. Because these are among the best-known pieces of classical music, this CD is a good introduction for beginners, though most experienced listeners will have encountered them many times before and probably have most of them on other compilations. Recorded in 1987, the sound is clean but a little shallow and cool, comparable to many of EMI's early digital recordings.




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