Beaux Arts Trio, Grumiaux Quartet - Schubert: Piano Quintet “Trout” in A, D667; Mozart: Clarinet Quintet in A, KV581 (2003) [SACD]
BAND/ARTIST: Beaux Arts Trio, Grumiaux Quartet
- Title: Schubert: Piano Quintet “Trout” in A, D667; Mozart: Clarinet Quintet in A, KV581
- Year Of Release: 2003
- Label: Philips
- Genre: Chamber, Clarinet
- Quality: DSD64 image (*.iso) / 2.0, 5.0 (2,8 MHz/1 Bit)
- Total Time: 01:10:17
- Total Size: 3.14 GB
- WebSite: Album Preview
Tracklist:
Franz Peter Schubert
Piano Quintet in A, D667 “The Trout” “Forellen-Quintet” – “La truite”
1. Allegro vivace 13:54
2. Andante 6:45
3. Scherzo (Presto) 4:05
4. Andantino (Tema con variazioni) 8:03
5. Finale (Allegro giusto) 6:36Beaux Arts Trio:
Menahem Pressler, piano; Isidore Cohen, violin; Bernard Greenhouse, cello
Samuel Rhodes, viola; Georg Hörtnagel, double bassWolfgang Amadeus Mozart
Clarinet Quintet in A, KV581
6. Allegro 8:41
7. Larghetto 5:48
8. Menuetto 7:25
9. Allegretto con variazioni 8:52
Franz Peter Schubert
Piano Quintet in A, D667 “The Trout” “Forellen-Quintet” – “La truite”
1. Allegro vivace 13:54
2. Andante 6:45
3. Scherzo (Presto) 4:05
4. Andantino (Tema con variazioni) 8:03
5. Finale (Allegro giusto) 6:36Beaux Arts Trio:
Menahem Pressler, piano; Isidore Cohen, violin; Bernard Greenhouse, cello
Samuel Rhodes, viola; Georg Hörtnagel, double bassWolfgang Amadeus Mozart
Clarinet Quintet in A, KV581
6. Allegro 8:41
7. Larghetto 5:48
8. Menuetto 7:25
9. Allegretto con variazioni 8:52
The Schubert is my favorite performance in a very present and pleasant sound. Pressler plays with a great vitality and tenderness, with sensitive rubati. The strings are not quite at the same level, but still very amiable. My only reservation about the recording is that the double bass is not quite present enough. The SACD reincarnation is an improvement over the previous Philips CD, but not a vast one.
For me, the Mozart performance is nothing to write home about, and neither is the recording. I greatly prefer the Gervase de Peyer / Melos Ensemble on EMI in "modern" instruments and the Wolfgang Meyer / Mosaiques on Astree in "period" instruments (both, regretfully, CD only, not SACD).
For me, the Mozart performance is nothing to write home about, and neither is the recording. I greatly prefer the Gervase de Peyer / Melos Ensemble on EMI in "modern" instruments and the Wolfgang Meyer / Mosaiques on Astree in "period" instruments (both, regretfully, CD only, not SACD).
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