Fabio Bonizzoni - Handel: Italian Cantatas, Vol. 7 (2010)
BAND/ARTIST: Fabio Bonizzoni
- Title: Handel: Italian Cantatas, Vol. 7
- Year Of Release: 2010
- Label: Glossa
- Genre: Classical
- Quality: FLAC (tracks+booklet)
- Total Time: 71:37 min
- Total Size: 357 MB
- WebSite: Album Preview
Tracklist:
1. Recitative: La terra e liberata! (The earth is freed!) (Apollo)
2. Aria: Pende il ben dell'universo (The well:being of the universe) (Apollo)
3. Recitative: Ch'il superbetto Amore (Let proud little Cupid) (Apollo)
4. Aria: Spezza l'arco e getta l'armi (Break your bow and throw away your arrows) (Apollo)
5. Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne)
6. Recitative: Che voce! Che belta! (What a voice! What a beauty!) (Apollo, Dafne)
7. Aria: Ardi, adori, e preghi in vano (You desire, adore and beseech in vain) (Dafne)
8. Recitative: Che crudel! (How cruel!) (Apollo, Dafne)
9. Duet: Una guerra ho dentro il seno (A war rages in my breast) (Dafne, Apollo)
10. Recitative: Placati al fin, o cara (Calm yourself, O dear one) (Apollo)
11. Aria: Come rosa in su la spina (Like the rose on its stem) (Apollo)
12. Recitative: Ah! ch'un Dio non dovrebbe (Ah! A God should love nothing) (Dafne)
13. Aria: Come in ciel benigna stella (As Neptune's star in heaven) (Dafne)
14. Recitative: Odi la mia ragion! (Hear my reason!) (Apollo, Dafne)
15. Duet: Deh! lascia addolcire quell'aspro rigor (Pray! Soften your unbending severity) (Apollo, Dafne)
16. Recitativo: Sempre t'adorero! (I shall always adore you!) (Apollo, Dafne)
17. Aria: Mie piante correte (My feet run) (Apollo)
18. Aria: Cara pianta, co'miei pianti (Dearest laurel, with my tears) (Apollo)
19. Recitative: Dunque sara ur vero
20. Aria: Orrida, oscura, l'etra si renda
21. Recitative: Ma pria che d'empia morte
22. Aria: Renda cenere il tiranno
23. Recitative: Si, si, del gran tiranno
24. Aria and Recitative: Come, o Dio!
25. Aria: Se infelice al mondo vissi!
26. Recitative: Prema l'ingrato figlio
27. Aria: Su lacerate il seno
28. Recitative: Ecco a morte gia corro
29. Cuopre tal volta il cielo, HWV 98: Accompagnato
30. Aria: Tuona, balena
31. Recitative: Cosi fiera procella
32. Aria: Per pieta de' miei martiri
1. Recitative: La terra e liberata! (The earth is freed!) (Apollo)
2. Aria: Pende il ben dell'universo (The well:being of the universe) (Apollo)
3. Recitative: Ch'il superbetto Amore (Let proud little Cupid) (Apollo)
4. Aria: Spezza l'arco e getta l'armi (Break your bow and throw away your arrows) (Apollo)
5. Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne)
6. Recitative: Che voce! Che belta! (What a voice! What a beauty!) (Apollo, Dafne)
7. Aria: Ardi, adori, e preghi in vano (You desire, adore and beseech in vain) (Dafne)
8. Recitative: Che crudel! (How cruel!) (Apollo, Dafne)
9. Duet: Una guerra ho dentro il seno (A war rages in my breast) (Dafne, Apollo)
10. Recitative: Placati al fin, o cara (Calm yourself, O dear one) (Apollo)
11. Aria: Come rosa in su la spina (Like the rose on its stem) (Apollo)
12. Recitative: Ah! ch'un Dio non dovrebbe (Ah! A God should love nothing) (Dafne)
13. Aria: Come in ciel benigna stella (As Neptune's star in heaven) (Dafne)
14. Recitative: Odi la mia ragion! (Hear my reason!) (Apollo, Dafne)
15. Duet: Deh! lascia addolcire quell'aspro rigor (Pray! Soften your unbending severity) (Apollo, Dafne)
16. Recitativo: Sempre t'adorero! (I shall always adore you!) (Apollo, Dafne)
17. Aria: Mie piante correte (My feet run) (Apollo)
18. Aria: Cara pianta, co'miei pianti (Dearest laurel, with my tears) (Apollo)
19. Recitative: Dunque sara ur vero
20. Aria: Orrida, oscura, l'etra si renda
21. Recitative: Ma pria che d'empia morte
22. Aria: Renda cenere il tiranno
23. Recitative: Si, si, del gran tiranno
24. Aria and Recitative: Come, o Dio!
25. Aria: Se infelice al mondo vissi!
26. Recitative: Prema l'ingrato figlio
27. Aria: Su lacerate il seno
28. Recitative: Ecco a morte gia corro
29. Cuopre tal volta il cielo, HWV 98: Accompagnato
30. Aria: Tuona, balena
31. Recitative: Cosi fiera procella
32. Aria: Per pieta de' miei martiri
For the final volume in Fabio Bonizzoni’s survey of cantatas written by Handel during his stay in Italy, the background scenery moves – like a reflection of the Grand Tour – from Rome to Naples; probably the troubled times in a Rome besieged by Imperial troops during the War of the Spanish Succession may have encouraged the young, itinerant Saxon musician to consider that heading down south was safer and more conducive for his overall career prospects.
It was a time when Handel was conceiving the three highly-charged cantatas to be heard on this disc and he would have been aware that Naples was blessed with a bass singer, Domenico Antonio Manna, possessed of a prodigious vocal range, encompassing two octaves and a fifth. It is possible that Handel wrote two of the pieces performed on this disc – Apollo e Dafne and Cuopre tal volta il cielo – with Manna in mind, even if the former cantata was perhaps completed after Handel had reached Hannover. Carlo Vitali’s engaging booklet essay colourfully helps to summon up early 18th century Neapolitan culture and Handel’s potential place within it. Joining Fabio Bonizzoni and La Risonanza for these modern-day realisations of the Baroque Italian musical world experienced by Handel are Furio Zanasi and Thomas Bauer for the bass roles, as well as soprano Roberta Invernizzi, an integral feature of this revelatory and muchpraised Handel series since its inception.
It was a time when Handel was conceiving the three highly-charged cantatas to be heard on this disc and he would have been aware that Naples was blessed with a bass singer, Domenico Antonio Manna, possessed of a prodigious vocal range, encompassing two octaves and a fifth. It is possible that Handel wrote two of the pieces performed on this disc – Apollo e Dafne and Cuopre tal volta il cielo – with Manna in mind, even if the former cantata was perhaps completed after Handel had reached Hannover. Carlo Vitali’s engaging booklet essay colourfully helps to summon up early 18th century Neapolitan culture and Handel’s potential place within it. Joining Fabio Bonizzoni and La Risonanza for these modern-day realisations of the Baroque Italian musical world experienced by Handel are Furio Zanasi and Thomas Bauer for the bass roles, as well as soprano Roberta Invernizzi, an integral feature of this revelatory and muchpraised Handel series since its inception.
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