Brian O'Kane & Michael McHale - Fauré & Saint-Saëns: Works for Cello & Piano (2017)
BAND/ARTIST: Brian O'Kane, Michael McHale
- Title: Fauré & Saint-Saëns: Works for Cello & Piano
- Year Of Release: 2017
- Label: Champs Hill Records
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:16:42
- Total Size: 304 mb
- WebSite: Album Preview
Tracklist
01. Romance, Op. 69
02. Sonata No. 1, Op. 109: I. Allegro
03. Sonata No. 1, Op. 109: II. Andante
04. Sonata No. 1, Op. 109: III. Final: Allegro comodo
05. Romance, Op. 36
06. 3 Songs, Op. 8: I. Au bord de l'eau
07. Romance, Op. 51
08. Sonata No. 2, Op. 117: I. Allegro
09. Sonata No. 2, Op. 117: II. Andante
10. Sonata No. 2, Op. 117: III. Allegro vivo
11. 3 Songs, Op. 7: I. Après un rêve
12. Sonata No. 1, Op. 32: I. Allegro
13. Sonata No. 1, Op. 32: II. Andante tranquillo sostenuto
14. Sonata No. 1, Op. 32: III. Allegro moderato
15. The Carnival of the Animals, R. 125: XIII. The Swan
Cellist Brian O’Kane and pianist Michael McHale explore the contrast and similarities between the works of Fauré and Saint-Saëns – two composers who met in a student–teacher relationship that would grow to become an enduring friendship. O’Kane writes in the introduction to this disc:
Gabriel Fauré is a composer who seemingly divides opinion. For me, his writing is fascinating and timeless and I unashamedly adore it. His two cello sonatas in particular display Fauré’s unique and intriguing voice, and their divine unending melodies celebrate the cello’s best registers.
The making of this disc was primarily inspired by those works, as well as some of Fauré’s own influences and inspirations, which came in no small part from his mentor and teacher Camille Saint-Saëns. The evident connections in style, structure, phrasing and melody make for a fascinating comparison.
Irish cellist Brian O’Kane enjoys a busy career as both soloist and chamber musician. Since winning first prize at the Windsor International String Competition in 2008, he has made his debuts with the RTÉ National Symphony Orchestra, the Philharmonia Orchestra under Ashkenazy and in recital at the Wigmore Hall. Brian is a former ‘Rising Star’ of Ireland’s National Concert Hall and has performed at Seoul’s Performing Arts Centre and with a cello ensemble at the BBC Proms. Winner of the Terence Judd / Hallé Award in 2009, Belfast-born Michael McHale has established himself as one of Ireland’s leading pianists. He has performed as a soloist with the Minnesota, Hallé, Moscow Symphony and Bournemouth Symphony Orchestras, the London Mozart Players, City of London Sinfonia and all five of the major Irish orchestras, and performed at the Tanglewood Festival, Wigmore Hall, London, Berlin Konzerthaus, Suntory Hall, Tokyo, Lincoln Center, New York, Symphony Hall, Boston and Pesti Vigadó in Budapest.
01. Romance, Op. 69
02. Sonata No. 1, Op. 109: I. Allegro
03. Sonata No. 1, Op. 109: II. Andante
04. Sonata No. 1, Op. 109: III. Final: Allegro comodo
05. Romance, Op. 36
06. 3 Songs, Op. 8: I. Au bord de l'eau
07. Romance, Op. 51
08. Sonata No. 2, Op. 117: I. Allegro
09. Sonata No. 2, Op. 117: II. Andante
10. Sonata No. 2, Op. 117: III. Allegro vivo
11. 3 Songs, Op. 7: I. Après un rêve
12. Sonata No. 1, Op. 32: I. Allegro
13. Sonata No. 1, Op. 32: II. Andante tranquillo sostenuto
14. Sonata No. 1, Op. 32: III. Allegro moderato
15. The Carnival of the Animals, R. 125: XIII. The Swan
Cellist Brian O’Kane and pianist Michael McHale explore the contrast and similarities between the works of Fauré and Saint-Saëns – two composers who met in a student–teacher relationship that would grow to become an enduring friendship. O’Kane writes in the introduction to this disc:
Gabriel Fauré is a composer who seemingly divides opinion. For me, his writing is fascinating and timeless and I unashamedly adore it. His two cello sonatas in particular display Fauré’s unique and intriguing voice, and their divine unending melodies celebrate the cello’s best registers.
The making of this disc was primarily inspired by those works, as well as some of Fauré’s own influences and inspirations, which came in no small part from his mentor and teacher Camille Saint-Saëns. The evident connections in style, structure, phrasing and melody make for a fascinating comparison.
Irish cellist Brian O’Kane enjoys a busy career as both soloist and chamber musician. Since winning first prize at the Windsor International String Competition in 2008, he has made his debuts with the RTÉ National Symphony Orchestra, the Philharmonia Orchestra under Ashkenazy and in recital at the Wigmore Hall. Brian is a former ‘Rising Star’ of Ireland’s National Concert Hall and has performed at Seoul’s Performing Arts Centre and with a cello ensemble at the BBC Proms. Winner of the Terence Judd / Hallé Award in 2009, Belfast-born Michael McHale has established himself as one of Ireland’s leading pianists. He has performed as a soloist with the Minnesota, Hallé, Moscow Symphony and Bournemouth Symphony Orchestras, the London Mozart Players, City of London Sinfonia and all five of the major Irish orchestras, and performed at the Tanglewood Festival, Wigmore Hall, London, Berlin Konzerthaus, Suntory Hall, Tokyo, Lincoln Center, New York, Symphony Hall, Boston and Pesti Vigadó in Budapest.
Year 2017 | Classical | FLAC / APE
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