Jory Vinikour - Bach: Harpsichord Partitas, BWV 825-830 (2016) [DSD & Hi-Res]
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BAND/ARTIST: Jory Vinikour
- Title: Bach: Harpsichord Partitas, BWV 825-830
- Year Of Release: 2016
- Label: Sono Luminus
- Genre: Classical Harpsichord
- Quality: flac 24bits - 192.0kHz / DSD64 +booklet
- Total Time: 02:33:28
- Total Size: 5.99 / 6.07 gb
- WebSite: Album Preview
Tracklist
CD1
01. Harpsichord Partita No. 1 in B-Flat Major, BWV 825: I. Prelude
02. Harpsichord Partita No. 1 in B-Flat Major, BWV 825: II. Allemande
03. Harpsichord Partita No. 1 in B-Flat Major, BWV 825: III. Courante
04. Harpsichord Partita No. 1 in B-Flat Major, BWV 825: IV. Sarabande
05. Harpsichord Partita No. 1 in B-Flat Major, BWV 825: V. Menuets I & II
06. Harpsichord Partita No. 1 in B-Flat Major, BWV 825: VI. Gigue
07. Harpsichord Partita No. 2 in C Minor, BWV 826: I. Sinfonia
08. Harpsichord Partita No. 2 in C Minor, BWV 826: II. Allemande
09. Harpsichord Partita No. 2 in C Minor, BWV 826: III. Courante
10. Harpsichord Partita No. 2 in C Minor, BWV 826: IV. Sarabande
11. Harpsichord Partita No. 2 in C Minor, BWV 826: V. Rondeau
12. Harpsichord Partita No. 2 in C Minor, BWV 826: VI. Capriccio
CD2
01. Harpsichord Partita No. 3 in A Minor, BWV 827: I. Fantasia
02. Harpsichord Partita No. 3 in A Minor, BWV 827: II. Allemande
03. Harpsichord Partita No. 3 in A Minor, BWV 827: III. Courante
04. Harpsichord Partita No. 3 in A Minor, BWV 827: IV. Sarabande
05. Harpsichord Partita No. 3 in A Minor, BWV 827: V. Burlesca
06. Harpsichord Partita No. 3 in A Minor, BWV 827: VI. Scherzo
07. Harpsichord Partita No. 3 in A Minor, BWV 827: VII. Gigue
08. Harpsichord Partita No. 4 in D Major, BWV 828: I. Ouverture
09. Harpsichord Partita No. 4 in D Major, BWV 828: II. Allemande
10. Harpsichord Partita No. 4 in D Major, BWV 828: III. Courante
11. Harpsichord Partita No. 4 in D Major, BWV 828: IV. Aria
12. Harpsichord Partita No. 4 in D Major, BWV 828: V. Sarabande
13. Harpsichord Partita No. 4 in D Major, BWV 828: VI. Menuet
14. Harpsichord Partita No. 4 in D Major, BWV 828: VII. Gigue
CD3
01. Harpsichord Partita No. 5 in G Major, BWV 829: I. Praeambulum
02. Harpsichord Partita No. 5 in G Major, BWV 829: II. Allemande
03. Harpsichord Partita No. 5 in G Major, BWV 829: III. Courante
04. Harpsichord Partita No. 5 in G Major, BWV 829: IV. Sarabande
05. Harpsichord Partita No. 5 in G Major, BWV 829: V. Tempo di menuetto
06. Harpsichord Partita No. 5 in G Major, BWV 829: VI. Passepied
07. Harpsichord Partita No. 5 in G Major, BWV 829: VII. Gigue
08. Harpsichord Partita No. 6 in E Minor, BWV 830: I. Toccata
09. Harpsichord Partita No. 6 in E Minor, BWV 830: II. Allemande
10. Harpsichord Partita No. 6 in E Minor, BWV 830: III. Courante
11. Harpsichord Partita No. 6 in E Minor, BWV 830: IV. Air
12. Harpsichord Partita No. 6 in E Minor, BWV 830: V. Sarabande
13. Harpsichord Partita No. 6 in E Minor, BWV 830: VI. Tempo di gavotta
14. Harpsichord Partita No. 6 in E Minor, BWV 830: VII. Gigue
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The six partitas for harpsichord by Johann Sebastian Bach are among the greatest and most inspired works of all keyboard literature. Although they are the first works that Bach decided to publish, they represent the composer's genius at the height of his maturity, matched only by the Goldberg Variations. Performed on a stunning copy of a North German instrument of Bach's time, rich and expressive, but also clear and incisive, built by Tom and Barbara Wolf, each of the partitas is a microcosm, ranging from the poetic and pastoral (no. 1, in B flat Major), to the epic and tragic (no. 6, in e minor). Bach shows himself to be playful, profound, meditative, theatrical, virtuoso - and always the greatest composer of counterpoint of all time.
The six partitas represent the apotheosis not only of Bach's unique keyboard language, and the expressive possibilities of the harpsichord, but in the inherent range of colors and contrasts within the confines of a suite.
To a greater extent than in the other sets of suites, each of the six partitas seems to establish its own distinct character, which is developed throughout the suite. As with the English Suites, each of the partitas opens with a prélude. However, these movements are widely varied in form as well as in mood. Although each of the the six partitas contains the standard suite movements (apart from the c minor partita, which foregoes the customary gigue in favor of a Capriccio), these movements show the most striking variety.
His debut recording for Sono Luminus, The Complete Harpsichord Works of Jean-Philippe Rameau (DSL92154), was nominated for a GRAMMY® award, in the category of Best Classical Solo Instrumental Recording in 2013. His follow-up recording, Toccatas: Modern American Music for Harpsichord received the same honor two years later.
CD1
01. Harpsichord Partita No. 1 in B-Flat Major, BWV 825: I. Prelude
02. Harpsichord Partita No. 1 in B-Flat Major, BWV 825: II. Allemande
03. Harpsichord Partita No. 1 in B-Flat Major, BWV 825: III. Courante
04. Harpsichord Partita No. 1 in B-Flat Major, BWV 825: IV. Sarabande
05. Harpsichord Partita No. 1 in B-Flat Major, BWV 825: V. Menuets I & II
06. Harpsichord Partita No. 1 in B-Flat Major, BWV 825: VI. Gigue
07. Harpsichord Partita No. 2 in C Minor, BWV 826: I. Sinfonia
08. Harpsichord Partita No. 2 in C Minor, BWV 826: II. Allemande
09. Harpsichord Partita No. 2 in C Minor, BWV 826: III. Courante
10. Harpsichord Partita No. 2 in C Minor, BWV 826: IV. Sarabande
11. Harpsichord Partita No. 2 in C Minor, BWV 826: V. Rondeau
12. Harpsichord Partita No. 2 in C Minor, BWV 826: VI. Capriccio
CD2
01. Harpsichord Partita No. 3 in A Minor, BWV 827: I. Fantasia
02. Harpsichord Partita No. 3 in A Minor, BWV 827: II. Allemande
03. Harpsichord Partita No. 3 in A Minor, BWV 827: III. Courante
04. Harpsichord Partita No. 3 in A Minor, BWV 827: IV. Sarabande
05. Harpsichord Partita No. 3 in A Minor, BWV 827: V. Burlesca
06. Harpsichord Partita No. 3 in A Minor, BWV 827: VI. Scherzo
07. Harpsichord Partita No. 3 in A Minor, BWV 827: VII. Gigue
08. Harpsichord Partita No. 4 in D Major, BWV 828: I. Ouverture
09. Harpsichord Partita No. 4 in D Major, BWV 828: II. Allemande
10. Harpsichord Partita No. 4 in D Major, BWV 828: III. Courante
11. Harpsichord Partita No. 4 in D Major, BWV 828: IV. Aria
12. Harpsichord Partita No. 4 in D Major, BWV 828: V. Sarabande
13. Harpsichord Partita No. 4 in D Major, BWV 828: VI. Menuet
14. Harpsichord Partita No. 4 in D Major, BWV 828: VII. Gigue
CD3
01. Harpsichord Partita No. 5 in G Major, BWV 829: I. Praeambulum
02. Harpsichord Partita No. 5 in G Major, BWV 829: II. Allemande
03. Harpsichord Partita No. 5 in G Major, BWV 829: III. Courante
04. Harpsichord Partita No. 5 in G Major, BWV 829: IV. Sarabande
05. Harpsichord Partita No. 5 in G Major, BWV 829: V. Tempo di menuetto
06. Harpsichord Partita No. 5 in G Major, BWV 829: VI. Passepied
07. Harpsichord Partita No. 5 in G Major, BWV 829: VII. Gigue
08. Harpsichord Partita No. 6 in E Minor, BWV 830: I. Toccata
09. Harpsichord Partita No. 6 in E Minor, BWV 830: II. Allemande
10. Harpsichord Partita No. 6 in E Minor, BWV 830: III. Courante
11. Harpsichord Partita No. 6 in E Minor, BWV 830: IV. Air
12. Harpsichord Partita No. 6 in E Minor, BWV 830: V. Sarabande
13. Harpsichord Partita No. 6 in E Minor, BWV 830: VI. Tempo di gavotta
14. Harpsichord Partita No. 6 in E Minor, BWV 830: VII. Gigue
The six partitas for harpsichord by Johann Sebastian Bach are among the greatest and most inspired works of all keyboard literature. Although they are the first works that Bach decided to publish, they represent the composer's genius at the height of his maturity, matched only by the Goldberg Variations. Performed on a stunning copy of a North German instrument of Bach's time, rich and expressive, but also clear and incisive, built by Tom and Barbara Wolf, each of the partitas is a microcosm, ranging from the poetic and pastoral (no. 1, in B flat Major), to the epic and tragic (no. 6, in e minor). Bach shows himself to be playful, profound, meditative, theatrical, virtuoso - and always the greatest composer of counterpoint of all time.
The six partitas represent the apotheosis not only of Bach's unique keyboard language, and the expressive possibilities of the harpsichord, but in the inherent range of colors and contrasts within the confines of a suite.
To a greater extent than in the other sets of suites, each of the six partitas seems to establish its own distinct character, which is developed throughout the suite. As with the English Suites, each of the partitas opens with a prélude. However, these movements are widely varied in form as well as in mood. Although each of the the six partitas contains the standard suite movements (apart from the c minor partita, which foregoes the customary gigue in favor of a Capriccio), these movements show the most striking variety.
His debut recording for Sono Luminus, The Complete Harpsichord Works of Jean-Philippe Rameau (DSL92154), was nominated for a GRAMMY® award, in the category of Best Classical Solo Instrumental Recording in 2013. His follow-up recording, Toccatas: Modern American Music for Harpsichord received the same honor two years later.
Year 2016 | FLAC / APE | HD & Vinyl
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