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Edouardo Torbianelli - Music at the Medici Court on Cristofori’s early pianoforte (2011)

Edouardo Torbianelli - Music at the Medici Court on Cristofori’s early pianoforte (2011)
  • Title: Music at the Medici Court on Cristofori’s early pianoforte
  • Year Of Release: 2011
  • Label: Glossa
  • Genre: Classical
  • Quality: FLAC (tracks+booklet)
  • Total Time: 78:37 min
  • Total Size: 318 MB
  • WebSite:
Tracklist:

1. I. Balletto: Spiritoso, ma non presto
2. II. Corrente: Allegro
3. III. Sarabanda: Grave
4. IV. Giga: Presto
5. V. Minuet: Affetuoso
6. No. 25. Sono unite
7. No. 3. Datti pace
8. No. 19. Con la forza
9. I. Preludio: Largo
10. II. Allemanda: Vivace
11. III. Corrente: Allegro
12. IV. Giga: Allegro
13. No. 13. Si, si, gia ritorna
14. No. 9. Se non more
15. No. 33. Apri le luci amanti
16. No. 12. Forse, o cieli
17. I. Vivace
18. II. Grave
19. III. Allegro
20. I. Preludio: Largo
21. II. Allegro
22. III. Sarabanda
23. IV. Allegro
24. Serenata ad Irene: Recitative: Infra notturni orrori
25. Serenata ad Irene: Arioso: Largo, e staccato, "A la bella spiegava"
26. Serenata ad Irene: Aria: Adagio assai, "Io conosco, o bella Irene"
27. Serenata ad Irene: Recitative: Cosi dicea
28. Serenata ad Irene: Aria: Largo, "Perche a me non vi girate"
29. Serenata ad Irene: Recitative: Arioso: Ma gia l'alba nascente
30. Adagio
31. Riposo di Clori: Recitative: Arioso: Ne la stagion de' fiori
32. Riposo di Clori: Aria: Adagio, "Dolce tregua de' mortali"
33. Riposo di Clori: Recitative: Arioso: Cosi Cloria dicea
34. Riposo di Clori: Aria: Allegro, "Vieni a me, Mirtillo amato"
35. Riposo di Clori: Recitative: Arioso: Piu dir volea
36. Andante, ma non presto


In addition to the quality of the music and the performance of it, central to any recording bearing the Schola Cantorum Basiliensis’ imprimatur is that there should be a very good (musicological) detective story behind it and this Edoardo Torbianelli-led programme of Piano e forte is no exception. Existing thinking deems that the fortepiano was hardly a prevalent instrument in Italy in the 18th century at all, in terms of music written for it or suitable instruments being available, but here a spotlight is being shone on the figure of Bartolomeo Cristofori and his building of early pianofortes for the Medici Court in Florence. Cristofori was active enough also to encourage composers such as Alessandro Marcello, Veracini and Alessandro Scarlatti to write for this instrument – much softer in sound than a grand piano but with that steplessly variable transition from very soft to loud which was a great novelty for stringed keyboard instruments of the time.

Demonstrating the musical and technical qualities of the results are internationally-recognised performers of the stamp of soprano María Cristina Kiehr, violinist Chiara Banchini and flautist Marc Hantaï. They join Torbianelli and other rising artists in gambist Rebeka Rusò and theorbist Daniele Caminiti in a sparkling array of ariettas, serenatas and sonatas for keyboard and other instruments, portraying the richness of Italian musical life in the first half of the 18th century, the travelling lives of musicians (and instrument makers) and how the early piano was heard not just in the courts of England, Germany, Spain and Portugal but in Italy too.


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