Léon Berben - Bach: Clavier-Übung III (2014)
BAND/ARTIST: Léon Berben
- Title: Bach: Clavier-Übung III
- Year Of Release: 2014
- Label: Ramée
- Genre: Classical Organ
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:34:48
- Total Size: 407 mb
- WebSite: Album Preview
Tracklist
CD1
01. Clavier-Übung III: Prelude in E-Flat Major, BWV 552/1
02. Clavier-Übung III: Kyrie, Gott Vater in Ewigkeit, BWV 669
03. Clavier-Übung III: Christe, aller Welt Trost, BWV 670
04. Clavier-Übung III: Kyrie, Gott heiliger Geist, BWV 671
05. Clavier-Übung III: Kyrie, Gott Vater in Ewigkeit, BWV 672
06. Clavier-Übung III: Christe, aller Welt Trost, BWV 673
07. Clavier-Übung III: Kyrie, Gott heiliger Geist, BWV 674
08. Clavier-Übung III: Allein Gott in der Höh sei Ehr, BWV 675
09. Clavier-Übung III: Allein Gott in der Höh sei Ehr, BWV 676
10. Clavier-Übung III: Fughetta super "Allein Gott in der Höh sei Ehr", BWV 677
11. Clavier-Übung III: Dies sind die heilgen zehen Gebot, BWV 678
12. Clavier-Übung III: Fughetta super "Dies sind die heilgen zehen Gebot", BWV 679
13. Clavier-Übung III: Wir gläuben all an einen Gott, BWV 680
14. Clavier-Übung III: Fughetta super "Wir gläuben all an einen Gott", BWV 681
CD2
01. Clavier-Übung III: Vater unser im Himmelreich, BWV 682
02. Clavier-Übung III: Vater unser im Himmelreich, BWV 683
03. Clavier-Übung III: Christ unser Herr zum Jordan kam, BWV 684
04. Clavier-Übung III: Christ unser Herr zum Jordan kam, BWV 685
05. Clavier-Übung III: Aus tiefer Not schrei ich zu dir, BWV 686
06. Clavier-Übung III: Aus tiefer Not schrei ich zu dir, BWV 687
07. Clavier-Übung III: Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt, BWV 688
08. Clavier-Übung III: Fuga super "Jesus Christus, unser Heiland", BWV 689
09. Clavier-Übung III: Duetto I, BWV 802
10. Clavier-Übung III: Duetto II, BWV 803
11. Clavier-Übung III: Duetto III, BWV 804
12. Clavier-Übung III: Duetto IV, BWV 805
13. Clavier-Übung III: Fugue in E-Flat Major, BWV 552/2
Clavier-Übung III is considered Johann Sebastian Bach’s most important and most complete organ work, containing some of his pieces for the instrument that are the most complex musically and the most demanding technically. Formally, it takes its inspiration from the religious music of the masters of the stile antico. But, at the same time, Bach was an innovator and here incorporated modern Baroque musical forms, such as the chorale à la française and the gallant style.
The aim of the collection was manifold: an ideal organ programme; a practical translation of Lutheran doctrine in musical terms for devotional use at church or in the home; a collection of organ music in all possible styles and idioms, old and modern; and a didactic work presenting examples of all possible forms of contrapuntal composition, going well beyond earlier treatises of musical theory.
Léon Berben gives us his interpretation, a new and fresh view of this milestone in organ music, using the exceptional sound colours of an organ contemporary with Bach and largely preserved in its original state: the Christoph Treutmann organ in Grauhof (Germany).
CD1
01. Clavier-Übung III: Prelude in E-Flat Major, BWV 552/1
02. Clavier-Übung III: Kyrie, Gott Vater in Ewigkeit, BWV 669
03. Clavier-Übung III: Christe, aller Welt Trost, BWV 670
04. Clavier-Übung III: Kyrie, Gott heiliger Geist, BWV 671
05. Clavier-Übung III: Kyrie, Gott Vater in Ewigkeit, BWV 672
06. Clavier-Übung III: Christe, aller Welt Trost, BWV 673
07. Clavier-Übung III: Kyrie, Gott heiliger Geist, BWV 674
08. Clavier-Übung III: Allein Gott in der Höh sei Ehr, BWV 675
09. Clavier-Übung III: Allein Gott in der Höh sei Ehr, BWV 676
10. Clavier-Übung III: Fughetta super "Allein Gott in der Höh sei Ehr", BWV 677
11. Clavier-Übung III: Dies sind die heilgen zehen Gebot, BWV 678
12. Clavier-Übung III: Fughetta super "Dies sind die heilgen zehen Gebot", BWV 679
13. Clavier-Übung III: Wir gläuben all an einen Gott, BWV 680
14. Clavier-Übung III: Fughetta super "Wir gläuben all an einen Gott", BWV 681
CD2
01. Clavier-Übung III: Vater unser im Himmelreich, BWV 682
02. Clavier-Übung III: Vater unser im Himmelreich, BWV 683
03. Clavier-Übung III: Christ unser Herr zum Jordan kam, BWV 684
04. Clavier-Übung III: Christ unser Herr zum Jordan kam, BWV 685
05. Clavier-Übung III: Aus tiefer Not schrei ich zu dir, BWV 686
06. Clavier-Übung III: Aus tiefer Not schrei ich zu dir, BWV 687
07. Clavier-Übung III: Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt, BWV 688
08. Clavier-Übung III: Fuga super "Jesus Christus, unser Heiland", BWV 689
09. Clavier-Übung III: Duetto I, BWV 802
10. Clavier-Übung III: Duetto II, BWV 803
11. Clavier-Übung III: Duetto III, BWV 804
12. Clavier-Übung III: Duetto IV, BWV 805
13. Clavier-Übung III: Fugue in E-Flat Major, BWV 552/2
Clavier-Übung III is considered Johann Sebastian Bach’s most important and most complete organ work, containing some of his pieces for the instrument that are the most complex musically and the most demanding technically. Formally, it takes its inspiration from the religious music of the masters of the stile antico. But, at the same time, Bach was an innovator and here incorporated modern Baroque musical forms, such as the chorale à la française and the gallant style.
The aim of the collection was manifold: an ideal organ programme; a practical translation of Lutheran doctrine in musical terms for devotional use at church or in the home; a collection of organ music in all possible styles and idioms, old and modern; and a didactic work presenting examples of all possible forms of contrapuntal composition, going well beyond earlier treatises of musical theory.
Léon Berben gives us his interpretation, a new and fresh view of this milestone in organ music, using the exceptional sound colours of an organ contemporary with Bach and largely preserved in its original state: the Christoph Treutmann organ in Grauhof (Germany).
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