Anthony Romaniuk & WOLF - Quintets for Pianoforte & Winds (2021) [Hi-Res]
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BAND/ARTIST: Anthony Romaniuk, WOLF
- Title: Quintets for Pianoforte & Winds
- Year Of Release: 2021
- Label: Evil Penguin Classic
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz
- Total Time: 00:56:23
- Total Size: 253 / 955 mb
- WebSite: Album Preview
Tracklist
01. Quintet for Piano and Winds in E-Flat Major, K 452: I. Largo - Allegro moderato
02. Quintet for Piano and Winds in E-Flat Major, K. 452: II. Larghetto
03. Quintet for Piano and Winds in E-Flat Major, K. 452: III. Rondo. Allegretto
04. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: I. Theme. Allegretto
05. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: II. Variation 1
06. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: III. Variation 2
07. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: IV. Variation 3
08. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: V. Variation 4
09. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: VI. Variation 5
10. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: VII. Variation 6
11. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: VIII. Variation 7
12. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: IX. Variation 8
13. Quintet for Piano and Winds in E-Flat Major, Op. 16: I. Grave. Allegro ma non troppo
14. Quintet for Piano and Winds in E-Flat Major, Op. 16: II. Andante cantabile
15. Quintet for Piano and Winds in E-Flat Major, Op. 16: III. Rondo. Allegro ma non troppo
![Anthony Romaniuk & WOLF - Quintets for Pianoforte & Winds (2021) [Hi-Res]](https://www.dibpic.com/uploads/posts/2021-10/1633121127_anthony-romaniuk-quintets-for-pianoforte-winds-2021-back.jpg)
"I myself consider it to be the best thing I've written so far" - this is Wolfgang Amadeus Mozart's own description of his Quintet for Piano and Wind Instruments, K 452.
The quintet made such an impression on his contemporaries that the young Ludwig van Beethoven also used it as a template for his own Op. 16. The unusual combination of instruments employed in these pieces, unique in Mozart's case, encouraged them to experiment with genres, blurring the boundaries between chamber music, symphonic writing, concerto, and operatic aria. WOLF's approach to this repertoire is guided by its use of historical instruments; they are joined for these works by fortepianist Anthony Romaniuk.
01. Quintet for Piano and Winds in E-Flat Major, K 452: I. Largo - Allegro moderato
02. Quintet for Piano and Winds in E-Flat Major, K. 452: II. Larghetto
03. Quintet for Piano and Winds in E-Flat Major, K. 452: III. Rondo. Allegretto
04. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: I. Theme. Allegretto
05. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: II. Variation 1
06. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: III. Variation 2
07. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: IV. Variation 3
08. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: V. Variation 4
09. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: VI. Variation 5
10. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: VII. Variation 6
11. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: VIII. Variation 7
12. 8 Variations on Grétry’s “Une fièvre brûlante” in C Major, WoO 72: IX. Variation 8
13. Quintet for Piano and Winds in E-Flat Major, Op. 16: I. Grave. Allegro ma non troppo
14. Quintet for Piano and Winds in E-Flat Major, Op. 16: II. Andante cantabile
15. Quintet for Piano and Winds in E-Flat Major, Op. 16: III. Rondo. Allegro ma non troppo
"I myself consider it to be the best thing I've written so far" - this is Wolfgang Amadeus Mozart's own description of his Quintet for Piano and Wind Instruments, K 452.
The quintet made such an impression on his contemporaries that the young Ludwig van Beethoven also used it as a template for his own Op. 16. The unusual combination of instruments employed in these pieces, unique in Mozart's case, encouraged them to experiment with genres, blurring the boundaries between chamber music, symphonic writing, concerto, and operatic aria. WOLF's approach to this repertoire is guided by its use of historical instruments; they are joined for these works by fortepianist Anthony Romaniuk.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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