Paul Beier - Il piu bel secreto et arte (2021) [Hi-Res]

• Title: Il piu bel secreto et arte
  
• Year Of Release: 2021
  
• Label: Stradivarius
  
• Genre: Classical Lute
  
• Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
  
• Total Time: 01:13:43
  
• Total Size: 309 mb / 1.27 gb
  
• WebSite: Album Preview
  

Tracklist

01. Capirola Lutebook (Excerpts): No. 39, Et in terra pax [After Des Prez's NJE 4.3]
02. Capirola Lutebook (Excerpts): No. 4, Recercar No. 2 - No. 42, Recercar No. 13
03. Capirola Lutebook (Excerpts): No. 36, Si dedero [After Agricola]
04. Capirola Lutebook (Excerpts): No. 29, Padoana alla francese
05. Capirola Lutebook (Excerpts): No. 43, Tota pulchra es [After Craen]
06. Capirola Lutebook (Excerpts): No. 13, Balletto
07. Capirola Lutebook (Excerpts): No. 8, Recercar No. 3
08. Capirola Lutebook (Excerpts): No. 22, Allez regretz [After Van Ghizeghem]
09. Capirola Lutebook (Excerpts): No. 9, Sit nomen domini benedictum [After Prioris]
10. Capirola Lutebook (Excerpts): No. 19, Recercar No. 5
11. Capirola Lutebook (Excerpts): No. 35, O florens rosa [After Ghiselin]
12. Capirola Lutebook (Excerpts): No. 5, O mia cieca e dura sorte [After Cara] - No. 6, Che farala, che dirala [After Vincentino]
13. Capirola Lutebook (Excerpts): No. 21, Christe de "Si dedero" [After Obrecht]
14. Capirola Lutebook (Excerpts): No. 7, La spagna No. 1
15. Capirola Lutebook (Excerpts): No. 24, Recercar No. 7
16. Capirola Lutebook (Excerpts): No. 37, Benedictus "Ut re mi fa sol la" [After Brumel]
17. Capirola Lutebook (Excerpts): No. 14, De tous biens plaine [After Ghizeghem]
18. Capirola Lutebook (Excerpts): No. 2, Recercar No. 1
19. Capirola Lutebook (Excerpts): No. 3, Oublier veuil [After Agricola]
20. Capirola Lutebook (Excerpts): No. 25, La spagna No. 2
21. Capirola Lutebook (Excerpts): No. 20, Recercar No. 6
22. Capirola Lutebook (Excerpts): No. 40, Qui tollis peccata mundi [After Des Prez's NJE 4.3]

The American-born lutenist Paul Beier has been a central figure in establishing a solo lute performance scene in his adopted country of Italy. He has often participated in productions of early operas at La Scala and other major Italian opera houses, and at the Santa Fe Opera in New Mexico.
Paul Beier was born in 1954 in Salt Lake City, Utah. He attended the Royal College of Music in London, studying with Diana Poulton; she was a student of Arnold Dolmetsch and herself a pioneer in early music in Britain. From her, Beier absorbed not only lute skills, but also enthusiasm for research into historical performance practices. In 1981, Beier was asked to create a new lute program at the Civica Scuola di Musica in Milan, Italy. He has taught there ever since, adding basso continuo and Renaissance ensemble classes to his responsibilities. Beier was a founder of the Italian Lute Society; he is a consulting editor of the Lute Society of America Journal and has written widely on lute performance. Beier's solo performance career has taken him on tours throughout Europe, the Americas, and Australia. His repertory is focused on Baroque lute music, extending from music of the early 16th century to works by Bach and Silvius Leopold Weiss. Beier founded his own Baroque ensemble, Galatea, and he has also collaborated with La Cetra and other major Baroque groups in Italy and elsewhere. He is the creator of Beiertab, a computer program that facilitates the creation and editing of lute tablature, its conversion into standard notation, and its audio realization. Beier has a large discography of solo lute recordings on the Stradivarius label, including, in 2019, John Dowland: What if a day. He has also recorded for Opus 111, Glossa, Tactus, and other labels, and made four recordings as director of Galatea.

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Year 2021 | Classical | FLAC / APE | HD & Vinyl

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