Julia Sitkovetsky & Christopher Glynn - Where Corals Lie, A Journey through Songs by Sir Edward Elgar (2021) [Hi-Res]
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BAND/ARTIST: Julia Sitkovetsky, Christopher Glynn
- Title: Where Corals Lie, A Journey through Songs by Sir Edward Elgar
- Year Of Release: 2021
- Label: Chandos
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:03:38
- Total Size: 250 mb / 1.0 gb
- WebSite: Album Preview
Tracklist
01. Sea Pictures, Op. 37: I. Sea Slumber Song
02. Sea Pictures, Op. 37: II. In Haven (Capri)
03. Sea Pictures, Op. 37: III. Sabbath Morning at Sea
04. Sea Pictures, Op. 37: IV. Where Corals Lie
05. Sea Pictures, Op. 37: V. The Swimmer
06. Sieben Lieder: VII. The Shepherd's Song
07. Sieben Lieder: I. Like to the damask rose
08. Sieben Lieder: II. Queen Mary's Song (The Lute Song)
09. Sieben Lieder: III. A Song of Autumn
10. Sieben Lieder: VI. Rondel
11. Two Songs, Op. 60: No. 1, The Torch
12. Two Songs, Op. 60: No. 2, The River
13. Pleading, Op. 48
14. The Muleteer's Serenade
15. The Self Banished
16. Two Songs, Op. 41: No. 2, Speak, Music
17. Two Songs, Op. 31: No. 1, After
18. In Moonlight
19. When the Spring Comes Round
20. Pansies
![Julia Sitkovetsky & Christopher Glynn - Where Corals Lie, A Journey through Songs by Sir Edward Elgar (2021) [Hi-Res]](https://www.dibpic.com/uploads/posts/2021-09/1633019124_julia-sitkovetsky-where-corals-lie-a-journey-through-songs-by-sir-edward-elgar-2021-back.jpg)
Working in an era before Arts Council grants, public sponsorship, recording royalties, and long-term publishing deals, Elgar had to write for the public demand as much as personal satisfaction. The effort required for his large-scale works was rarely reflected in profitable income, so writing songs could be a useful way to earn money. The England of Elgar’s time favoured popular ballads, sung by well-known singers. These were then sold as sheet music, the singer’s name emblazoned on the cover, for performances given in middle-class homes. There was little demand for lengthy song cycles, or song recitals consisting entirely of "serious" repertoire in the German tradition. As a result, Elgar’s songs are often individual works, sometimes adapting instrumental works into songs (such as Land of Hope and Glory) when the commercial opportunities arose. Elgar also chose poetry that was popular and straightforward, rather than drawing on the established classical masterpieces. These songs were then transposed into numerous keys to allow performance by any voice type, designed for mass appeal and profitable sales.
Making her Chandos début, Julia Sitkovetsky is a British-American lyric-dramatic coloratura soprano with a flourishing, exciting international career. Having trained at the Guildhall School of Music and Drama, she made her professional operatic début at the age of sixteen, at Glyndebourne Festival Opera and English National Opera. Since then, she has appeared all over Europe.
01. Sea Pictures, Op. 37: I. Sea Slumber Song
02. Sea Pictures, Op. 37: II. In Haven (Capri)
03. Sea Pictures, Op. 37: III. Sabbath Morning at Sea
04. Sea Pictures, Op. 37: IV. Where Corals Lie
05. Sea Pictures, Op. 37: V. The Swimmer
06. Sieben Lieder: VII. The Shepherd's Song
07. Sieben Lieder: I. Like to the damask rose
08. Sieben Lieder: II. Queen Mary's Song (The Lute Song)
09. Sieben Lieder: III. A Song of Autumn
10. Sieben Lieder: VI. Rondel
11. Two Songs, Op. 60: No. 1, The Torch
12. Two Songs, Op. 60: No. 2, The River
13. Pleading, Op. 48
14. The Muleteer's Serenade
15. The Self Banished
16. Two Songs, Op. 41: No. 2, Speak, Music
17. Two Songs, Op. 31: No. 1, After
18. In Moonlight
19. When the Spring Comes Round
20. Pansies
Working in an era before Arts Council grants, public sponsorship, recording royalties, and long-term publishing deals, Elgar had to write for the public demand as much as personal satisfaction. The effort required for his large-scale works was rarely reflected in profitable income, so writing songs could be a useful way to earn money. The England of Elgar’s time favoured popular ballads, sung by well-known singers. These were then sold as sheet music, the singer’s name emblazoned on the cover, for performances given in middle-class homes. There was little demand for lengthy song cycles, or song recitals consisting entirely of "serious" repertoire in the German tradition. As a result, Elgar’s songs are often individual works, sometimes adapting instrumental works into songs (such as Land of Hope and Glory) when the commercial opportunities arose. Elgar also chose poetry that was popular and straightforward, rather than drawing on the established classical masterpieces. These songs were then transposed into numerous keys to allow performance by any voice type, designed for mass appeal and profitable sales.
Making her Chandos début, Julia Sitkovetsky is a British-American lyric-dramatic coloratura soprano with a flourishing, exciting international career. Having trained at the Guildhall School of Music and Drama, she made her professional operatic début at the age of sixteen, at Glyndebourne Festival Opera and English National Opera. Since then, she has appeared all over Europe.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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