Amyas & Emily Baines - The Ghost in the Machine (2021) [Hi-Res]
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BAND/ARTIST: Amyas, Emily Baines
- Title: The Ghost in the Machine
- Year Of Release: 2021
- Label: First Hand Records
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:02:40
- Total Size: 363 mb / 1.13 gb
- WebSite: Album Preview
Tracklist
01. Suite in D Major, HWV 341: I. Overture (Arr. E. Baines for Chamber Ensemble)
02. Saul, HWV 53: Dead March (Arr. E. Baines for Chamber Ensemble)
03. Judas Maccabaeus, HWV 63: See the Conquering Hero Comes (Arr. E. Baines for Chamber Ensemble)
04. Ornamented Airs & Brunettes: No. 9, L'amour, le seul amour
05. Ornamented Airs & Brunettes: No. 7, L'autre jour ma Cloris
06. Organ Concerto No. 5 in F Major, Op. 4 No. 5, HWV 293 (Arr. for Recorder & Orchestra): I. Larghetto
07. Organ Concerto No. 5 in F Major, Op. 4 No. 5, HWV 293 (Arr. for Recorder & Orchestra): II. Allegro
08. Organ Concerto No. 5 in F Major, Op. 4 No. 5, HWV 293 (Arr. for Recorder & Orchestra): III. Alla siciliana
09. Organ Concerto No. 5 in F Major, Op. 4 No. 5, HWV 293 (Arr. for Recorder & Orchestra): IV. Presto
10. Ottone, HWV 15: Alla fama, dimmi il vero (Arr. for Recorder & Organ)
11. Arianna in Creta, HWV 32: Overture (Arr. for Recorder & Organ)
12. Scipione, HWV 20: Overture (Arr. for Recorder & Organ)
13. Mr. Reddin's Ground
14. Macbeth: The Favorite March in Purcell's "Bonduca" (Arr. E. Baines for Chamber Ensemble)
15. God Save the King (Arr. E. Baines for Chamber Ensemble)
16. Rule, Britannia! (Arr. E. Baines for Chamber Ensemble)
17. Recorder Sonata in G Minor, Op. 1 No. 3: I. Adagio
18. Recorder Sonata in G Minor, Op. 1 No. 3: II. Allegro
19. Recorder Sonata in G Minor, Op. 1 No. 3: III. Largo
20. Recorder Sonata in G Minor, Op. 1 No. 3: IV. Gavotta
21. Recorder Sonata in G Minor, Op. 1 No. 3: V. Minuet
22. The Lass of Patie's Mill (Arr. E. Baines for Chamber Ensemble)
23. A Treatise of Good Taste in the Art of Musick: Air No. 1, Auld Bob Morrice (Arr. for Chamber Ensemble)
24. Rinaldo, HWV 7b (Excerpts): Overture [Arr. E. Baines for Chamber Ensemble]
25. Rinaldo, HWV 7b (Excerpts): Lascia ch'io pianga [Arr. E. Baines for Recorder & Theorbo]
26. Rodelinda, HWV 19: Minuet (Arr. E. Baines for Chamber Ensemble)
27. 6 Recorder Concertos, No. 6 in D Major: I. Allegro
28. 6 Recorder Concertos, No. 6 in D Major: II. Siciliana
29. 6 Recorder Concertos, No. 6 in D Major: III. Allegro
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This recording is centered around the performance style found in mechanical musical instruments (generally barrel organs and organ clocks) produced in 18th-century England. It features a combination of pieces which appear in treatises or other publications offering information from composers about performance style, and pieces whose style has been preserved within the pins, barrels and pipes of mechanized musical instruments made over 200 years ago. As historical performers much of our understanding of style is based on the study of treatises on performance, or other written sources from earlier eras. These are open to much interpretation, often appear to disagree with each other, and frequently the modern reader must decipher what they may have omitted because it seemed too obvious to mention for readers at the time. This recording is the culmination of 10 years of research by Dr Emily Baines.
01. Suite in D Major, HWV 341: I. Overture (Arr. E. Baines for Chamber Ensemble)
02. Saul, HWV 53: Dead March (Arr. E. Baines for Chamber Ensemble)
03. Judas Maccabaeus, HWV 63: See the Conquering Hero Comes (Arr. E. Baines for Chamber Ensemble)
04. Ornamented Airs & Brunettes: No. 9, L'amour, le seul amour
05. Ornamented Airs & Brunettes: No. 7, L'autre jour ma Cloris
06. Organ Concerto No. 5 in F Major, Op. 4 No. 5, HWV 293 (Arr. for Recorder & Orchestra): I. Larghetto
07. Organ Concerto No. 5 in F Major, Op. 4 No. 5, HWV 293 (Arr. for Recorder & Orchestra): II. Allegro
08. Organ Concerto No. 5 in F Major, Op. 4 No. 5, HWV 293 (Arr. for Recorder & Orchestra): III. Alla siciliana
09. Organ Concerto No. 5 in F Major, Op. 4 No. 5, HWV 293 (Arr. for Recorder & Orchestra): IV. Presto
10. Ottone, HWV 15: Alla fama, dimmi il vero (Arr. for Recorder & Organ)
11. Arianna in Creta, HWV 32: Overture (Arr. for Recorder & Organ)
12. Scipione, HWV 20: Overture (Arr. for Recorder & Organ)
13. Mr. Reddin's Ground
14. Macbeth: The Favorite March in Purcell's "Bonduca" (Arr. E. Baines for Chamber Ensemble)
15. God Save the King (Arr. E. Baines for Chamber Ensemble)
16. Rule, Britannia! (Arr. E. Baines for Chamber Ensemble)
17. Recorder Sonata in G Minor, Op. 1 No. 3: I. Adagio
18. Recorder Sonata in G Minor, Op. 1 No. 3: II. Allegro
19. Recorder Sonata in G Minor, Op. 1 No. 3: III. Largo
20. Recorder Sonata in G Minor, Op. 1 No. 3: IV. Gavotta
21. Recorder Sonata in G Minor, Op. 1 No. 3: V. Minuet
22. The Lass of Patie's Mill (Arr. E. Baines for Chamber Ensemble)
23. A Treatise of Good Taste in the Art of Musick: Air No. 1, Auld Bob Morrice (Arr. for Chamber Ensemble)
24. Rinaldo, HWV 7b (Excerpts): Overture [Arr. E. Baines for Chamber Ensemble]
25. Rinaldo, HWV 7b (Excerpts): Lascia ch'io pianga [Arr. E. Baines for Recorder & Theorbo]
26. Rodelinda, HWV 19: Minuet (Arr. E. Baines for Chamber Ensemble)
27. 6 Recorder Concertos, No. 6 in D Major: I. Allegro
28. 6 Recorder Concertos, No. 6 in D Major: II. Siciliana
29. 6 Recorder Concertos, No. 6 in D Major: III. Allegro
This recording is centered around the performance style found in mechanical musical instruments (generally barrel organs and organ clocks) produced in 18th-century England. It features a combination of pieces which appear in treatises or other publications offering information from composers about performance style, and pieces whose style has been preserved within the pins, barrels and pipes of mechanized musical instruments made over 200 years ago. As historical performers much of our understanding of style is based on the study of treatises on performance, or other written sources from earlier eras. These are open to much interpretation, often appear to disagree with each other, and frequently the modern reader must decipher what they may have omitted because it seemed too obvious to mention for readers at the time. This recording is the culmination of 10 years of research by Dr Emily Baines.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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