The Nash Ensemble - Shostakovich: Piano Quintet Op. 57, Piano Trio no. 2, Four Waltzes (2007)
BAND/ARTIST: The Nash Ensemble
- Title: Shostakovich: Piano Quintet Op. 57, Piano Trio no. 2, Four Waltzes
- Year Of Release: 2007
- Label: Parlophone
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 01:09:42
- Total Size: 303 Mb
- WebSite: Album Preview
Tracklist:
Quintette avec piano en sol mineur, op. 57 (Dimitri Chostakovitch)
1. Piano Quintet in G Minor, Op. 57: I. Prelude. Lento 04:24
2. Piano Quintet in G Minor, Op. 57: II. Fugue. Adagio 10:25
3. Piano Quintet in G Minor, Op. 57: III. Scherzo. Allegretto 03:17
4. Piano Quintet in G Minor, Op. 57: IV. Intermezzo. Lento 06:34
5. Piano Quintet in G Minor, Op. 57: V. Finale. Allegretto 07:13
4 Valses pour flûte, clarinette et piano (arr. Lev Atovmyan) (Dimitri Chostakovitch)
6. Suite from Michurin, Op. 78a: III. Waltz (Arr. Atovmyan for Clarinet and Piano) 02:04
7. Suite from the Bolt, Op. 27: II. Waltz - Scherzo (Arr. Atovmyan for Flute and Piano) 02:53
8. Suite from the Bolt, Op. 27: II. Waltz - Scherzo (Arr. Atovmyan for Flute and Piano) 02:33
9. Suite from the Gadfly, Op. 97a: V. Barrel Organ Waltz (Arr. Atovmyan) 02:16
Trio avec piano n° 2 en mi mineur, op. 67 (Dimitri Chostakovitch)
10. Piano Trio No. 2 in E Minor, Op. 67: I. Andante - Moderato 08:25
11. Piano Trio No. 2 in E Minor, Op. 67: II. Allegro con brio 03:04
12. Piano Trio No. 2 in E Minor, Op. 67: III. Largo 05:45
13. Piano Trio No. 2 in E Minor, Op. 67: IV. Allegretto 10:49
Performers:
The Nash Ensemble
Quintette avec piano en sol mineur, op. 57 (Dimitri Chostakovitch)
1. Piano Quintet in G Minor, Op. 57: I. Prelude. Lento 04:24
2. Piano Quintet in G Minor, Op. 57: II. Fugue. Adagio 10:25
3. Piano Quintet in G Minor, Op. 57: III. Scherzo. Allegretto 03:17
4. Piano Quintet in G Minor, Op. 57: IV. Intermezzo. Lento 06:34
5. Piano Quintet in G Minor, Op. 57: V. Finale. Allegretto 07:13
4 Valses pour flûte, clarinette et piano (arr. Lev Atovmyan) (Dimitri Chostakovitch)
6. Suite from Michurin, Op. 78a: III. Waltz (Arr. Atovmyan for Clarinet and Piano) 02:04
7. Suite from the Bolt, Op. 27: II. Waltz - Scherzo (Arr. Atovmyan for Flute and Piano) 02:53
8. Suite from the Bolt, Op. 27: II. Waltz - Scherzo (Arr. Atovmyan for Flute and Piano) 02:33
9. Suite from the Gadfly, Op. 97a: V. Barrel Organ Waltz (Arr. Atovmyan) 02:16
Trio avec piano n° 2 en mi mineur, op. 67 (Dimitri Chostakovitch)
10. Piano Trio No. 2 in E Minor, Op. 67: I. Andante - Moderato 08:25
11. Piano Trio No. 2 in E Minor, Op. 67: II. Allegro con brio 03:04
12. Piano Trio No. 2 in E Minor, Op. 67: III. Largo 05:45
13. Piano Trio No. 2 in E Minor, Op. 67: IV. Allegretto 10:49
Performers:
The Nash Ensemble
Contrary to received wisdom, you don't have to be Russian to play Shostakovich -- sometimes you can even be English. Remember the affectionate set of the complete string quartets recorded by the Fitzwilliam Quartet back while the composer was still alive? Remember the edgy set of the quartets recorded by the Brodsky Quartet back in 1989? Remember this expressive program of chamber music -- the Piano Quintet with the Second Piano Trio plus Four Waltzes arranged for flute, clarinet, and piano -- played by England's Nash Ensemble from 1993?
If not, here's your chance. Available only briefly outside the U.K., this 2007 reissue by Virgin returned it to international distribution. What makes the Nash's performances English? Is it the intellectual intensity of the quintet's Fugue, the acrid wit of the trio's closing Allegretto, the artless whimsy of the Waltz Scherzo from the Boult arranged for flute and piano? Is it the supple strength of the strings, the quirky wit of the winds, the polished power of the piano? Is it the balanced but blended textures, the buoyant but controlled tempos, the purposeful but contained expressivity? While it might be difficult to say exactly what it is that makes these performances English, it is necessary to say exactly how effective and even compelling they are. Recorded in richly colorful but slightly dry sound, anyone but Shostakovich purist will surely enjoy these performances.
If not, here's your chance. Available only briefly outside the U.K., this 2007 reissue by Virgin returned it to international distribution. What makes the Nash's performances English? Is it the intellectual intensity of the quintet's Fugue, the acrid wit of the trio's closing Allegretto, the artless whimsy of the Waltz Scherzo from the Boult arranged for flute and piano? Is it the supple strength of the strings, the quirky wit of the winds, the polished power of the piano? Is it the balanced but blended textures, the buoyant but controlled tempos, the purposeful but contained expressivity? While it might be difficult to say exactly what it is that makes these performances English, it is necessary to say exactly how effective and even compelling they are. Recorded in richly colorful but slightly dry sound, anyone but Shostakovich purist will surely enjoy these performances.
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