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Christina Petrowska-Quilico - Retro Americana (2021)

Christina Petrowska-Quilico - Retro Americana (2021)
  • Title: Retro Americana
  • Year Of Release: 2021
  • Label: Navona
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 60:21 min
  • Total Size: 246 MB
  • WebSite:
Tracklist:

1. 6 Ings: No. 1, Floating (Live)
2. 6 Ings: No. 2, Frisking (Live)
3. 6 Ings: No. 3, Fleeting (Live)
4. 6 Ings: No. 4, Scooting (Live)
5. 6 Ings: No. 5, Wafting (Live)
6. 6 Ings: No. 6, Seething (Live)
7. No. 4, Winnsboro Cotton Mill Blues (Live)
8. The Man I Love (From "Lady, Be Good") [Arr. for Piano]
9. Nobody but You (From "La La Lucille") [Arr. for Piano]
10. Do It Again (From "The French Doll") [Arr. for Piano]
11. Oh, Lady Be Good! (From "Lady, Be Good") [Arr. for Piano]
12. 'S Wonderful (From "Funny Face") [Arr. for Piano]
13. That Certain Feeling (From "Tip-Toes") [Arr. for Piano]
14. I Got Rhythm (From "Girl Crazy") [Arr. for Piano]
15. Somebody Loves Me (From "George White's Scandals of 1924") [Arr. for Piano]
16. Suite: I. Prelude
17. Suite: II. Wannabe a Rag
18. Suite: III. Ballade
19. Suite: IV. All Boogies
20. Paris for Piano
21. Window in 7's
22. St. Petersburg Waltz (Version for Piano)
23. Railroad (Travel Song)
24. I'll Never Be the Same (Arr. for Piano) [Live]
25. Don't Get Around Much Anymore (Arr. for Piano) [Live]


Highly:acclaimed, highly:prolific pianist Christina Petrowska Quilico embarks on a magnificent journey through time by exploring an entire century’s worth of North American piano music. RETRO AMERICANA splendidly showcases the whole gamut of a long:neglected genre seldom heard in such magnificence.

Quilico, whose career output includes a mind:boggling fifty:plus records, has assembled the eclectic cornucopia of RETRO AMERICANA with her usual proficient, stylistic command. Atonal pioneer Henry Cowell shakes hands with a rather lighthearted George Gershwin, while their living colleagues Meredith Monk and Bill Westcott are just as diligently heroized as the late legends Frederic Rzewski and Art Tatum. Their respective times and voices are impeccably tied together by Quilico’s trademark: her rivetingly acuminous interpretation


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