Art Tatum - The Genius Of Keyboard (1990)
BAND/ARTIST: Art Tatum
- Title: The Genius Of Keyboard
- Year Of Release: 1990
- Label: Giants Of Jazz[CD 53019]
- Genre: Jazz
- Quality: FLAC (image + .cue,log,scans) | MP3/320 kbps
- Total Time: 71:06
- Total Size: 327 MB(+3%) | 168 MB(+3%)
- WebSite: Album Preview
Tracklist
01. Blue Lou (3:02)
02. Gone With The Wind (4:46)
03. A Foggy Day (3:22)
04. September Song (7:04)
05. Love For Sale (5:30)
06. You Took Advantage Of Me (3:37)
07. Makin' Whoopee (3:33)
08. Willow Weep For Me (3:45)
09. Hallelujah (4:53)
10. Once In A While (5:08)
11. This Can't Be Love (3:51)
12. All The Things You Are (7:13)
13. My Blue Heaven (4:03)
14. I Cover The Waterfront (4:05)
15. Somebody Loves Me (7:13)
Art Tatum(born Oct. 13, 1909, Toledo, Ohio, U.S.died Nov. 5, 1956, Los Angeles, Calif.) U.S. jazz pianist. Tatum was blind from birth. Influenced by Fats Waller and Earl Hines, his playing represents a synthesis of stride and swing piano traditions. He developed an unprecedented technical and harmonic control on the instrument and was capable of astonishing speed and intricate elaborations of melody. By 1937 he was recognized as the outstanding pianist in jazz. He formed a trio with guitar and bass in 1943 but frequently made solo performances that showcased his unique mastery.
01. Blue Lou (3:02)
02. Gone With The Wind (4:46)
03. A Foggy Day (3:22)
04. September Song (7:04)
05. Love For Sale (5:30)
06. You Took Advantage Of Me (3:37)
07. Makin' Whoopee (3:33)
08. Willow Weep For Me (3:45)
09. Hallelujah (4:53)
10. Once In A While (5:08)
11. This Can't Be Love (3:51)
12. All The Things You Are (7:13)
13. My Blue Heaven (4:03)
14. I Cover The Waterfront (4:05)
15. Somebody Loves Me (7:13)
Art Tatum(born Oct. 13, 1909, Toledo, Ohio, U.S.died Nov. 5, 1956, Los Angeles, Calif.) U.S. jazz pianist. Tatum was blind from birth. Influenced by Fats Waller and Earl Hines, his playing represents a synthesis of stride and swing piano traditions. He developed an unprecedented technical and harmonic control on the instrument and was capable of astonishing speed and intricate elaborations of melody. By 1937 he was recognized as the outstanding pianist in jazz. He formed a trio with guitar and bass in 1943 but frequently made solo performances that showcased his unique mastery.
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