Hugh Fraser/Jean Toussaint Quartet - Back to Back (1998)
BAND/ARTIST: Hugh Fraser, Jean Toussaint Quartet
- Title: Back to Back
- Year Of Release: 1998
- Label: Jazz Focus Records
- Genre: Jazz, Hard Bop
- Quality: FLAC (tracks+.cue,log)
- Total Time: 66:32
- Total Size: 382 mb
- WebSite: Album Preview
Tracklist:
01. Mr. J.T. (Fraser) - 6:32
02. First Kick (Toussaint) - 5:30
03. Mode to McCoy (Fraser) - 8:26
04. Tristeza (Fraser) - 5:39
05. Seismic Disturbance (Toussaint) - 8:02
06. The Way You Look Tonight (Kern-Fields) - 6:34
07. Lament (Johnson) - 5:36
08. Hyperbontonea (Fraser) - 8:54
09. Jumping Julian (Toussaint) - 4:57
10. Jazz Focus Blues (Fraser-Toussaint) - 6:22
Hugh Fraser - piano, trombone
Jean Toussaint - tenor saxophone, soprano saxophone
Arnie Somogyi - bass
Keith Copeland - drums
01. Mr. J.T. (Fraser) - 6:32
02. First Kick (Toussaint) - 5:30
03. Mode to McCoy (Fraser) - 8:26
04. Tristeza (Fraser) - 5:39
05. Seismic Disturbance (Toussaint) - 8:02
06. The Way You Look Tonight (Kern-Fields) - 6:34
07. Lament (Johnson) - 5:36
08. Hyperbontonea (Fraser) - 8:54
09. Jumping Julian (Toussaint) - 4:57
10. Jazz Focus Blues (Fraser-Toussaint) - 6:22
Hugh Fraser - piano, trombone
Jean Toussaint - tenor saxophone, soprano saxophone
Arnie Somogyi - bass
Keith Copeland - drums
The Coltrane Quartet influences are at work in this album, in Fraser's McCoy Tyner-thumping, Tyner-speed piano, and Toussaint's squirming tenor saxophone figures. (These are descriptive generalizations and are not intended to imply that this is all there is to these versatile players.) The Virgin Islands saxophonist, a veteran of Art Blakey's Jazz Messengers and now a teacher at the Guildhall School of Music in London, has a dry, tight tenor tone and an emotionally charged way of developing a solo. One of his more reflective outings comes on soprano, on Fraser's "Tristeza," a tune and performance that suggests the melancholy mood of the movie " ‘Round Midnight."
Fraser, a Canadian who has won two Juno awards, also plays a J.J. Johnson-ish trombone on four tracks. These are freer than the six cuts with piano.
Bassist Arnie Somogyi and drummer Keith Copeland back the principals. The drummer is particularly impressive in his muscular round on the opening "Mr. J.T."; in his busy, exciting, Max-and-Klook solo on "Mode to McCoy"; in his telepathic support of Somogyi's solo on "Seismic Disturbance"; and in his interplay with the horns on the pianoless tracks. In sum, sturdy state-of-the-art playing by experienced hands.
Fraser, a Canadian who has won two Juno awards, also plays a J.J. Johnson-ish trombone on four tracks. These are freer than the six cuts with piano.
Bassist Arnie Somogyi and drummer Keith Copeland back the principals. The drummer is particularly impressive in his muscular round on the opening "Mr. J.T."; in his busy, exciting, Max-and-Klook solo on "Mode to McCoy"; in his telepathic support of Somogyi's solo on "Seismic Disturbance"; and in his interplay with the horns on the pianoless tracks. In sum, sturdy state-of-the-art playing by experienced hands.
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