Les Sacqueboutiers, Ensemble Clément Janequin - Rabelais: Fay ce que vouldras - Plaisirs de gorge et joyeux instruments (2012)
BAND/ARTIST: Les Sacqueboutiers, Ensemble Clément Janequin
- Title: Rabelais: Fay ce que vouldras - Plaisirs de gorge et joyeux instruments
- Year Of Release: 2012
- Label: Flora
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:08:52
- Total Size: 375 mb
- WebSite: Album Preview
Tracklist
01. Vive le Roy-Fanfare, à 4 (No. 150 from "Harmonice Musices Odhecaton, Canti C-Venice, 1504")
02. Meslanges, Livre 2-Chansons à six: No. 1, Je boys à toy mon compagnon (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 1, "La vie très horrifique du grand Gargantua")
03. Or vien ça, vien, m'amye Perrette, à 4 (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 2, "Comment Gargantua fut porté onze mois")
04. Hau hau hau le boys, à 4 (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 3, "Comment Gargantua nasquit en façon bien étrange") (From "31 Chansons musicales à quatre parties-Pierre Attaingnant, 1529")
05. Basse danse-O que mesa que manjar!-Quien quiere entrar? (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 4, "Comment Gargantua fut institué par Ponocrates")
06. Grosse garce noire et tendre (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 5, "Comment Grandgousier connut l'esprit merveilleux de Gargantua")
07. Lucescit jam o socii, LV 759, à 4 (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 6, "Les propos des bien yvres") (From "Vingtquatrieme livre d'airs et chansons-1587")
08. Martin menait son porceau au marché, à 4 (No. 20 from "Vingt et six chansons musicales à quatre parties-Pierre Attaingnant, 1534"-Instrumental Version)
09. La nuict froide et sombre, LV 578, à 4 (Preceded by a Recitation of "La nuit froide et sombre" by Joachim du Bellay)
10. Je vis, je meurs (Preceded by a Recitation of "Je vis, je meurs" by Louise Labé)
11. La chasse, à 4 "Gentilz veneurs allez en queste au buysson ... Sur tous soulas, plaisir et lyesse" (Second Part Preceded by a Recitation of "Gargantua" by Rabelais - Ep. 7, "Comment Gargantua et ses compagnons fachez de manger de la chair salée") (From "Les chansons de la Guerre, la chasse, le chant des oyseaux, l'alouette, le rossignol - Pierre Attaingnant, 1537")
12. Premier Livre de Danseries: No. 6, Pavane and Gaillarde Ferrareze (From "Liber Primus Leviorum Carminum-Petrus Phalesius, Leuven, 1571")
13. 51 Galliards, Pavans, Branles and Basse Dances: No. 45, Courante (Gaillarde No. 15)-No. 7, Tourdion (From "Neuf basses dances, deux branles, vingt et cinq Pavennes, avec quinze Gaillardes-Pierre Attaingnant, Paris, 1530")
14. La guerre, à 4, "La bataille de Marignan": "Escoutez tous gentils gaulois" (Preceded by a Recitation of "Adieu aux Dames de la cour" by Clément Marot) (From "Les chansons de la Guerre, la chasse, le chant des oyseaux, l'alouette, le rossignol-Pierre Attaingnant, 1537")
15. La guerre, à 4, "La bataille de Marignan": "Fan fan. Frere le le lan fan fan" (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 8, "Comment un moine de seuille saulva le cloz de l'abbaye") (From "Les chansons de la Guerre, la chasse, le chant des oyseaux, l'alouette, le rossignol-Pierre Attaingnant, 1537")
16. Le content est riche en ce monde, à 4 (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 9, "Comment Gargantua, récompensa les victeurs après la bataille")
17. Nous sommes de l'ordre de Saint Babouin, à 4 (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 10, "Comment estoient réglez les Thélémites") (No. 39 from "Harmonice Musices Odhecaton, Canti A-Venice, 1501")
The title of this album, Fay ce que vouldras (Do what thou willst), is taken from the 1532 novel La vie de Gargantua et de Pantagruel by François Rabelais, and the recording features readings from the book interspersed with vocal and instrumental music of the period by composers like Josquin Desprez, Claude Lejeune, Clément Janequin, Orlande de Lassus, and Claudin de Sermisy. This is an album that should be highly entertaining for fans of these composers and anyone who enjoys music that's quirky or sometimes just plain strange. The spoken texts, in Middle French, are delivered with such gusto and panache by Vincent Bouchot that they should engage even listeners who don't understand a word of what is being said. (The CD comes with a gorgeous, lavishly produced book in French that includes no translations.) The performances by the wind ensemble Les Sacqueboutiers and the male vocal group Ensemble Clément Janequin are ebullient and polished. This is rowdy secular music and the performers sound like they are having the time of their lives with its high spirits and occasional loopiness. The music's oddness peaks in the second part of Janequin's chanson, La chasse, in its depiction of a pack of dogs, barking, howling, and yelping. The music itself is riotously unconventional - Janequin obviously had a wicked sense of humor - and the singers' very free rendering of the hounds' gnof, gnof, tronc, tronc, plif, plof is hilarious. The sound is immaculate and detailed.
01. Vive le Roy-Fanfare, à 4 (No. 150 from "Harmonice Musices Odhecaton, Canti C-Venice, 1504")
02. Meslanges, Livre 2-Chansons à six: No. 1, Je boys à toy mon compagnon (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 1, "La vie très horrifique du grand Gargantua")
03. Or vien ça, vien, m'amye Perrette, à 4 (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 2, "Comment Gargantua fut porté onze mois")
04. Hau hau hau le boys, à 4 (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 3, "Comment Gargantua nasquit en façon bien étrange") (From "31 Chansons musicales à quatre parties-Pierre Attaingnant, 1529")
05. Basse danse-O que mesa que manjar!-Quien quiere entrar? (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 4, "Comment Gargantua fut institué par Ponocrates")
06. Grosse garce noire et tendre (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 5, "Comment Grandgousier connut l'esprit merveilleux de Gargantua")
07. Lucescit jam o socii, LV 759, à 4 (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 6, "Les propos des bien yvres") (From "Vingtquatrieme livre d'airs et chansons-1587")
08. Martin menait son porceau au marché, à 4 (No. 20 from "Vingt et six chansons musicales à quatre parties-Pierre Attaingnant, 1534"-Instrumental Version)
09. La nuict froide et sombre, LV 578, à 4 (Preceded by a Recitation of "La nuit froide et sombre" by Joachim du Bellay)
10. Je vis, je meurs (Preceded by a Recitation of "Je vis, je meurs" by Louise Labé)
11. La chasse, à 4 "Gentilz veneurs allez en queste au buysson ... Sur tous soulas, plaisir et lyesse" (Second Part Preceded by a Recitation of "Gargantua" by Rabelais - Ep. 7, "Comment Gargantua et ses compagnons fachez de manger de la chair salée") (From "Les chansons de la Guerre, la chasse, le chant des oyseaux, l'alouette, le rossignol - Pierre Attaingnant, 1537")
12. Premier Livre de Danseries: No. 6, Pavane and Gaillarde Ferrareze (From "Liber Primus Leviorum Carminum-Petrus Phalesius, Leuven, 1571")
13. 51 Galliards, Pavans, Branles and Basse Dances: No. 45, Courante (Gaillarde No. 15)-No. 7, Tourdion (From "Neuf basses dances, deux branles, vingt et cinq Pavennes, avec quinze Gaillardes-Pierre Attaingnant, Paris, 1530")
14. La guerre, à 4, "La bataille de Marignan": "Escoutez tous gentils gaulois" (Preceded by a Recitation of "Adieu aux Dames de la cour" by Clément Marot) (From "Les chansons de la Guerre, la chasse, le chant des oyseaux, l'alouette, le rossignol-Pierre Attaingnant, 1537")
15. La guerre, à 4, "La bataille de Marignan": "Fan fan. Frere le le lan fan fan" (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 8, "Comment un moine de seuille saulva le cloz de l'abbaye") (From "Les chansons de la Guerre, la chasse, le chant des oyseaux, l'alouette, le rossignol-Pierre Attaingnant, 1537")
16. Le content est riche en ce monde, à 4 (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 9, "Comment Gargantua, récompensa les victeurs après la bataille")
17. Nous sommes de l'ordre de Saint Babouin, à 4 (Preceded by a Recitation of "Gargantua" by Rabelais-Ep. 10, "Comment estoient réglez les Thélémites") (No. 39 from "Harmonice Musices Odhecaton, Canti A-Venice, 1501")
The title of this album, Fay ce que vouldras (Do what thou willst), is taken from the 1532 novel La vie de Gargantua et de Pantagruel by François Rabelais, and the recording features readings from the book interspersed with vocal and instrumental music of the period by composers like Josquin Desprez, Claude Lejeune, Clément Janequin, Orlande de Lassus, and Claudin de Sermisy. This is an album that should be highly entertaining for fans of these composers and anyone who enjoys music that's quirky or sometimes just plain strange. The spoken texts, in Middle French, are delivered with such gusto and panache by Vincent Bouchot that they should engage even listeners who don't understand a word of what is being said. (The CD comes with a gorgeous, lavishly produced book in French that includes no translations.) The performances by the wind ensemble Les Sacqueboutiers and the male vocal group Ensemble Clément Janequin are ebullient and polished. This is rowdy secular music and the performers sound like they are having the time of their lives with its high spirits and occasional loopiness. The music's oddness peaks in the second part of Janequin's chanson, La chasse, in its depiction of a pack of dogs, barking, howling, and yelping. The music itself is riotously unconventional - Janequin obviously had a wicked sense of humor - and the singers' very free rendering of the hounds' gnof, gnof, tronc, tronc, plif, plof is hilarious. The sound is immaculate and detailed.
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