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Katharina Bäuml, Capella de la Torre - Luther's Wedding Day (2013)

Katharina Bäuml, Capella de la Torre - Luther's Wedding Day (2013)
  • Title: Luther's Wedding Day
  • Year Of Release: 2013
  • Label: Challenge Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:06:53
  • Total Size: 365 Mb
  • WebSite:
Tracklist:

1. FanfareCapella de la Torre 01:09
2. Introitus, Psalm 119, V. 46-47/V1: Loquebar de testimoniis 03:54
3. Missa Nisi Dominus Aedificaverit Domum: I. Kyrie 05:29
4. Missa Nisi Dominus Aedificaverit Domum: II. Gloria 03:44
5. Zur Epistel for Espistle: In te Domine Speravi 03:48
6. Zum Evangelium For Gospel, Psalm 119: Beati Immaculati 04:48
7. Deutsches Credo: Wir Glauben all an Einen Gott 04:59
8. Suesser Vater Herre Gott 06:07
9. Ein feste Burg ist unser Gott 04:18
10. Carmen 02:12
11. Nun freut euch lieben Christen gmein 03:38
12. Tant que vivray 03:47
13. Spiel: La morra 03:07
14. Tanz, Dance: Fammi una gratia, amore 03:27
15. Pavana: Le forze d’Hercole 02:30
16. Gagliarda: I. Gentil Madonna 01:46
17. Gagliarda: II. La Gambetta 02:20
18. Allégez moy 02:25
19. Pavana / Galliarda: La Traditora 03:30
20. Saltarello: Torza 01:55

Performers:
Cécile Kempenaers (soprano)
José Pizarro (tenor)
Matthias Gerchen (bass)
Capella de la Torre
Katharina Bäuml

No actual record exists of the music played at Martin Luther's wedding to Katharina von Bora in 1525, but, as annotator Peter Schmucker points out in the booklet to this fine release, it would be impossible for today's listeners to hear the music with 16th century ears even if there were. The innovative early music group Capella de la Torre and its leader Katharina Bäuml take a preferable course in speculating based on Luther's numerous and documented musical interests what might have been played. The program is unique, probably covering a greater variety of Renaissance genres than have been heard on any other single recording. Bäuml imagines the sequence of events -- Ceremony and Wedding Feast, further subdivided into Fanfare, Mass, Epistle in the former section and dinner music, Play, and Dance in the latter -- and picks music to match. Along the line you get to hear some pan-European hits by Josquin and others and a mixture of religious music, and at the end there's a set of dances pertaining to the question of how Germans of Luther's time liked to party. For the mixture of sacred and secular music alone, probably the norm in many Renaissance ceremonial situations, the album makes a valuable contribution. The performances by Capella de la Torre have some guts to them, and the entire program is evocative of what is it is supposed to represent, not an academic reconstruction. Not only a great aid to understanding how Renaissance music was used in context, this is a sheer pleasure to hear.




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  • olga1001
  •  wrote in 22:35
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Booklet is

https://shop.new-art.nl/content/files/challenge/1395234322-CC72598%20-%20Booklet+++++++++.pdf