Hamburg Ratsmusik Ensemble, Simone Eckert - Le dessus de viole (2013)
BAND/ARTIST: Hamburg Ratsmusik Ensemble, Simone Eckert
- Title: Le dessus de viole
- Year Of Release: 2013
- Label: Pan Classics
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 02:22:45
- Total Size: 702 mb
- WebSite: Album Preview
Tracklist
CD1
01. Suite No. 1 in D Minor: I. Prelude I
02. Suite No. 1 in D Minor: II. Prelude II
03. Suite No. 1 in D Minor: III. Allemande - Double
04. Suite No. 1 in D Minor: IV. Courante
05. Suite No. 1 in D Minor: V. Sarabande grave
06. Suite No. 1 in D Minor: VI. Gigue
07. Suite No. 1 in D Minor: VII. Gavotte en rondeau
08. Suite No. 1 in D Minor: VIII. Menuet
09. Suite No. 1 in D Minor: IX. Rondeau
10. Suite No. 1 in D Minor: X. Chaconne
11. Suite No. 1 in D Minor: XI. Sonate
12. Suite No. 1 in D Minor: XII. La petite marquise
13. Suite No. 2 in D Minor: I. Prelude I
14. Suite No. 2 in D Minor: II. Allemande
15. Suite No. 2 in D Minor: III. Courante - Double
16. Suite No. 2 in D Minor: IV. Sarabande
17. Suite No. 2 in D Minor: V. Gigue
18. Suite No. 2 in D Minor: VI. Gavotte - Double
19. Suite No. 2 in D Minor: VII. Menuet
20. Suite No. 2 in D Minor: VIII. Rondeau
21. Suite No. 2 in D Minor: IX. Rigaudon
22. Suite No. 2 in D Minor: X. Sonate
23. Suite No. 3 in G Minor: I. Prelude I
24. Suite No. 3 in G Minor: II. Prelude II
25. Suite No. 3 in G Minor: III. Allemande
26. Suite No. 3 in G Minor: IV. Courante - Double
27. Suite No. 3 in G Minor: V. Sarabande
28. Suite No. 3 in G Minor: VI. Gigue
29. Suite No. 3 in G Minor: VII. Gavotte - Double
30. Suite No. 3 in G Minor: VIII. Menuet
31. Suite No. 3 in G Minor: IX. Rondeau
32. Suite No. 3 in G Minor: X. Chaconne
33. Suite No. 3 in G Minor: XI. Sonate
CD2
01. 6 Sonatas, Book 1, Viola da Gamba Sonata No. 4 in B Minor
02. 6 Sonatas, Book 1, Viola da Gamba Sonata No. 2 in G Major
03. 6 Sonatas, Book 1, Viola da Gamba Sonata No. 5 in A Major
04. 6 Sonatas, Book 1, Viola da Gamba Sonata No. 6 in G Major
05. 6 Sonatas, Book 1, Viola da Gamba Sonata No. 1 in D Major
06. 6 Sonatas, Book 1, Viola da Gamba Sonata No. 3 in F Major
18th century codes of morality in France banned women, for reasons of 'propriety', from playing most instruments because physical posture clashed with decency, according to a contemporary source. The treble viol, which because of its small size is not held between the knees but is played (with closed legs) on the lap, was one of the exceptions. The dessus de viole or the pardessus de viole, pitched a fourth higher, is rarely heard as a solo instrument, but the treble viol only gained in importance towards the end of the 18th century. Viola da gamba player Simone Eckert devotes this double CD to two important French composers for the instrument. Louis Heudelinne was a contemporary of Marin Marais, but unlike the latter did not gain any foothold in the Versailles court of Louis XIV. His Livre Premier (1701) stands out featuring double stopping, arpeggios and extremely dexterous runs. exhausting the possibilities of the treble viol.
Charles Henri Blainville, who made his name as the author of theoretical writings, was not celebrated or successful at court either. In the heated debate over French or Italian style he neglected to give a preference, and so his Sonates pour le Dessus de Viole, which appeared c. 1750, reflect both influences.
CD1
01. Suite No. 1 in D Minor: I. Prelude I
02. Suite No. 1 in D Minor: II. Prelude II
03. Suite No. 1 in D Minor: III. Allemande - Double
04. Suite No. 1 in D Minor: IV. Courante
05. Suite No. 1 in D Minor: V. Sarabande grave
06. Suite No. 1 in D Minor: VI. Gigue
07. Suite No. 1 in D Minor: VII. Gavotte en rondeau
08. Suite No. 1 in D Minor: VIII. Menuet
09. Suite No. 1 in D Minor: IX. Rondeau
10. Suite No. 1 in D Minor: X. Chaconne
11. Suite No. 1 in D Minor: XI. Sonate
12. Suite No. 1 in D Minor: XII. La petite marquise
13. Suite No. 2 in D Minor: I. Prelude I
14. Suite No. 2 in D Minor: II. Allemande
15. Suite No. 2 in D Minor: III. Courante - Double
16. Suite No. 2 in D Minor: IV. Sarabande
17. Suite No. 2 in D Minor: V. Gigue
18. Suite No. 2 in D Minor: VI. Gavotte - Double
19. Suite No. 2 in D Minor: VII. Menuet
20. Suite No. 2 in D Minor: VIII. Rondeau
21. Suite No. 2 in D Minor: IX. Rigaudon
22. Suite No. 2 in D Minor: X. Sonate
23. Suite No. 3 in G Minor: I. Prelude I
24. Suite No. 3 in G Minor: II. Prelude II
25. Suite No. 3 in G Minor: III. Allemande
26. Suite No. 3 in G Minor: IV. Courante - Double
27. Suite No. 3 in G Minor: V. Sarabande
28. Suite No. 3 in G Minor: VI. Gigue
29. Suite No. 3 in G Minor: VII. Gavotte - Double
30. Suite No. 3 in G Minor: VIII. Menuet
31. Suite No. 3 in G Minor: IX. Rondeau
32. Suite No. 3 in G Minor: X. Chaconne
33. Suite No. 3 in G Minor: XI. Sonate
CD2
01. 6 Sonatas, Book 1, Viola da Gamba Sonata No. 4 in B Minor
02. 6 Sonatas, Book 1, Viola da Gamba Sonata No. 2 in G Major
03. 6 Sonatas, Book 1, Viola da Gamba Sonata No. 5 in A Major
04. 6 Sonatas, Book 1, Viola da Gamba Sonata No. 6 in G Major
05. 6 Sonatas, Book 1, Viola da Gamba Sonata No. 1 in D Major
06. 6 Sonatas, Book 1, Viola da Gamba Sonata No. 3 in F Major
18th century codes of morality in France banned women, for reasons of 'propriety', from playing most instruments because physical posture clashed with decency, according to a contemporary source. The treble viol, which because of its small size is not held between the knees but is played (with closed legs) on the lap, was one of the exceptions. The dessus de viole or the pardessus de viole, pitched a fourth higher, is rarely heard as a solo instrument, but the treble viol only gained in importance towards the end of the 18th century. Viola da gamba player Simone Eckert devotes this double CD to two important French composers for the instrument. Louis Heudelinne was a contemporary of Marin Marais, but unlike the latter did not gain any foothold in the Versailles court of Louis XIV. His Livre Premier (1701) stands out featuring double stopping, arpeggios and extremely dexterous runs. exhausting the possibilities of the treble viol.
Charles Henri Blainville, who made his name as the author of theoretical writings, was not celebrated or successful at court either. In the heated debate over French or Italian style he neglected to give a preference, and so his Sonates pour le Dessus de Viole, which appeared c. 1750, reflect both influences.
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads