Linda Kent & Genevieve Lacey - Piracy: Baroque Music Stolen for the Recorder (2002)
BAND/ARTIST: Linda Kent, Genevieve Lacey
- Title: Piracy: Baroque Music Stolen for the Recorder
- Year Of Release: 2002
- Label: ABC Classic
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 44.1kHz
- Total Time: 00:59:43
- Total Size: 277 / 552 mb
- WebSite: Album Preview
Tracklist
01. Trio Sonata No. 6 in G Major, BWV 530: I. Vivace (Arr. for Recorder and Keyboard)
02. Trio Sonata No. 6 in G Major, BWV 530: II. Lente (Arr. for Recorder and Keyboard)
03. Trio Sonata No. 6 in G Major, BWV 530: III. Allegro (Arr. for Recorder and Keyboard)
04. Invention No. 13 in A Minor, BWV 784
05. Invention No. 4 in D Minor, BWV775 (Arr. for Recorder and Keyboard)
06. Invention No. 8 in F Major, BWV779 (Arr. for Recorder and Keyboard)
07. Schübler Chorale No. 1 ‘Wachet auf, ruft uns die Stimme’, BWV645 (Arr. for Recorder and Keyboard)
08. French Suite No.2 in C Minor, BWV 813: 1. Allemande
09. A New Ground, ZT682 (Arr. for Recorder and Keyboard)
10. Tyrannic Love or The Royal Martyr: Ah! How Sweet It Is to Love (Arr. for Recorder and Keyboard)
11. Oedipus, Z.583: Music For A While (Arr. for Recorder and Keyboard)
12. Violin Sonata in E Minor, BWV 1023: I. Prelude (Arr. for Recorder and Keyboard)
13. Violin Sonata in E Minor, BWV 1023: II. Adagio ma non tanto (Arr. for Recorder and Keyboard)
14. Violin Sonata in E Minor, BWV 1023: IV. Gigue (Arr. for Recorder and Keyboard)
15. Sonata Cu Cu (Arr. for Recorder and Keyboard)
16. Folies (Arr. for Recorder and Keyboard)
17. A Solo By Mr Finch Called The Cuckoo
18. Lady Anne Bothwell's Lament
Piracy is the follow-up release to the incredibly exciting and universally praised hit album, Il flauto dolce.
There is little choice of recorder repertoire from the Baroque era unless the virtuoso soloist is content to repeat the likes of Handel and Telemann sonatas and Vivaldi concertos ad infinitum. And what more natural direction to explore than the rich Baroque repertoire for other instruments or even the voice? Hence the title of this album, Piracy. Consisting almost entirely of arrangements, a couple are old – Corelli, Finch and the new ones stay close in musical text, if not in instrumentation, to the original compositions, with merely an octave transposition here and there to bring a part within the range of the recorder. No trembling at the approach of the pirate flag here; no walking the plank – only pleasure and delight.
01. Trio Sonata No. 6 in G Major, BWV 530: I. Vivace (Arr. for Recorder and Keyboard)
02. Trio Sonata No. 6 in G Major, BWV 530: II. Lente (Arr. for Recorder and Keyboard)
03. Trio Sonata No. 6 in G Major, BWV 530: III. Allegro (Arr. for Recorder and Keyboard)
04. Invention No. 13 in A Minor, BWV 784
05. Invention No. 4 in D Minor, BWV775 (Arr. for Recorder and Keyboard)
06. Invention No. 8 in F Major, BWV779 (Arr. for Recorder and Keyboard)
07. Schübler Chorale No. 1 ‘Wachet auf, ruft uns die Stimme’, BWV645 (Arr. for Recorder and Keyboard)
08. French Suite No.2 in C Minor, BWV 813: 1. Allemande
09. A New Ground, ZT682 (Arr. for Recorder and Keyboard)
10. Tyrannic Love or The Royal Martyr: Ah! How Sweet It Is to Love (Arr. for Recorder and Keyboard)
11. Oedipus, Z.583: Music For A While (Arr. for Recorder and Keyboard)
12. Violin Sonata in E Minor, BWV 1023: I. Prelude (Arr. for Recorder and Keyboard)
13. Violin Sonata in E Minor, BWV 1023: II. Adagio ma non tanto (Arr. for Recorder and Keyboard)
14. Violin Sonata in E Minor, BWV 1023: IV. Gigue (Arr. for Recorder and Keyboard)
15. Sonata Cu Cu (Arr. for Recorder and Keyboard)
16. Folies (Arr. for Recorder and Keyboard)
17. A Solo By Mr Finch Called The Cuckoo
18. Lady Anne Bothwell's Lament
Piracy is the follow-up release to the incredibly exciting and universally praised hit album, Il flauto dolce.
There is little choice of recorder repertoire from the Baroque era unless the virtuoso soloist is content to repeat the likes of Handel and Telemann sonatas and Vivaldi concertos ad infinitum. And what more natural direction to explore than the rich Baroque repertoire for other instruments or even the voice? Hence the title of this album, Piracy. Consisting almost entirely of arrangements, a couple are old – Corelli, Finch and the new ones stay close in musical text, if not in instrumentation, to the original compositions, with merely an octave transposition here and there to bring a part within the range of the recorder. No trembling at the approach of the pirate flag here; no walking the plank – only pleasure and delight.
Classical | FLAC / APE | HD & Vinyl
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