Paolo Tognon & Claudio Verh - Lasso: Cantiones Duarum Vocum (2014)
BAND/ARTIST: Paolo Tognon, Claudio Verh, Gruppo Vocale Armoniosoincanto, Franco Radicchia
- Title: Lasso: Cantiones Duarum Vocum
- Year Of Release: 2014
- Label: Tactus
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 59:52
- Total Size: 269 MB
- WebSite: Album Preview
Tracklist:
01. No. 1. Beatus vir qui in sapientia morabitur
02. No. 18. —
03. No. 12. Sicut rosa inter spinas
04. No. 15. —
05. No. 16. —
06. No. 19. —
07. No. 4. Iustus cor suum tradet ad vigilandum
08. No. 14. —
09. No. 8. Sancti mei qui in isto seculo
10. No. 10. Serve bone et fidelis
11. No. 11. Fulgebunt iusti sicut lilium
12. No. 5. Expectatio iustorum laetitia
13. No. 23. —
14. No. 13. —
15. No. 22. —
16. No. 2. Beatus homo qui invenit sapientiam
17. No. 17. —
18. No. 24. —
19. No. 3. Oculus non vidit, nec auris audivit
20. No. 6. Qui sequitur me, non ambulat in tenebris
21. No. 9. Qui vult venire post me
22. No. 21. —
23. No. 7. Iusti tulerunt spolia impiorum
24. No. 20. —
25. No. 1. Beatus vir qui in sapientia morabitur
26. No. 2. Beatus homo qui invenit sapientiam
27. No. 3. Oculus non vidit, nec auris audivit
28. No. 4. Iustus cor suum tradet ad vigilandum
29. No. 5. Expectatio iustorum laetitia
30. No. 6. Qui sequitur me, non ambulat in tenebris
31. No. 7. Iusti tulerunt spolia impiorum
32. No. 8. Sancti mei qui in isto seculo
33. No. 9. Qui vult venire post me
34. No. 10. Serve bone et fidelis
35. No. 11. Fulgebunt iusti sicut lilium
36. No. 12. Sicut rosa inter spinas
01. No. 1. Beatus vir qui in sapientia morabitur
02. No. 18. —
03. No. 12. Sicut rosa inter spinas
04. No. 15. —
05. No. 16. —
06. No. 19. —
07. No. 4. Iustus cor suum tradet ad vigilandum
08. No. 14. —
09. No. 8. Sancti mei qui in isto seculo
10. No. 10. Serve bone et fidelis
11. No. 11. Fulgebunt iusti sicut lilium
12. No. 5. Expectatio iustorum laetitia
13. No. 23. —
14. No. 13. —
15. No. 22. —
16. No. 2. Beatus homo qui invenit sapientiam
17. No. 17. —
18. No. 24. —
19. No. 3. Oculus non vidit, nec auris audivit
20. No. 6. Qui sequitur me, non ambulat in tenebris
21. No. 9. Qui vult venire post me
22. No. 21. —
23. No. 7. Iusti tulerunt spolia impiorum
24. No. 20. —
25. No. 1. Beatus vir qui in sapientia morabitur
26. No. 2. Beatus homo qui invenit sapientiam
27. No. 3. Oculus non vidit, nec auris audivit
28. No. 4. Iustus cor suum tradet ad vigilandum
29. No. 5. Expectatio iustorum laetitia
30. No. 6. Qui sequitur me, non ambulat in tenebris
31. No. 7. Iusti tulerunt spolia impiorum
32. No. 8. Sancti mei qui in isto seculo
33. No. 9. Qui vult venire post me
34. No. 10. Serve bone et fidelis
35. No. 11. Fulgebunt iusti sicut lilium
36. No. 12. Sicut rosa inter spinas
Roland de Lassus (Orlando di Lasso), musician and composer of the 16th century, is one of the masters of 16th century polyphony, considered by many to be the most versatile. He began as a young chorister at the church of Saint Nicholas at Mons and in 1544 was engaged at the court of Ferrante I Gonzaga, viceroy of Charles V in Sicily, with whom he travelled to France and Italy.
From 1549 to 1552 he was in Naples, then from 1553 to 1554 in Rome as choirmaster in San Giovanni in Laterano, where he met the famous Giovanni Pierluigi da Palestrina. From 1560 to 1594 he remained at the court of Duke Albert V of Bavaria, becoming choirmaster at court. In this capacity he made several journeys to the Netherlands, to Germany, Bohemia and especially to Italy.
The collection consists of 24 bicinia, or compositions for two unaccompanied voices or instruments, a genre which came into being in the first half of the XVI century, clearly aiming to teach polyphonic composition. The collection includes 12 on a sacred Latin text while the rest has no text.
This music was composed in the mature years of Lassus, during the time when he was employed by Duke Albert V of Bavaria, where he was an esteemed choir master and when he undertook regular journeys to Italy.
From 1549 to 1552 he was in Naples, then from 1553 to 1554 in Rome as choirmaster in San Giovanni in Laterano, where he met the famous Giovanni Pierluigi da Palestrina. From 1560 to 1594 he remained at the court of Duke Albert V of Bavaria, becoming choirmaster at court. In this capacity he made several journeys to the Netherlands, to Germany, Bohemia and especially to Italy.
The collection consists of 24 bicinia, or compositions for two unaccompanied voices or instruments, a genre which came into being in the first half of the XVI century, clearly aiming to teach polyphonic composition. The collection includes 12 on a sacred Latin text while the rest has no text.
This music was composed in the mature years of Lassus, during the time when he was employed by Duke Albert V of Bavaria, where he was an esteemed choir master and when he undertook regular journeys to Italy.
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