Viney-Grinberg Duo - Invisible Dances (2018) [Hi-Res]
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BAND/ARTIST: Viney-Grinberg Duo
- Title: Invisible Dances
- Year Of Release: 2018
- Label: ABC Classic
- Genre: Classical Piano
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz
- Total Time: 00:54:47
- Total Size: 191 / 910 mb
- WebSite: Album Preview
Tracklist
01. Petite Suite, L. 65: 1. En bateau
02. Petite Suite, L. 65: 2. Cortège
03. Petite Suite, L. 65: 3. Menuet
04. Petite Suite, L. 65: 4. Ballet
05. Green Valley
06. Fantasie in F Minor, D.940
07. Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina (Arr. for Piano 4 Hands)
08. Petrouchka (Three Movements for Piano Duet): Scene 1. Russian Dance
09. Petrouchka (Three Movements for Piano Duet): Scene 2. Petrouchka's Room
10. Petrouchka (Three Movements for Piano Duet): Scene 3. The Shrovetide Fair
11. Invisible Dance, for Piano four-hands
Invisible Dancesis the new album from acclaimed Australian pianists Liam Viney and Anna Grinberg, who perform as the Viney-Grinberg Piano Duo. Through scenes of fantasy and poetry, these musical tableaux highlight the sheer colour and brilliance of piano duets.
This album is permeated by the spirit of dance felt but not seen: from Debussy’s archaic musings on minuet and ballet forms in his Petite Suite, through the obsessive moto perpetuos, French overture, and Austrian folk Ländler in Schubert’s ‘Fantasie’, into the dazzling world of Stravinsky’s dancing puppets and carnival acrobats.
Two Australian pieces generate interesting resonances alongside their European counterparts. Roy Agnew’s Green Valley is a modest pastoral scene of exquisite beauty that echoes the outdoor scene of Debussy’s En bateau. Tim Dargaville’s Invisible Dance provides a counterpoint to the extroverted rhythmic display of Petrushka, a poignant postlude to an album animated by movement and motion.
Liam Viney andAnna Grinberg enjoy an international performance profile involving festivals, major series, live radio broadcasts, orchestras and CD releases. Described as ‘barnstorming’ (The Australian) and ‘the most compelling case for the beauty and variety of two piano repertory this reviewer has ever heard’ (Los Angeles Times), the duo is committed to exploring classics of the two-piano and four-hand repertoire, but also contributes to the ongoing expansion of that literature through commissioning composers. They spent a decade in the United States before taking up their current position as Ensemble-in-Residence at the University of Queensland, Australia.
01. Petite Suite, L. 65: 1. En bateau
02. Petite Suite, L. 65: 2. Cortège
03. Petite Suite, L. 65: 3. Menuet
04. Petite Suite, L. 65: 4. Ballet
05. Green Valley
06. Fantasie in F Minor, D.940
07. Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina (Arr. for Piano 4 Hands)
08. Petrouchka (Three Movements for Piano Duet): Scene 1. Russian Dance
09. Petrouchka (Three Movements for Piano Duet): Scene 2. Petrouchka's Room
10. Petrouchka (Three Movements for Piano Duet): Scene 3. The Shrovetide Fair
11. Invisible Dance, for Piano four-hands
Invisible Dancesis the new album from acclaimed Australian pianists Liam Viney and Anna Grinberg, who perform as the Viney-Grinberg Piano Duo. Through scenes of fantasy and poetry, these musical tableaux highlight the sheer colour and brilliance of piano duets.
This album is permeated by the spirit of dance felt but not seen: from Debussy’s archaic musings on minuet and ballet forms in his Petite Suite, through the obsessive moto perpetuos, French overture, and Austrian folk Ländler in Schubert’s ‘Fantasie’, into the dazzling world of Stravinsky’s dancing puppets and carnival acrobats.
Two Australian pieces generate interesting resonances alongside their European counterparts. Roy Agnew’s Green Valley is a modest pastoral scene of exquisite beauty that echoes the outdoor scene of Debussy’s En bateau. Tim Dargaville’s Invisible Dance provides a counterpoint to the extroverted rhythmic display of Petrushka, a poignant postlude to an album animated by movement and motion.
Liam Viney andAnna Grinberg enjoy an international performance profile involving festivals, major series, live radio broadcasts, orchestras and CD releases. Described as ‘barnstorming’ (The Australian) and ‘the most compelling case for the beauty and variety of two piano repertory this reviewer has ever heard’ (Los Angeles Times), the duo is committed to exploring classics of the two-piano and four-hand repertoire, but also contributes to the ongoing expansion of that literature through commissioning composers. They spent a decade in the United States before taking up their current position as Ensemble-in-Residence at the University of Queensland, Australia.
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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