Edwin Fischer - Edwin Fischer: The Legacy of a Great Pianist (1943-1953) (2012)
BAND/ARTIST: Edwin Fischer, Berlin Philharmonic Orchestra, Basel Orchestra, Paris Conservatory Orchestra, Lausanne Chamber Orchestra, Orchestre Municipal de Strasbourg, Hans Münch, Anatole Fistoulari
- Title: Edwin Fischer: Legacy Of A Great Pianist
- Year Of Release: 2012
- Label: Music and Arts Programs of America
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 6:28:10
- Total Size: 808 MB
- WebSite: Album Preview
Tracklist:
01. 11 Variations on an Original Theme in D Major, Op. 21, No. 1
02. Fantasia in G Minor, Op. 77
03. I. Allegro con brio
04. II. Largo
05. III. Rondo. Allegro
06. Fantasia in C Minor, K. 475
07. Romance for Piano in A-Flat Major, K. Anh. 205/K. Anh. C27.04
08. I. Allegro non troppo
09. II. Allegro appassionato
10. III. Andante
11. IV. Allegretto grazioso
12. I. Allegro moderato
13. II. Siciliano: Allegro piacevole
14. III. Allegro
15. I. Allegro
16. II. Alla siciliana
17. III. Allegro
18. I. Allegro moderato
19. II. Andante con moto
20. III. Rondo. Vivace
21. I. Allegro
22. II. Adagio ma non tanto e dolce
23. III. Alla breve
24. I. Largo - Allegro moderato
25. II. Larghetto
26. III. Rondo. Allegretto
27. I. Allegro maestoso
28. II. Andante espressivo
29. III. Scherzo. Allegro energico
30. IV. Intermezzo. Andante molto sostenuto
31. V. Allegro moderato ma rubato
32. I. Allegro
33. II. Larghetto
34. III. Allegro ma non tanto
35. Ricercar a 6 (Arr. E. Fischer)
36. I. Allegro
37. II. Andante
38. III. Allegro
39. I. Moderato (Arr. S. Franko)
40. II. Allegro (Arr. S. Franko)
41. III. Larghetto (Arr. S. Franko)
42. IV. Presto (Arr. S. Franko)
43. II. Largo
44. III. Presto
45. I. Allegro
46. II. Romance
47. III. Rondo. Allegro assai
48. I. Molto allegro
49. II. Andante
50. III. Menuetto. Allegretto
51. IV. Allegro assai
01. 11 Variations on an Original Theme in D Major, Op. 21, No. 1
02. Fantasia in G Minor, Op. 77
03. I. Allegro con brio
04. II. Largo
05. III. Rondo. Allegro
06. Fantasia in C Minor, K. 475
07. Romance for Piano in A-Flat Major, K. Anh. 205/K. Anh. C27.04
08. I. Allegro non troppo
09. II. Allegro appassionato
10. III. Andante
11. IV. Allegretto grazioso
12. I. Allegro moderato
13. II. Siciliano: Allegro piacevole
14. III. Allegro
15. I. Allegro
16. II. Alla siciliana
17. III. Allegro
18. I. Allegro moderato
19. II. Andante con moto
20. III. Rondo. Vivace
21. I. Allegro
22. II. Adagio ma non tanto e dolce
23. III. Alla breve
24. I. Largo - Allegro moderato
25. II. Larghetto
26. III. Rondo. Allegretto
27. I. Allegro maestoso
28. II. Andante espressivo
29. III. Scherzo. Allegro energico
30. IV. Intermezzo. Andante molto sostenuto
31. V. Allegro moderato ma rubato
32. I. Allegro
33. II. Larghetto
34. III. Allegro ma non tanto
35. Ricercar a 6 (Arr. E. Fischer)
36. I. Allegro
37. II. Andante
38. III. Allegro
39. I. Moderato (Arr. S. Franko)
40. II. Allegro (Arr. S. Franko)
41. III. Larghetto (Arr. S. Franko)
42. IV. Presto (Arr. S. Franko)
43. II. Largo
44. III. Presto
45. I. Allegro
46. II. Romance
47. III. Rondo. Allegro assai
48. I. Molto allegro
49. II. Andante
50. III. Menuetto. Allegretto
51. IV. Allegro assai
Edwin Fischer was one of the great pianists of the twentieth century, and among the finest piano pedagogues of all time. At the Basle Conservatory his teacher was Hans Huber. He then studied in Berlin with Martin Krause.
He was taught at Berlin's Stern Conservatory, where he remained from 1905 until World War I, when he returned to Switzerland. He established himself as one of the finest pianists of his generation after the war. He became particularly associated with the major works of the great German masters, including Bach, Beethoven, and Brahms.
In 1926 he also became conductor of the Lübeck Musikverein and continued his conducting career in Munich from 1928 to 1932, as director of the Bachverein there. He transferred the base of his career to Berlin in 1932, when he became a member of the faculty of the Berlin Hochschule für Musik, succeeding Arthur Schnabel.
He also founded a chamber orchestra. His increasing interest in Classical and Baroque music led him to reinstate the authentic method of leading the ensemble from the keyboard while realizing the basso continuo.
While his concept of the music of that era remained essentially Romantic in concept, he sought to recover the classical purity of his favored composers, de-emphasizing excessive emotionalism and shifts in the basic pulse. As a result, he was typed as an intellectual pianist.
In 1942 he withdrew to Switzerland. After the war, he resumed appearing in chamber music and solo performance throughout Europe. His master classes in Lucerne were in high demand. He founded a foundation, the Edwin-Fischer-Stiftung, to support the beginning of promising young musicians' careers and to aid other needy musicians. As an academic and pedagogue, he published valuable books on musical interpretation and teaching. ~ Joseph Stevenson
He was taught at Berlin's Stern Conservatory, where he remained from 1905 until World War I, when he returned to Switzerland. He established himself as one of the finest pianists of his generation after the war. He became particularly associated with the major works of the great German masters, including Bach, Beethoven, and Brahms.
In 1926 he also became conductor of the Lübeck Musikverein and continued his conducting career in Munich from 1928 to 1932, as director of the Bachverein there. He transferred the base of his career to Berlin in 1932, when he became a member of the faculty of the Berlin Hochschule für Musik, succeeding Arthur Schnabel.
He also founded a chamber orchestra. His increasing interest in Classical and Baroque music led him to reinstate the authentic method of leading the ensemble from the keyboard while realizing the basso continuo.
While his concept of the music of that era remained essentially Romantic in concept, he sought to recover the classical purity of his favored composers, de-emphasizing excessive emotionalism and shifts in the basic pulse. As a result, he was typed as an intellectual pianist.
In 1942 he withdrew to Switzerland. After the war, he resumed appearing in chamber music and solo performance throughout Europe. His master classes in Lucerne were in high demand. He founded a foundation, the Edwin-Fischer-Stiftung, to support the beginning of promising young musicians' careers and to aid other needy musicians. As an academic and pedagogue, he published valuable books on musical interpretation and teaching. ~ Joseph Stevenson
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