Dorothee Mields & Boreas Quartett Bremen - Basevi Codex - Music at the Court of Margaret of Austria (2021) [Hi-Res]
BAND/ARTIST: Dorothee Mields, Boreas Quartett Bremen
- Title: Basevi Codex - Music at the Court of Margaret of Austria
- Year Of Release: 2021
- Label: audite Musikproduktion
- Genre: Classical
- Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
- Total Time: 61:18
- Total Size: 242 MB / 1.14 GB
- WebSite: Album Preview
Tracklist:
1. Ave Maria (I) (1:31)
2. Ghiselin: Fors Seulement (2:51)
3. Rue: Plorer, gemir / Requiem (4:06)
4. Obrecht: Requiem (3:23)
5. Rue: Il viendra le jour Désiré (1:58)
6. Rue: Puisque je suis hors du Compte (2:03)
7. Compère: Scaramella fa la Galla (2:33)
8. Amours mon Fait (2:44)
9. Brumel: James que La (2:28)
10. Rue: Fors Seulement (2:36)
11. Pipelare: Fors Seulement (1:55)
12. Ockeghem: Fors Seulement (2:11)
13. Agricola: Tout a pour Moy (3:55)
14. Ave Maria (II) (1:36)
15. Agricola: Sonnés, Muses (3:02)
16. Prioris: Deuil et Ennuy (1:52)
17. Prioris: Royne du ciel / Regina Caeli (3:39)
18. Obrecht: Missa Fortuna Desperata: Kyrie (1:47)
19. Obrecht: Missa Fortuna Desperata: Sanctus (2:32)
20. Obrecht: Missa Fortuna Desperata: Osanna (4:38)
21. Rue: Ma bouche Rit (4:17)
22. Isaac: La mi la Sol (2:11)
23. Ave Maria (III) (1:43)
1. Ave Maria (I) (1:31)
2. Ghiselin: Fors Seulement (2:51)
3. Rue: Plorer, gemir / Requiem (4:06)
4. Obrecht: Requiem (3:23)
5. Rue: Il viendra le jour Désiré (1:58)
6. Rue: Puisque je suis hors du Compte (2:03)
7. Compère: Scaramella fa la Galla (2:33)
8. Amours mon Fait (2:44)
9. Brumel: James que La (2:28)
10. Rue: Fors Seulement (2:36)
11. Pipelare: Fors Seulement (1:55)
12. Ockeghem: Fors Seulement (2:11)
13. Agricola: Tout a pour Moy (3:55)
14. Ave Maria (II) (1:36)
15. Agricola: Sonnés, Muses (3:02)
16. Prioris: Deuil et Ennuy (1:52)
17. Prioris: Royne du ciel / Regina Caeli (3:39)
18. Obrecht: Missa Fortuna Desperata: Kyrie (1:47)
19. Obrecht: Missa Fortuna Desperata: Sanctus (2:32)
20. Obrecht: Missa Fortuna Desperata: Osanna (4:38)
21. Rue: Ma bouche Rit (4:17)
22. Isaac: La mi la Sol (2:11)
23. Ave Maria (III) (1:43)
The Boreas Quartett Bremen and soprano Dorothee Mields bring a little-known musical manuscript of the renaissance to life and present a series of premiere recordings.
The Basevi Codex, a collection of Franco-Flemish chansons, motets and mass settings, was produced during the early sixteenth century in the famous music scribing workshop of Pierre Alamire. Faithfully following renaissance performance practice, which allowed great freedom in its musical realisations, the recorder consort and Dorothee Mields interpret selected pieces from the codex, with voice or purely instrumental, and, depending on the character of the piece, also with improvised virtuoso ornamentation. This creates a colourful picture of the music as it was sung and played at the Burgundian-Dutch court of Princess Margaret of Austria in Mechelen.
This recording is the second volume of a multi-part audite recording series with recorder player Julia Fritz, and the audite debut recording of the Boreas Quartett Bremen.
The Basevi Codex, a collection of Franco-Flemish chansons, motets and mass settings, was produced during the early sixteenth century in the famous music scribing workshop of Pierre Alamire. Faithfully following renaissance performance practice, which allowed great freedom in its musical realisations, the recorder consort and Dorothee Mields interpret selected pieces from the codex, with voice or purely instrumental, and, depending on the character of the piece, also with improvised virtuoso ornamentation. This creates a colourful picture of the music as it was sung and played at the Burgundian-Dutch court of Princess Margaret of Austria in Mechelen.
This recording is the second volume of a multi-part audite recording series with recorder player Julia Fritz, and the audite debut recording of the Boreas Quartett Bremen.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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