Carbon Based Lifeforms - Stochastic (2021)
BAND/ARTIST: Carbon Based Lifeforms
- Title: Stochastic
- Year Of Release: 2021
- Label: Leftfield
- Genre: Ambient, Drone
- Quality: 16bit-44,1kHz FLAC
- Total Time: 01:12:30
- Total Size: 342 mb
- WebSite: Album Preview
Tracklist
1. CHRS – Melodics Raver (05:24)
2. SDK – Emergency Beat (05:07)
3. Jubatus – My Life Fuck (06:03)
4. Lucas Campagna – A Rave Without Sunglasses (04:50)
5. Class-N – Burn (03:25)
6. Mr Dello – Violent State (06:54)
7. DCMBR – Junction (06:13)
8. Sahir – No Pares! (06:59)
9. аbout:Kaos – Fuckup (07:15)
10. David Cørtese – Leave Me Alone (04:13)
11. Leo Bufera – Hard Say I will Die (05:38)
12. #BSKD – Energy Vampire (05:45)
13. Stan Christ – Saviour (04:44)
What started as an experiment grew into a concept for an entire album. By exploring the random functionalities on some synthesizers we had not used for a while, we found sequences that were best suited for passive listening whilst not stealing focus. It appeared as if the randomness kept our minds focused and relaxed at the same time. For a few weeks we listened to the tracks over and over for hours while coding, emailing, packing and other tasks and found them very stimulating. We defined the sounds, harmonies and the frequencies of the random pulse generators and then let the synthesizers perform the actual tracks. Sometimes by using randomly generated sequences, sometimes by looped and randomly modulated envelopes.
1. CHRS – Melodics Raver (05:24)
2. SDK – Emergency Beat (05:07)
3. Jubatus – My Life Fuck (06:03)
4. Lucas Campagna – A Rave Without Sunglasses (04:50)
5. Class-N – Burn (03:25)
6. Mr Dello – Violent State (06:54)
7. DCMBR – Junction (06:13)
8. Sahir – No Pares! (06:59)
9. аbout:Kaos – Fuckup (07:15)
10. David Cørtese – Leave Me Alone (04:13)
11. Leo Bufera – Hard Say I will Die (05:38)
12. #BSKD – Energy Vampire (05:45)
13. Stan Christ – Saviour (04:44)
What started as an experiment grew into a concept for an entire album. By exploring the random functionalities on some synthesizers we had not used for a while, we found sequences that were best suited for passive listening whilst not stealing focus. It appeared as if the randomness kept our minds focused and relaxed at the same time. For a few weeks we listened to the tracks over and over for hours while coding, emailing, packing and other tasks and found them very stimulating. We defined the sounds, harmonies and the frequencies of the random pulse generators and then let the synthesizers perform the actual tracks. Sometimes by using randomly generated sequences, sometimes by looped and randomly modulated envelopes.
Year 2021 | Electronic | Ambient | FLAC / APE
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