• logo

Edita Gruberova - Great Moments of Edita Gruberova (1995)

Edita Gruberova - Great Moments of Edita Gruberova (1995)

BAND/ARTIST: Edita Gruberova

  • Title: Great Moments of Edita Gruberova
  • Year Of Release: 1995
  • Label: Warner Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 3:08:08
  • Total Size: 722 MB
  • WebSite:
Tracklist:

01. I Capuleti e i Montecchi, Act I - Scene 2: Eccomi in lieta vesta
02. I Capuleti e i Montecchi, Act I - Scene 2: Oh! quante volte (Giulietta)
03. I Capuleti e i Montecchi, Act I - Scene 2: Si fuggire: a noi non resta
04. I Capuleti e i Montecchi, Act I - Scene 2: Odi tu? L'altar funesto
05. I Capuleti e i Montecchi, Act I - Scene 2: Vieni, ah!, vieni, e in me riposa (Romeo/Giulietta)
06. La Sonnambula, Act 1: Care compagne
07. La Sonnambula, Act 1: Come per me sereno
08. La Sonnambula, Act 1: Sovra il sen
09. Norma, Act I, Scene 1: Sediziose voci ...
10. Norma, Act I, Scene 1: Casta diva ...
11. Norma, Act I, Scene 1: Ah! bello a me ritorna!
12. Semiramide, Act 1: "Bel raggio lusinghier" (Semiramide)
13. Il barbiere di Siviglia, Act One, Scene Two: Una voce poco fa
14. Lucia di Lammermoor, Act I, Scena seconda: Ancor non giunse! (Lucia/Alisa)
15. Lucia di Lammermoor, Act 1 Scene 4: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa)
16. Lucia di Lammermoor, Act 1 Scene 4: No. 2b, Stretta, "Quando, rapito in estasi" (Lucia)
17. Lucia di Lammermoor, Act 1 Scene 5: "Sulla tomba che rinserra il tradito genitore" (Edgardo, Lucia)
18. Lucia di Lammermoor, Act 1 Scene 5: "Qui di sposa eterna fede" (Edgardo, Lucia)
19. Lucia di Lammermoor, Act 1 Scene 5: "Verrano a te sull'aura" (Lucia, Edgardo)
20. Lucia di Lammermoor, Act II, Scena prima: Il pallor funesto, orrendo (Enrico/Lucia)
21. Lucia di Lammermoor, Act II, Scena prima: Che fia?... Suonar di giubilo (Lucia/Enrico)
22. Lucia di Lammermoor, Act II, Scena prima: Se tradirmi tu potrai ... Tu che vedi il pianto mio (Enrico/Lucia)
23. Lucia di Lammermoor: Il dolce suono ...
24. Lucia di Lammermoor: Ardon gl'incensi ...
25. Lucia di Lammermoor: Spargi d'amaro pianto (Act III)
26. La Figlia del Reggimento, Act II: Deciso è dunque!
27. Orfeo ed Euridice (Vienna version, 1762), Act I, Scene 2: Gli sguardi trattieni
28. Die Zauberflöte, K.620, Act I: O zitt're nicht
29. Die Zauberflöte, K.620, Act I: Zum leiden
30. Die Zauberflöte, K.620, Act II: Der Hölle Rache
31. Don Giovanni, Act II, Scene Four, Recitative & Aria: Recitative: Crudele? Ah no, mio bene! (Donna Anna)
32. Don Giovanni, Act II, Scene Four, Recitative & Aria: Aria: Non mi dir, bell'idol mio (Donna Anna)
33. Le Nozze di Figaro, Act III, Recitativo & Aria:: Recitativo: E Susanna non vien!
34. Le Nozze di Figaro, Act III, Recitativo & Aria:: Aria: Dove sono i bei momenti
35. Der Freischütz: Recit: Wie nahte mir der Schlummer ...
36. Der Freischütz: Aria: Leise, leise, fromme Weise (Act 2)
37. I Masnadieri, Scena e Aria (Act II):: Dall' infame banchetto
38. I Masnadieri, Scena e Aria (Act II):: Aria: Tu del mio Carlo
39. Lakmé: Où va la jeune Indoue? (Act II)
40. Les Huguenots, Act 1: "Nobles seigneurs, salut!" (Urbain)
41. Roméo et Juliette: Ah! Je veux vivre dans le rêve (Act I)
42. Hamlet: A vos jeux, mes amis ...
43. Hamlet: Partagez-vous mes fleurs! ...
44. Hamlet: Pâle et blonde (Act 3)

Edita Gruberová is a coloratura soprano, best known for her performances of Mozart and Strauss operas, but also strongly identified with the bel canto revival. She studied in her hometown of Bratislava, and then in Vienna and Prague, finally making her professional debut as Rosina in Rossini's Barber of Seville at the Slovak National Theater in 1968. An engagement to sing Mozart's Queen of the Night with the Vienna State Opera in 1970 was pivotal in establishing her career. She joined the company as a regular member in 1972, and before long she had made successful debuts at Glyndebourne (1973), the Salzburg Festival (1974, as Thibault in Verdi's Don Carlo with Karajan), and the Metropolitan Opera (1977, again as Mozart's Queen). During the late 1970s and early 1980s she debuted at many of the world's other major houses, including Covent Garden, La Scala, and the Chicago Lyric, but her schedule remained focused around the houses of central Europe -- a trend that has continued throughout her career. As of 2004, Gruberová was still pursuing a full schedule of operatic and concert appearances.

Other Mozart roles that Gruberová is strongly associated with include Constanze in Die Entführung aus dem Serail and, somewhat surprisingly, Donna Anna in Don Giovanni -- a more lyrical role that lacks the high-flying coloratura that is usually her calling card. Her performances of Zerbinetta in Strauss' Ariadne auf Naxos are considered among the best ever heard. Among the bel canto operas, Donizetti's Lucia and Anna Bolena, Rossini's Semiramide, and Bellini's I Capuleti e I Montecchi have figured prominently in her success. ~ Allen Schrott


As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
  • Unlimited high speed downloads
  • Download directly without waiting time
  • Unlimited parallel downloads
  • Support for download accelerators
  • No advertising
  • Resume broken downloads