Jan Hádek, Hipocondria Ensemble - Brixi: Magnificat.Music from Eighteenth-Century Prague (2021) [Hi-Res]
BAND/ARTIST: Jan Hádek, Hipocondria Ensemble
- Title: Brixi: Magnificat. Music from Eighteenth-Century Prague
- Year Of Release: 2021
- Label: Supraphon a.s.
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:19:16
- Total Size: 407 mb / 1.4 gb
- WebSite: Album Preview
Tracklist
01. Missa ex D: No. 1, Kyrie
02. Missa ex D: No. 2, Gloria in excelsis Deo
03. Missa ex D: No. 3, Laudamus te
04. Missa ex D: No. 4, Gratias agimus tibi
05. Missa ex D: No. 5, Domine Deus
06. Missa ex D: No. 6, Qui tollis peccata mundi
07. Missa ex D: No. 7, Quoniam tu solus sanctus
08. Missa ex D: No. 8, Cum Sancto Spiritu
09. Missa ex D: No. 9, Credo in unum Deum
10. Missa ex D: No. 10, Crucifixus
11. Missa ex D: No. 11, Et resurrexit
12. Missa ex D: No. 12, Et in Spiritum
13. Missa ex D: No. 13, Sanctus
14. Missa ex D: No. 14, Osanna in excelsis
15. Missa ex D: No. 15, Benedictus
16. Missa ex D: No. 16, Osanna in excelsis
17. Missa ex D: No. 17, Agnus Dei
18. Arietta de gloriosissima resurrectione Domini nostri Jesu Christi
19. Litaniae de venerabili sacramento: No. 1, Kyrie
20. Litaniae de venerabili sacramento: No. 2, Hostia immaculata
21. Litaniae de venerabili sacramento: No. 3, Fons vivus
22. Litaniae de venerabili sacramento: No. 4, Praecelsum venerabile
23. Litaniae de venerabili sacramento: No. 5, Sacrata pax
24. Litaniae de venerabili sacramento: No. 6, Oblatum holocaustum
25. Litaniae de venerabili sacramento: No. 7, Cruentum sacrificium
26. Litaniae de venerabili sacramento: No. 8, Altare seraphinorum
27. Litaniae de venerabili sacramento: No. 9, Agnus Dei
28. Alma Redemptoris Mater
29. Domine ad adjuvandum me festina
30. Magnificat: No. 1, Magnificat anima mea
31. Magnificat: No. 2, Quia respexit
32. Magnificat: No. 3, Ecce enim ex hoc
33. Magnificat: No. 4, Quia fecit mihi magna
34. Magnificat: No. 5, Et misericordia
35. Magnificat: No. 6, Fecit potentiam
36. Magnificat: No. 7, Deposuit potentes
37. Magnificat: No. 8, Esurientes implevit bonis
38. Magnificat: No. 9, Sicut locutus est
39. Magnificat: No. 10, Gloria Patri
In the first third of the 18th-century, Prague was a major music centre, with Italian operas and concertos, French suites, Italian and German oratorios being performed in the city, and the local churches striving to acquire the latest and most virtuosic compositions. Šimon Brixi was one of the most distinguished composers who drew inspiration from this thriving culture, while creating highly inventive music of his own. He mainly wrote liturgical pieces, yet few of them have survived. Brixi gained great acclaim for his musicae navales for the popular Saint John of Nepomuk Festivities in May on the river Vltava. Although he did not publish his scores, Brixi was a renowned composer and his music was frequently performed. Copies of his works were possessed by, among others, Jan Dismas Zelenka. Brixi mastered all the styles and techniques of his time, ranging from rigorous counterpoint to elements of the nascent Galant style. The works are arranged on the album in a one-day liturgical arch, with the morning mass followed by litanies and the canticle Magnificat from vespers, which owing to its style and high technical requirements may bring to mind Zelenka's music. Made up of superlative soloists, Hipocondria Ensemble bring back to life Šimon Brixi's overlooked works. Their recording of the Magnificat is the first made on historical instruments.
01. Missa ex D: No. 1, Kyrie
02. Missa ex D: No. 2, Gloria in excelsis Deo
03. Missa ex D: No. 3, Laudamus te
04. Missa ex D: No. 4, Gratias agimus tibi
05. Missa ex D: No. 5, Domine Deus
06. Missa ex D: No. 6, Qui tollis peccata mundi
07. Missa ex D: No. 7, Quoniam tu solus sanctus
08. Missa ex D: No. 8, Cum Sancto Spiritu
09. Missa ex D: No. 9, Credo in unum Deum
10. Missa ex D: No. 10, Crucifixus
11. Missa ex D: No. 11, Et resurrexit
12. Missa ex D: No. 12, Et in Spiritum
13. Missa ex D: No. 13, Sanctus
14. Missa ex D: No. 14, Osanna in excelsis
15. Missa ex D: No. 15, Benedictus
16. Missa ex D: No. 16, Osanna in excelsis
17. Missa ex D: No. 17, Agnus Dei
18. Arietta de gloriosissima resurrectione Domini nostri Jesu Christi
19. Litaniae de venerabili sacramento: No. 1, Kyrie
20. Litaniae de venerabili sacramento: No. 2, Hostia immaculata
21. Litaniae de venerabili sacramento: No. 3, Fons vivus
22. Litaniae de venerabili sacramento: No. 4, Praecelsum venerabile
23. Litaniae de venerabili sacramento: No. 5, Sacrata pax
24. Litaniae de venerabili sacramento: No. 6, Oblatum holocaustum
25. Litaniae de venerabili sacramento: No. 7, Cruentum sacrificium
26. Litaniae de venerabili sacramento: No. 8, Altare seraphinorum
27. Litaniae de venerabili sacramento: No. 9, Agnus Dei
28. Alma Redemptoris Mater
29. Domine ad adjuvandum me festina
30. Magnificat: No. 1, Magnificat anima mea
31. Magnificat: No. 2, Quia respexit
32. Magnificat: No. 3, Ecce enim ex hoc
33. Magnificat: No. 4, Quia fecit mihi magna
34. Magnificat: No. 5, Et misericordia
35. Magnificat: No. 6, Fecit potentiam
36. Magnificat: No. 7, Deposuit potentes
37. Magnificat: No. 8, Esurientes implevit bonis
38. Magnificat: No. 9, Sicut locutus est
39. Magnificat: No. 10, Gloria Patri
In the first third of the 18th-century, Prague was a major music centre, with Italian operas and concertos, French suites, Italian and German oratorios being performed in the city, and the local churches striving to acquire the latest and most virtuosic compositions. Šimon Brixi was one of the most distinguished composers who drew inspiration from this thriving culture, while creating highly inventive music of his own. He mainly wrote liturgical pieces, yet few of them have survived. Brixi gained great acclaim for his musicae navales for the popular Saint John of Nepomuk Festivities in May on the river Vltava. Although he did not publish his scores, Brixi was a renowned composer and his music was frequently performed. Copies of his works were possessed by, among others, Jan Dismas Zelenka. Brixi mastered all the styles and techniques of his time, ranging from rigorous counterpoint to elements of the nascent Galant style. The works are arranged on the album in a one-day liturgical arch, with the morning mass followed by litanies and the canticle Magnificat from vespers, which owing to its style and high technical requirements may bring to mind Zelenka's music. Made up of superlative soloists, Hipocondria Ensemble bring back to life Šimon Brixi's overlooked works. Their recording of the Magnificat is the first made on historical instruments.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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