Simone Libralon - J.S. Bach: Six Suites for Viola Solo BWV 1007-1012 (2021) [Hi-Res]

• Title: J.S. Bach: Six Suites for Viola Solo BWV 1007-1012
  
• Year Of Release: 2021
  
• Label: Brilliant Classics
  
• Genre: Classical
  
• Quality: flac lossless (tracks) / flac 24bits - 88.2kHz +Booklet
  
• Total Time: 01:33:13
  
• Total Size: 475 mb / 1.64 gb
  
• WebSite: Album Preview
  

Tracklist

01. Suite No. 1, BWV 1007 I. Prélude
02. Suite No. 1, BWV 1007 II. Allemande
03. Suite No. 1, BWV 1007 III. Courante
04. Suite No. 1, BWV 1007 IV. Sarabande
05. Suite No. 1, BWV 1007 V. Menuet I II
06. Suite No. 1, BWV 1007 VI. Gigue
07. Suite No. 2, BWV 1008 I. Prélude
08. Suite No. 2, BWV 1008 II. Allemande
09. Suite No. 2, BWV 1008 III. Courante
10. Suite No. 2, BWV 1008 IV. Sarabande
11. Suite No. 2, BWV 1008 V. Menuet I II
12. Suite No. 2, BWV 1008 VI. Gigue
13. Suite No. 3, BWV 1009 I. Prélude
14. Suite No. 3, BWV 1009 II. Allemande
15. Suite No. 3, BWV 1009 III. Courante
16. Suite No. 3, BWV 1009 IV. Sarabande
17. Suite No. 3, BWV 1009 V. Bourrée I II
18. Suite No. 3, BWV 1009 VI. Gigue
19. Suite No. 4, BWV 1010 I. Prélude
20. Suite No. 4, BWV 1010 II. Allemande
21. Suite No. 4, BWV 1010 III. Courante
22. Suite No. 4, BWV 1010 IV. Sarabande
23. Suite No. 4, BWV 1010 V. Bourrée I II
24. Suite No. 4, BWV 1010 VI. Gigue
25. Suite No. 5, BWV 1011 I. Prélude
26. Suite No. 5, BWV 1011 II. Allemande
27. Suite No. 5, BWV 1011 III. Courante
28. Suite No. 5, BWV 1011 IV. Sarabande
29. Suite No. 5, BWV 1011 V. Gavotte I II
30. Suite No. 5, BWV 1011 VI. Gigue
31. Suite No. 6, BWV 1012 I. Prélude
32. Suite No. 6, BWV 1012 II. Allemande
33. Suite No. 6, BWV 1012 III. Courante
34. Suite No. 6, BWV 1012 IV. Sarabande
35. Suite No. 6, BWV 1012 V. Gavotte I II
36. Suite No. 6, BWV 1012 VI. Gigue

In the music of Bach, the Italian violist Simone Libralon has found a lifelong companion, who ‘unfailingly touches that emotional chord we need in the varied and contrasting moments of human experience - a safe haven reserved for intimate spirituality.’ His own approach to the suites which Bach wrote while Capellmeister at Weimar, however, is inflected not only by lived experience but also scholarship and a lively sense of performance style: ‘I’ve always thought of the sound of Bach in keyboard-related terms: fresh and light like a harpsichord, with the depth and solemnity of the organ, but sensed throughout as a continuum that conceals great compositional and conceptual
complexity.’

His new recording of the Suites is accordingly personal and unique; he omits most of the marked repeats and brings a refreshingly flowing pulse to movements which are often interpreted as monuments of reflection such as the Sarabande of the Fifth Suite (here lasting less than a minute and a half). However, his decisions always arise from a sense of each movement’s inner character, and his account of the Sixth Suite’s Prelude is as spacious as Rostropovich’s. In doing so, he further demonstrates the imperishable quality of music which absorbs and reflects an almost infinite multiplicity of interpretations while conveying the different character of the artists who channel Bach’s inspiration.

Simone Libralon is presently a member of LaVerdi, Milan’s premier symphonic ensemble, but also a solo recitalist and chamber musician who has built unique recitals around the history of his instrument and worked with artists, architects and writers to create multimedia events which place the viola front and centre.

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Year 2021 | Classical | FLAC / APE | HD & Vinyl

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