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Boris Christoff - The Very Best Of Boris Christoff (2005)

Boris Christoff - The Very Best Of Boris Christoff (2005)

BAND/ARTIST: Boris Christoff

  • Title: The Very Best Of Boris Christoff
  • Year Of Release: 2005
  • Label: Warner Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 2:35:59
  • Total Size: 618 MB
  • WebSite:
Tracklist:

DISC 1

01. Boris Godunov (2002 Digital Remaster), Scene Two: Skorbít dushá! (Boris)
02. Boris Godunov (2002 Digital Remaster), ACT 1 - Scene One: Yeshchó odnó poslyédneye skazánye (Pimen)
03. Boris Godunov (1963 Digital Remaster), Act 1: Nye syétuy, brat
04. Boris Godunov (1963 Digital Remaster), Act 1: Kak vo górode býlo vo Kazáne (Varlam's Drinking Song)
05. Boris Godunov (2002 Digital Remaster), ACT 2: Dostig ya výshey vlásti (Boris)
06. Boris Godunov (2002 Digital Remaster), ACT 2: Uf! tyazheló! Day dukh perevedú ... (Boris)
07. Boris Godunov (1963 Digital Remaster), Act IV: Prosnúlsa ya...Oy; dúshno! dúshno! Svyétu!
08. Mussorgsky: Boris Godunov, Act 4 Scene 2: "Zvon! Pogrebál'ny zvon!" (Boris Godunov, The People, Fyodor, Boyars)
09. Prince Igor (1967 Digital Remaster), Act 1: Nateshilsya li knyaz? (Galitsky's Aria)
10. Prince Igor (1967 Digital Remaster), Act 2: O net, net, drug (Konchak's Aria)
11. U Lyudey-to v domu' (1990 Remastered Version)
12. Dlya beregov otchizni dal'noy' (1990 Remastered Version)
13. Sadko (1992 Digital Remaster): Song of the Viking Guest: 'O fearful crags' (Scene 4)
14. The Legend of the Invisible City of Kitezh (1992 Digital Remaster): Prince Yuri's Aria: 'O vain illusion of glory and grandeur' (A
15. Eugene Onegin (1955 Digital Remaster): Prince Gremin's Aria: 'Everyone knows love on earth' (Act 3)
16. Song of the Volga boatmen (1992 Remastered Version)
17. Mephistopheles' Song of the Flea (orch. Rimsky-Korsakov) (1950 Remastered Version)

DISC 2

01. Gounod: Faust, CG 4, Act 2 Scene 3: No. 7, Ronde du veau d'or, "Le veau d'or est toujours debout" (Méphistophélès, Choeur)
02. Faust (2003 - Remaster): Seigneur, daignez permettre (Act IV)
03. Faust (2003 - Remaster): Qu'attendez-vous encore?...Vous qui faites l'endormie (Serenade) (Act IV)
04. Iphigénie en Aulide (1988 - Remaster): Decidesti il suo destin...Con le mie guardie...O tu la cosa mia più (Act 2)
05. Uldino! Non hai veduto?...Mentre gonfiarsi l'anima (Atilla, Act 1) (1988 Remastered Version)
06. Ella giammai m'amo! (Don Carlo, Act 3) (1964 Remastered Version)
07. Mefistofele (1995 - Remaster), Act 1, Scene 2: Son lo Spirito che nega (Mefistofele)
08. Lullaby (Kolybel'naja pesnja) Op.16 No.1 (1960 Remastered Version)
09. 6 Songs Op. 6 (1960 Digital Remaster): No. 6, None but the lonely heart (wds. Mey after Goethe)
10. Along Peterskaya Street (arr. Mikhaylov) (1954 Remastered Version)
11. The Nursery (2003 - Remaster): I: With nurse
12. The Nursery (2003 - Remaster): II: In the corner
13. The Nursery (2003 - Remaster): III: The cockchafer
14. The Nursery (2003 - Remaster): IV: With the doll
15. The Nursery (2003 - Remaster): V: Going to sleep
16. Songs and Dances of Death (2003 - Remaster): I: Trepak
17. Songs and Dances of Death (2003 - Remaster): IV: The field-marshal

Boris Kirilov Christoff was born in Plovdiv, Bulgaria, on May 18, 1914. Educated as a lawyer, he was heard by Bulgaria's King Boris while singing in the famous Gusla Choir. The King granted a scholarship to allow him to travel to Rome for voice studies. There, Christoff's teacher was Riccardo Stracciari. He then traveled to Salzburg for further studies. At the end of World War II, after spending time in a Nazi labor camp, he was a refugee. He traveled again to Rome, where he made a debut in a concert. His first operatic performance was in the role of Colline in Puccini's La bohème; this was in Reggio Calabria. His first appearance in the opera with which would become most associated, Mussorgsky's Boris Godunov, was in the year 1947, when he sang the part of Pimen in Rome and in La Scala. He made his first appearances in the title role in 1949 at Covent Garden. He sang the role in most of the major opera houses of the world; it was also his debut role in the United States, at the San Francisco Opera House on September 25, 1956. In the United States he was particularly associated with the Chicago Lyric Opera from 1957 to 1963. His brother-in-law, incidentally, was another great bass, Tito Gobbi.

As a Slavic singer with something of a specialty in Boris, he was inevitably compared with the Russian bass Feodor Chaliapin. He was also a formidable stage actor, thereby bringing his roles special dramatic depth. His voice was beautifully controlled, round, and full-sounding, although it was not a big voice. He was able to make great dramatic use of excellent projection and outstanding tonal qualities in soft singing, the quality most often praised following his legendary performance at Covent Garden as King Philip II of Spain in Verdi's Don Carlos. Unlike Chaliapin, he also built a major reputation as a Verdian bass in addition to specializing in the Russian composers. He also made his mark in the major Wagnerian bass roles such as Hagen (Götterdämmerung), Gurnemanz (Parsifal), and King Marke (Tristan und Isolde) but sang as far afield as Rocco in Beethoven's Fidelio and the title role of Handel's Giulio Cesare. He recorded many of his major roles. He also maintained a notable career as a recital singer, and recorded a wide range of the songs of the Russian Romantic-era composers. ~ Joseph Stevenson


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