
L’Aura Soave - Caldara: Suonate da camera Op. 2 & Sonate a Violoncello solo (2014)
BAND/ARTIST: L’Aura Soave
- Title: Caldara: Suonate da camera Op. 2 & Sonate a Violoncello solo
- Year Of Release: 2014
- Label: Tactus
- Genre: Classical
- Quality: FLAC (tracks + booklet)
- Total Time: 2:27:54
- Total Size: 705 MB
- WebSite: Album Preview
Tracklist:
Sonata da camera, Op. 2, No. 1
01. I. Preludio
02. II. Allemanda
03. III. Corrente
04. IV. Giga
Sonata da camera in G Minor, Op. 2, No. 2
05. I. Preludio
06. II. Alemanda
07. III. Corrente
08. IV. Gavotta
Sonata da camera in D Major, Op. 2, No. 3
09. I. Preludio
10. II. Alemanda
11. III. Giga
Sonata da camera in G Minor, Op. 2, No. 4
12. I. Alemanda
13. II. Corrente
14. III. Gavota
15. IV. Giga
Sonata da camera, Op. 2, No. 5
16. I. Preludio: Largo
17. II. Alemanda
18. III. Corrente
19. IV. Gavota
Sonata da camera in A Major, Op. 2, No. 6
20. I. Alemanda
21. II. Corrente
22. III. Giga
Sonata da camera, Op. 2, No. 7
23. I. Preludio
24. II. Alemanda
25. III. Corrente
26. IV. Tempo di sarabanda
Sonata da camera in F Major, Op. 2, No. 8
27. I. Preludio
28. II. Alemanda
29. III. Corrente
30. IV. Tempo di sarabanda
Sonata da camera, Op. 2, No. 9
31. I. Preludio
32. II. Alemanda
33. III. Corrente
34. IV. Giga
Sonata da camera, Op. 2, No. 10
35. I. Alemanda
36. II. Corrente
37. III. Giga
38. IV. Gavota
Sonata da camera, Op. 2, No. 11
39. I. Preludio
40. II. Alemanda
41. III. Sarabanda
42. IV. Giga
43. Chiaccona in B-Flat Major, Op. 2, No. 12
Cello Sonata No. 1 in A major
44. I. Andante
45. II. Allegro
46. III. Larghetto
47. IV. Allegro
Cello Sonata No. 2 in D major
48. I. Allegro
49. II. Largo
50. III. Allegro
Cello Sonata No. 9 in G major
51. I. Allegro
52. II. Adagio
53. III. Allegro e vivace
54. IV. Allegro
Cello Sonata No. 12 in D minor
55. I. Allegro
56. II. Allegro
57. III. Largo
58. IV. Allegro
Cello Sonata No. 13 in F minor
59. I. Presto
60. II. Largo
61. III. Allegro
62. IV. Allegro stil di minuet
Cello Sonata No. 3 in B flat major
63. I. Largo
64. II. Allegro
65. III. Aria andante
66. IV. Allegro assai
Cello Sonata No. 4 in D minor
67. I. Allegro
68. II. Largo
69. III. Allegro
Sonata da camera, Op. 2, No. 1
01. I. Preludio
02. II. Allemanda
03. III. Corrente
04. IV. Giga
Sonata da camera in G Minor, Op. 2, No. 2
05. I. Preludio
06. II. Alemanda
07. III. Corrente
08. IV. Gavotta
Sonata da camera in D Major, Op. 2, No. 3
09. I. Preludio
10. II. Alemanda
11. III. Giga
Sonata da camera in G Minor, Op. 2, No. 4
12. I. Alemanda
13. II. Corrente
14. III. Gavota
15. IV. Giga
Sonata da camera, Op. 2, No. 5
16. I. Preludio: Largo
17. II. Alemanda
18. III. Corrente
19. IV. Gavota
Sonata da camera in A Major, Op. 2, No. 6
20. I. Alemanda
21. II. Corrente
22. III. Giga
Sonata da camera, Op. 2, No. 7
23. I. Preludio
24. II. Alemanda
25. III. Corrente
26. IV. Tempo di sarabanda
Sonata da camera in F Major, Op. 2, No. 8
27. I. Preludio
28. II. Alemanda
29. III. Corrente
30. IV. Tempo di sarabanda
Sonata da camera, Op. 2, No. 9
31. I. Preludio
32. II. Alemanda
33. III. Corrente
34. IV. Giga
Sonata da camera, Op. 2, No. 10
35. I. Alemanda
36. II. Corrente
37. III. Giga
38. IV. Gavota
Sonata da camera, Op. 2, No. 11
39. I. Preludio
40. II. Alemanda
41. III. Sarabanda
42. IV. Giga
43. Chiaccona in B-Flat Major, Op. 2, No. 12
Cello Sonata No. 1 in A major
44. I. Andante
45. II. Allegro
46. III. Larghetto
47. IV. Allegro
Cello Sonata No. 2 in D major
48. I. Allegro
49. II. Largo
50. III. Allegro
Cello Sonata No. 9 in G major
51. I. Allegro
52. II. Adagio
53. III. Allegro e vivace
54. IV. Allegro
Cello Sonata No. 12 in D minor
55. I. Allegro
56. II. Allegro
57. III. Largo
58. IV. Allegro
Cello Sonata No. 13 in F minor
59. I. Presto
60. II. Largo
61. III. Allegro
62. IV. Allegro stil di minuet
Cello Sonata No. 3 in B flat major
63. I. Largo
64. II. Allegro
65. III. Aria andante
66. IV. Allegro assai
Cello Sonata No. 4 in D minor
67. I. Allegro
68. II. Largo
69. III. Allegro
Antonio Caldara was born in Venice in around 1670. His father, Giuseppe, violinist and theorbo player in the ducal chapel of the basilica of St Mark’s, was probably Antonio’s first music teacher. Although no certain testimony exists, it is likely that Giovanni Legrenzi (1626-1690), maestro di cappella at St Mark’s until 1690, gave valuable lessons in composition to the young Caldara who, in 1689, at the mere age of nineteen, produced his first opera, 'L’Argene'.
Equally precocious as an instrumentalist, he was also hired in the same chapel of St Mark’s, where both his father and Giovanni Legrenzi were employed. In the payrolls for the musicians, preserved in the Archivio di Stato in Venice, his name appears more than once between 1688 and 1695, both as a player of the 'viola da spalla' and the 'violoncino'.
While there are composers whose names are today quite famous but who were little known during their lifetimes, in the case of Antonio Caldara the opposite is true. In the last twenty years of his life, which ended in Vienna in 1736, he enjoyed - rightfully so - enormous success, while the development of music history has seen his imagine fade inexplicably.
Alongside a vast production of vocal music, his only significant instrumental works are two collections of trio sonatas “a due violini col basso” op.1 and 2, written and published during his youth, as well as these “sonate a violoncello solo col basso”, composed in 1735, a year before his death.
Equally precocious as an instrumentalist, he was also hired in the same chapel of St Mark’s, where both his father and Giovanni Legrenzi were employed. In the payrolls for the musicians, preserved in the Archivio di Stato in Venice, his name appears more than once between 1688 and 1695, both as a player of the 'viola da spalla' and the 'violoncino'.
While there are composers whose names are today quite famous but who were little known during their lifetimes, in the case of Antonio Caldara the opposite is true. In the last twenty years of his life, which ended in Vienna in 1736, he enjoyed - rightfully so - enormous success, while the development of music history has seen his imagine fade inexplicably.
Alongside a vast production of vocal music, his only significant instrumental works are two collections of trio sonatas “a due violini col basso” op.1 and 2, written and published during his youth, as well as these “sonate a violoncello solo col basso”, composed in 1735, a year before his death.
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