Ori Epstein and Omri Epstein - Beethoven: Complete Works for Piano & Cello (2019) [Hi-Res]
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BAND/ARTIST: Ori Epstein, Omri Epstein
- Title: Beethoven: Complete Works for Piano & Cello
- Year Of Release: 2019
- Label: Linn Records
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 02:35:29
- Total Size: 540 mb / 2.46 gb
- WebSite: Album Preview
Tracklist
CD1
01. Cello Sonata in F Major, Op. 5 No. 1: I. Adagio sostenuto-Allegro
02. Cello Sonata in F Major, Op. 5 No. 1: II. Rondo (Allegro vivace)
03. Cello Sonata in G Minor, Op. 5 No. 2: I. Adagio sostenuto e espressivo-Allegro molto più tosto presto
04. Cello Sonata in G Minor, Op. 5 No. 2: II. Rondo (Allegro)
05. Cello Sonata in A Major, Op. 69: I. Allegro ma non tanto
06. Cello Sonata in A Major, Op. 69: II. Scherzo (Allegro molto)
07. Cello Sonata in A Major, Op. 69: III. Adagio cantabile-Allegro vivace
CD
01. Cello Sonata in C Major, Op. 102 No. 1: I. Andante-Allegro vivace
02. Cello Sonata in C Major, Op. 102 No. 1: II. Adagio-Allegro vivace
03. Cello Sonata in D Major, Op. 102 No. 2: I. Allegro con brio
04. Cello Sonata in D Major, Op. 102 No. 2: II. Adagio con molto sentimento d’affetto
05. Cello Sonata in D Major, Op. 102 No. 2: III. Allegro fugato
06. 12 Variations in G Major on "See the Conqu’ring Hero Comes" from Handel’s Judas Maccabaeus, WoO 45
07. 7 Variations in E-Flat Major on ‘Bei Männern, welche Liebe fühlen’ from Mozart’s Die Zauberflöte, WoO 46
08. 12 Variations in F Major on ‘Ein Mädchen oder Weibchen’ from Mozart’s Die Zauberflöte, Op. 66
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Ori and Omri Epstein, best known for performing as part of the Busch Trio, make their Linn debut as a duo with a recording of Beethoven’s cello sonatas.
Considered cornerstones of the repertory, these masterpieces illustrate all the creative periods of the composer’s working life. The two Sonatas Op. 5 are bursting with exhilarating effects. Written when Beethoven was focused on showcasing his own virtuosity as a pianist, they are nonetheless eloquent showpieces for the ‘accompanying’ cello which is used in a remarkable variety of ways. Pianist and cellist are treated as equal partners in the Sonata in A major, which is the most lyrical and improvisational of Beethoven’s sonatas. The cello’s versatility across rapid changes of register and function is especially well demonstrated here.
The two Sonatas Op. 102 herald the concentration of Beethoven’s late style and are particularly technically demanding. Beethoven scholar Barry Cooper describes them as having “a transcendent quality that, even after countless performances, makes them always seem innovative and challenging.”
CD1
01. Cello Sonata in F Major, Op. 5 No. 1: I. Adagio sostenuto-Allegro
02. Cello Sonata in F Major, Op. 5 No. 1: II. Rondo (Allegro vivace)
03. Cello Sonata in G Minor, Op. 5 No. 2: I. Adagio sostenuto e espressivo-Allegro molto più tosto presto
04. Cello Sonata in G Minor, Op. 5 No. 2: II. Rondo (Allegro)
05. Cello Sonata in A Major, Op. 69: I. Allegro ma non tanto
06. Cello Sonata in A Major, Op. 69: II. Scherzo (Allegro molto)
07. Cello Sonata in A Major, Op. 69: III. Adagio cantabile-Allegro vivace
CD
01. Cello Sonata in C Major, Op. 102 No. 1: I. Andante-Allegro vivace
02. Cello Sonata in C Major, Op. 102 No. 1: II. Adagio-Allegro vivace
03. Cello Sonata in D Major, Op. 102 No. 2: I. Allegro con brio
04. Cello Sonata in D Major, Op. 102 No. 2: II. Adagio con molto sentimento d’affetto
05. Cello Sonata in D Major, Op. 102 No. 2: III. Allegro fugato
06. 12 Variations in G Major on "See the Conqu’ring Hero Comes" from Handel’s Judas Maccabaeus, WoO 45
07. 7 Variations in E-Flat Major on ‘Bei Männern, welche Liebe fühlen’ from Mozart’s Die Zauberflöte, WoO 46
08. 12 Variations in F Major on ‘Ein Mädchen oder Weibchen’ from Mozart’s Die Zauberflöte, Op. 66
Ori and Omri Epstein, best known for performing as part of the Busch Trio, make their Linn debut as a duo with a recording of Beethoven’s cello sonatas.
Considered cornerstones of the repertory, these masterpieces illustrate all the creative periods of the composer’s working life. The two Sonatas Op. 5 are bursting with exhilarating effects. Written when Beethoven was focused on showcasing his own virtuosity as a pianist, they are nonetheless eloquent showpieces for the ‘accompanying’ cello which is used in a remarkable variety of ways. Pianist and cellist are treated as equal partners in the Sonata in A major, which is the most lyrical and improvisational of Beethoven’s sonatas. The cello’s versatility across rapid changes of register and function is especially well demonstrated here.
The two Sonatas Op. 102 herald the concentration of Beethoven’s late style and are particularly technically demanding. Beethoven scholar Barry Cooper describes them as having “a transcendent quality that, even after countless performances, makes them always seem innovative and challenging.”
Year 2019 | Classical | FLAC / APE | HD & Vinyl
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