Erzsebet Achim, Istvan Ella, Christine Schornsheim, Roland Munch, Gabor Lehotka, Franz Lehrndorfer, Martin Haselbock, Andreas Juffinger - Organ Concertos (2013)

• Title: Organ Concertos
  
• Year Of Release: 2013
  
• Label: CapriccioNR
  
• Genre: Classical Organ
  
• Quality: flac lossless +Booklet
  
• Total Time: 05:35:00
  
• Total Size: 1.51 gb
  
• WebSite: Album Preview
  

Tracklist

CD1
01. Organ Concerto No. 6 in B-Flat Major, Op. 4, No. 6, HWV 294: I. Andante allegro
02. Organ Concerto No. 6 in B-Flat Major, Op. 4, No. 6, HWV 294: II. Larghetto
03. Organ Concerto No. 6 in B-Flat Major, Op. 4, No. 6, HWV 294: III. Allegro moderato
04. Organ Concerto No. 3 in G minor, Op. 4, No. 3, HWV 291: I. Adagio
05. Organ Concerto No. 3 in G minor, Op. 4, No. 3, HWV 291: II. Allegro
06. Organ Concerto No. 3 in G minor, Op. 4, No. 3, HWV 291: III. Adagio
07. Organ Concerto No. 3 in G minor, Op. 4, No. 3, HWV 291: IV. Gavotte: Allegro
08. Organ Concerto No. 4 in F major, Op. 4, No. 4, HWV 292: I. Allegro
09. Organ Concerto No. 4 in F major, Op. 4, No. 4, HWV 292: II. Andante
10. Organ Concerto No. 4 in F major, Op. 4, No. 4, HWV 292: III. Adagio
11. Organ Concerto No. 4 in F major, Op. 4, No. 4, HWV 292: IV. Allegro
12. Organ Concerto No. 2 in B-Flat Major, Op. 4, No. 2, HWV 290: I. A tempo ordinario, e staccato
13. Organ Concerto No. 2 in B-Flat Major, Op. 4, No. 2, HWV 290: II. Allegro
14. Organ Concerto No. 2 in B-Flat Major, Op. 4, No. 2, HWV 290: III. Adagio, e staccato
15. Organ Concerto No. 2 in B-Flat Major, Op. 4, No. 2, HWV 290: IV. Allegro, ma non presto
16. Organ Concerto No. 5 in F major, Op. 4, No. 5, HWV 293: I. Larghetto
17. Organ Concerto No. 5 in F major, Op. 4, No. 5, HWV 293: II. Allegro
18. Organ Concerto No. 5 in F major, Op. 4, No. 5, HWV 293: III. Alla Siciliana
19. Organ Concerto No. 5 in F major, Op. 4, No. 5, HWV 293: IV. Presto
20. Organ Concerto in F major, HWV 295, 'The Cuckoo and The Nightingale': I. Larghetto
21. Organ Concerto in F major, HWV 295, 'The Cuckoo and The Nightingale': II. Allegro
22. Organ Concerto in F major, HWV 295, 'The Cuckoo and The Nightingale': III. Larghetto
23. Organ Concerto in F major, HWV 295, 'The Cuckoo and The Nightingale': IV. Allegro

CD2
01. Organ Concerto in D Minor: I. Allegro
02. Organ Concerto in D Minor: II. Adagio
03. Organ Concerto in D Minor: III. Allegro
04. Keyboard Concerto in G major, Wq. 34, H. 444: I. Allegro di molto (cadenza by R. Munch)
05. Keyboard Concerto in G major, Wq. 34, H. 444: II. Largo
06. Keyboard Concerto in G major, Wq. 34, H. 444: III. Presto
07. Keyboard Concerto in E-Flat Major, Wq. 35, H. 446: I. Allegro moderato
08. Keyboard Concerto in E-Flat Major, Wq. 35, H. 446: II. Adagio sostenuto
09. Keyboard Concerto in E-Flat Major, Wq. 35, H. 446: III. Allegro assai

CD3
01. Keyboard Concerto in C Major, Hob.XVIII:1: I. Allegro
02. Keyboard Concerto in C Major, Hob.XVIII:1: II. Largo
03. Keyboard Concerto in C Major, Hob.XVIII:1: III. Allegro molto
04. Keyboard Concerto in C major, Hob.XVIII:5: I. Allegro moderato
05. Keyboard Concerto in C major, Hob.XVIII:5: II. Andante
06. Keyboard Concerto in C major, Hob.XVIII:5: III. Allegro
07. Keyboard Concerto in C Major, Hob.XVIII:8: I. Allegro moderato
08. Keyboard Concerto in C Major, Hob.XVIII:8: II. Adagio
09. Keyboard Concerto in C Major, Hob.XVIII:8: III. Finale: Allegro
10. Keyboard Concertino in C major, Hob.XIV:11: I. Moderato
11. Keyboard Concertino in C major, Hob.XIV:11: II. Adagio
12. Keyboard Concertino in C major, Hob.XIV:11: III. Allegro
13. Keyboard Concertino in C major, Hob.XIV:12: I. Allegro
14. Keyboard Concertino in C major, Hob.XIV:12: II. Adagio
15. Keyboard Concertino in C major, Hob.XIV:12: III. Finale: Allegro

CD4
01. Concerto for Organ, Viola and Strings in C Major, P. 55: I. Allegro moderato
02. Concerto for Organ, Viola and Strings in C Major, P. 55: II. Adagio
03. Concerto for Organ, Viola and Strings in C Major, P. 55: III. Prestissimo
04. Keyboard Concerto in C Major, Hob.XVIII:10: I. Moderato
05. Keyboard Concerto in C Major, Hob.XVIII:10: II. Adagio
06. Keyboard Concerto in C Major, Hob.XVIII:10: III. Allegro
07. Church Sonata No. 17 in C Major, K. 336
08. Church Sonata No. 7 in F Major, K. 224
09. Church Sonata No. 1 in E-Flat Major, K. 67, "Epistle Sonata": Church Sonata No. 1 in E-Flat Major, K. 67
10. Church Sonata No. 15 in C Major, K. 328

CD5
01. Organ Concerto No. 1 in F major, Op. 137: I. Maestoso
02. Organ Concerto No. 1 in F major, Op. 137: II. Andante
03. Organ Concerto No. 1 in F major, Op. 137: III. Con moto
04. Organ Concerto No. 2 in G minor, Op. 177: I. Grave
05. Organ Concerto No. 2 in G minor, Op. 177: II. Andante
06. Organ Concerto No. 2 in G minor, Op. 177: III. Con moto
07. Suite for Violin and Organ in C minor, Op. 166: I. Praeludium
08. Suite for Violin and Organ in C minor, Op. 166: II. Canzone
09. Suite for Violin and Organ in C minor, Op. 166: III. Allemande
10. Suite for Violin and Organ in C minor, Op. 166: IV. Moto perpetuo

This 5CD-Set includes some of the most important and most impressive concertos for organ with instrumental accompaniment and shows us also the interesting development of this concert genre from Baroque periode to the romantic era. One of the most famous virtuoso performers of his day and age on the organ and the piano, George Frideric Handel was the first composer in the history of music to liberate the organ from its liturgical context and turn it into a concert instrument. At the first performance of his oratorio "Deborah", on March 17th, 1733, he also for the first time played one of his organ concertos as interval music on a small instrument without any pedals. Two years later, the official announcements of performances of his spiritual works were already referring to these "incidental pieces" as a special attraction for audiences seeking musical diversification. In the 18th century, particularly in its second half, very basic changes in musical life and far-reaching shifts in style occurred, having a lasting effect also on the area of organ music. The fortepiano began its victorious advance, bringing to an end the earlier predominance of the harpsichord and the organ. Pieces that are rich in harmony and full of affect changes causing tension can be more graphically presented on a pianoforte with its wider range of dynamic means than on a harpsichord. Other pieces more deliberately placing emphasis on a splendid sound and representation suggest a performance on the harpsichord whose wealth of harmonic overtones are better suited to hold their own against an orchestra and in larger halls than the comparatively intimate sound of an early Viennese pianoforte. Against this background, the organ presents itself as a moderator between both instruments. Because of its many registers, it has tonal versatility available and is able to effortlessly make itself heard due to its acoustics.Haydn definitely cannot have envisaged the type of an opulent church organ, but rather a smaller "cabinet organ" as it was found in the music rooms and small chapels of the wealthy bourgeoisie or nobility. The soloist, accompanied by a small circle of instrumentalists, was, very likely, the composer Haydn himself.

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