Trio Parnassus - Korngold: Piano Trio, Op.1, Suite, Op.23 (2007)
BAND/ARTIST: Trio Parnassus
- Title: Korngold: Piano Trio, Op.1, Suite, Op.23
- Year Of Release: 2007
- Label: MDG Gold
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 01:08:35
- Total Size: 306 Mb
- WebSite: Album Preview
Tracklist:
1. Piano Trio in D Major, Op. 1: I. Klaviertrio 10:33
2. Piano Trio in D Major, Op. 1: II. Scherzo. Allegro 06:53
3. Piano Trio in D Major, Op. 1: III. Larghetto. Sehr langsam 06:51
4. Piano Trio in D Major, Op. 1: IV. Finale. Allegro molto e enegico 08:02
5. Suite for 2 Violins, Violoncello and Piano (Left Hand), Op. 23: I. Präludium und Fuge 08:54
6. Suite for 2 Violins, Violoncello and Piano (Left Hand), Op. 23: II. Walzer 04:58
7. Suite for 2 Violins, Violoncello and Piano (Left Hand), Op. 23: III. Groteske 09:51
8. Suite for 2 Violins, Violoncello and Piano (Left Hand), Op. 23: IV. Lied 04:23
9. Suite for 2 Violins, Violoncello and Piano (Left Hand), Op. 23: V. Rondo-Finale 08:10
Performers:
Trio Parnassus
Matthias Wollong (violin)
1. Piano Trio in D Major, Op. 1: I. Klaviertrio 10:33
2. Piano Trio in D Major, Op. 1: II. Scherzo. Allegro 06:53
3. Piano Trio in D Major, Op. 1: III. Larghetto. Sehr langsam 06:51
4. Piano Trio in D Major, Op. 1: IV. Finale. Allegro molto e enegico 08:02
5. Suite for 2 Violins, Violoncello and Piano (Left Hand), Op. 23: I. Präludium und Fuge 08:54
6. Suite for 2 Violins, Violoncello and Piano (Left Hand), Op. 23: II. Walzer 04:58
7. Suite for 2 Violins, Violoncello and Piano (Left Hand), Op. 23: III. Groteske 09:51
8. Suite for 2 Violins, Violoncello and Piano (Left Hand), Op. 23: IV. Lied 04:23
9. Suite for 2 Violins, Violoncello and Piano (Left Hand), Op. 23: V. Rondo-Finale 08:10
Performers:
Trio Parnassus
Matthias Wollong (violin)
The 13-year-old Korngold worked animatedly in the spirit of Richard Strauss and Reger in his Op. 1 piano trio (Krenek described it as "gushing effervescence") while later, in 1930, the suite, written for Paul Wittgenstein, produces an astonishing effect of two hands in the piano part while hardly sparing the string players with highly virtuosic demands placed on their skills as well. .
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