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Maria Chiara Pizzoli, Marianne Gubri - Colbran: Italian Arias for Voice and Harp (2014)

Maria Chiara Pizzoli, Marianne Gubri - Colbran: Italian Arias for Voice and Harp (2014)
  • Title: Colbran: Italian Arias for Voice and Harp
  • Year Of Release: 2014
  • Label: Tactus
  • Genre: Classical
  • Quality: FLAC (tracks + booklet)
  • Total Time: 1:00:03
  • Total Size: 262 MB
  • WebSite:
Tracklist:

01. Gia la notte s'avvicina

Sei canzoncine ou petits airs italiens (1805)
02. No. 1. Povero cor tu palpiti
03. No. 2. Il pie s'allontana
04. No. 3. Benche ti sia crudel
05. No. 4. Per costume o mio bel nume
06. No. 5. Vorrei che almen per gioco
07. No. 6. Chi sa qual core

Sei canzoncine ou petits airs italiens (1808)
08. No. 1. La speranza al cor mi dice
09. No. 2. Ad onta del fato
10. No. 3. T'intendo si mio core
11. No. 4. Ch'io mai vi possa
12. No. 5. Voi siete luci belle
13. No. 6. Mi lagnero tacendo

6 Petits airs italiens (1808)
14. No. 1. Placido zefiretto
15. No. 2. Amo te solo
16. No. 3. Vanne felice rio
17. No. 4. Vanne al mio bene
18. No. 5. Sempre piu t'amo
19. No. 6. Voi siete o luci belle

6 Petits airs Italiens (1809)
20. No. 1. Ombre amene
21. No. 2. Quel cor che mi prometti
22. No. 3. Piu bella aurora
23. No. 4. So che un sogno e la speranza
24. No. 5. Se son lontano
25. No. 6. Quel ruscelletto

26. Parto vi lascio addio
27. Abbelimenti sopra , "O nume tutelar"

Isabella Colbran was born in Madrid, received her initial musical education from her father, Juan Colbran, violinist in the Capilla Real, and studied singing under the guidance of the celebrated Italian opera singers and castratos Carlo Martinelli and Girolamo Crescentini. She dedicated to the latter one of her song collections, and sang many of his compositions.

The four books of Canzoncine ou Petits Airs Italiens by Isabella Colbran (1784-1845) were composed between 1805 and 1809, during her youth, before her marriage to Gioacchino Rossini (1822) and the beginning of her career as 'prima donna' of Italian opera.

Isabella Colbran’s compositions are typical of the chamber-music repertoire for amateurs: they consist of short, melodious, through-composed arias with two texts: one in Italian, drawn from Metastasio’s poems, the other a free translation into French.


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