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Gerhard Weinberger - Reger: Organ Works, Vol. 7 (2021)

Gerhard Weinberger - Reger: Organ Works, Vol. 7 (2021)

BAND/ARTIST: Gerhard Weinberger

  • Title: Reger: Organ Works, Vol. 7
  • Year Of Release: 2021
  • Label: cpo
  • Genre: Classical
  • Quality: FLAC (tracks+booklet)
  • Total Time: 02:08:17
  • Total Size: 481 MB
  • WebSite:
Tracklist:

CD1
01. Introduktion, Variationen und Fuge über ein Origin (34:02)
02. Introduktion, Variationen und Fuge über ein Origin (5:05)
03. Präludium und Fuge in E Major, Op. 56 No. 1- I. Pr (6:45)
04. Präludium und Fuge in E Major, Op. 56 No. 1- II. F (3:54)
05. Präludium und Fuge in G Major, Op. 56 No. 3- I. Pr (7:11)
06. Präludium und Fuge in G Major, Op. 56 No. 3- II. F (5:57)

CD2
01. Fantasie und Fuge in C Minor, Op. 29- I. Fantasie (7:33)
02. Fantasie und Fuge in C Minor, Op. 29- II. Fuge (7:37)
03. Präludium und Fuge in D Minor, Op. 56 No. 2- I. Pr (4:08)
04. Präludium und Fuge in D Minor, Op. 56 No. 2- II. F (3:11)
05. Choralvorspiele, Op. 79b (Excerpts)- No. 1, Ach Go (2:14)
06. Choralvorspiele, Op. 79b (Excerpts)- No. 3, Herr, (1:28)
07. Choralvorspiele, Op. 79b (Excerpts)- No. 8, Christ (1:23)
08. Choralvorspiele, Op. 79b (Excerpts)- No. 9, Christ (1:45)
09. Choralvorspiele, Op. 79b (Excerpts)- No. 11, Nun d (1:55)
10. Präludium und Fuge in B Minor, Op. 56 No. 5- I. Pr (7:27)
11. Präludium und Fuge in B Minor, Op. 56 No. 5- II. F (5:13)
12. Fantasie und Fuge in D Minor, Op. 135b- I. Fantasi (9:42)
13. Fantasie und Fuge in D Minor, Op. 135b- II. Fuge (11:56)

At long last the successful Reger Edition of CPO continues on its way. The critics have been more than enthusiastic about the previous releases, and Musik & Theater even stated: “These recordings number among the best currently available in the field of Reger’s organ music”. This seventh volume is featuring Reger’s five easy-to-play Preludes and Fugues, Op. 56.

Although the composer termed this composition “an organ work of small caliber” in a letter to the publisher Lauterbach & Kuhn, the critics reacted positively, and the organist and composer Robert Frenzel numbered its pieces, which form anything but a secondary work, “among the most poetic phenomena in the most recent organ literature”. The generic combination of “Prelude and Fugue” is frequently assigned to the realm of so-called absolute music, but Reger’s Op. 56 does not seem to belong to this world in which only the musical structure is of significance; instead, particularly the preludes, which mostly practice dynamic moderation – like many of the “pieces” from Op. 59 and other works – are distinguished by a pronounced poetic character.


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