Damiano Fernanda - Galuppi: Piano Sonatas (2021) [Hi-Res]
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BAND/ARTIST: Damiano Fernanda
- Title: Galuppi: Piano Sonatas
- Year Of Release: 2021
- Label: Brilliant Classics
- Genre: Classical Piano
- Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
- Total Time: 01:07:42
- Total Size: 244 / 549 mb
- WebSite: Album Preview
Tracklist
01. Galuppi Piano Sonata No. 2 in C Minor I. Larghetto
02. Galuppi Piano Sonata No. 2 in C Minor II. Allegro
03. Galuppi Piano Sonata No. 2 in C Minor III. Allegro assai
04. Galuppi Piano Sonata No. 3 in A Major I. Andante
05. Galuppi Piano Sonata No. 3 in A Major II. Allegro
06. Galuppi Piano Sonata No. 3 in A Major III. Allegro
07. Galuppi Piano Sonata No. 6 in E-Flat Major I. Spiritoso
08. Galuppi Piano Sonata No. 6 in E-Flat Major II. Allegro
09. Galuppi Piano Sonata No. 6 in E-Flat Major III. Minue
10. Galuppi Piano Sonata No. 7 in G Minor I. Largo
11. Galuppi Piano Sonata No. 7 in G Minor II. Presto
12. Galuppi Piano Sonata No. 7 in G Minor III. Allegretto
13. Galuppi Piano Sonata No. 9 in E Major I. Andante
14. Galuppi Piano Sonata No. 9 in E Major II. Allegro
15. Galuppi Piano Sonata No. 9 in E Major III. Grazioso
16. Galuppi Piano Sonata No. 10 in F Major I. Andantino
17. Galuppi Piano Sonata No. 10 in F Major II. Allegro
18. Galuppi Piano Sonata No. 10 in F Major III. Giga. Presto
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A debut album from a gifted young pianist, who has stylishly reimagined the world of the Venetian Baroque on a modern piano.
At a time when only Bach and Scarlatti were Baroque-era composers in the repertoire of pianists rather than harpsichordists, Arturo Benedetti Michelangeli pressed the cause of Baldassare Galuppi (1706-1785) with performances and recordings of sonatas. Galuppi’s style was defined during his lifetime as ‘gay, lively and brilliant’, and this description certainly capture the style of the keyboard sonatas which he wrote throughout his career.
Born on the island of Burano in the Venetian lagoon, Galuppi trained with Antonio Lotti (then organist of the Basilica San Marco) and quickly became noted across Europe for a string of operatic successes which supplied both audiences and singers with dazzling entertainment. He was no musical revolutionary and continued to compose in a well-turned vein of elegant Baroque conventions while composers further north in Europe were experimenting with larger-scale forms and more daring harmonies.
However, the keyboard sonatas which Galuppi wrote throughout his career delighted audiences at the time and have continued to do so since. Several collections were issued during his lifetime (and designated with Opus numbers) but a great deal of his keyboard music remains unpublished. collection of 12 three-movement sonatas, drawn from this otherwise unpublished body of work, was edited by Giacomo Benvenuti (1885-1943) and issued by the Francesco Bongiovanni publishing house in 1920, and it is from this collection (familiar to audiences of the 50s through Michelangeli) that Fernanda Damiano plays six sonatas on the present album.
Born in Taranto in 1995, Fernanda Damiano made her concerto debut with Haydn’s D major concerto at the Teatro Impero in Trani at the age of 10 and went on to perform as a soloist across Europe and North America. At a young age she is now a teacher herself, professor of piano since 2017 at the Conservatory of Pavia. She is also a teacher of International courses for Musical Interpretation for the Umbria Classica Association of Foligno. ‘The young pianist Fernanda Damiano is a real marvel; she has a very remarkable pianism. She is destined, I am sure, to a very brilliant career’ (Aldo Ciccolini).
01. Galuppi Piano Sonata No. 2 in C Minor I. Larghetto
02. Galuppi Piano Sonata No. 2 in C Minor II. Allegro
03. Galuppi Piano Sonata No. 2 in C Minor III. Allegro assai
04. Galuppi Piano Sonata No. 3 in A Major I. Andante
05. Galuppi Piano Sonata No. 3 in A Major II. Allegro
06. Galuppi Piano Sonata No. 3 in A Major III. Allegro
07. Galuppi Piano Sonata No. 6 in E-Flat Major I. Spiritoso
08. Galuppi Piano Sonata No. 6 in E-Flat Major II. Allegro
09. Galuppi Piano Sonata No. 6 in E-Flat Major III. Minue
10. Galuppi Piano Sonata No. 7 in G Minor I. Largo
11. Galuppi Piano Sonata No. 7 in G Minor II. Presto
12. Galuppi Piano Sonata No. 7 in G Minor III. Allegretto
13. Galuppi Piano Sonata No. 9 in E Major I. Andante
14. Galuppi Piano Sonata No. 9 in E Major II. Allegro
15. Galuppi Piano Sonata No. 9 in E Major III. Grazioso
16. Galuppi Piano Sonata No. 10 in F Major I. Andantino
17. Galuppi Piano Sonata No. 10 in F Major II. Allegro
18. Galuppi Piano Sonata No. 10 in F Major III. Giga. Presto
A debut album from a gifted young pianist, who has stylishly reimagined the world of the Venetian Baroque on a modern piano.
At a time when only Bach and Scarlatti were Baroque-era composers in the repertoire of pianists rather than harpsichordists, Arturo Benedetti Michelangeli pressed the cause of Baldassare Galuppi (1706-1785) with performances and recordings of sonatas. Galuppi’s style was defined during his lifetime as ‘gay, lively and brilliant’, and this description certainly capture the style of the keyboard sonatas which he wrote throughout his career.
Born on the island of Burano in the Venetian lagoon, Galuppi trained with Antonio Lotti (then organist of the Basilica San Marco) and quickly became noted across Europe for a string of operatic successes which supplied both audiences and singers with dazzling entertainment. He was no musical revolutionary and continued to compose in a well-turned vein of elegant Baroque conventions while composers further north in Europe were experimenting with larger-scale forms and more daring harmonies.
However, the keyboard sonatas which Galuppi wrote throughout his career delighted audiences at the time and have continued to do so since. Several collections were issued during his lifetime (and designated with Opus numbers) but a great deal of his keyboard music remains unpublished. collection of 12 three-movement sonatas, drawn from this otherwise unpublished body of work, was edited by Giacomo Benvenuti (1885-1943) and issued by the Francesco Bongiovanni publishing house in 1920, and it is from this collection (familiar to audiences of the 50s through Michelangeli) that Fernanda Damiano plays six sonatas on the present album.
Born in Taranto in 1995, Fernanda Damiano made her concerto debut with Haydn’s D major concerto at the Teatro Impero in Trani at the age of 10 and went on to perform as a soloist across Europe and North America. At a young age she is now a teacher herself, professor of piano since 2017 at the Conservatory of Pavia. She is also a teacher of International courses for Musical Interpretation for the Umbria Classica Association of Foligno. ‘The young pianist Fernanda Damiano is a real marvel; she has a very remarkable pianism. She is destined, I am sure, to a very brilliant career’ (Aldo Ciccolini).
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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