Riccardo Muti & Wiener Philharmoniker - Riccardo Muti Conducts the Wiener Philharmoniker (2021)
BAND/ARTIST: Riccardo Muti, Wiener Philharmoniker
- Title: Riccardo Muti Conducts the Wiener Philharmoniker
- Year Of Release: 2021
- Label: Warner Classics
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 8:09:03
- Total Size: 2.12 GB
- WebSite: Album Preview
Tracklist:
01. Symphony No. 9 in C Major, D. 944 "The Great": I. Andante - Allegro ma non troppo
02. Symphony No. 9 in C Major, D. 944 "The Great": II. Andante con moto
03. Symphony No. 9 in C Major, D. 944 "The Great": III. Scherzo. Allegro vivace - Trio
04. Symphony No. 9 in C Major, D. 944 "The Great": IV. Finale. Allegro vivace
05. Symphony No. 4 in C Minor, D. 417: I. Adagio molto - Allegro vivace
06. Symphony No. 4 in C Minor, D. 417: II. Andante
07. Symphony No. 4 in C Minor, D. 417: III. Menuetto. Allegro vivace - Trio
08. Symphony No. 4 in C Minor, D. 417: IV. Allegro
09. Symphony No. 6 in C Major, D. 589: I. Adagio - Allegro
10. Symphony No. 6 in C Major, D. 589: II. Andante
11. Symphony No. 6 in C Major, D. 589: III. Scherzo. Presto - Trio. Più lento
12. Symphony No. 6 in C Major, D. 589: IV. Allegro moderato
13. Symphony No. 3 in D Major, D. 200: I. Adagio maestoso - Allegro con brio
14. Symphony No. 3 in D Major, D. 200: II. Allegretto
15. Symphony No. 3 in D Major, D. 200: III. Menuetto. Vivace - Trio
16. Symphony No. 3 in D Major, D. 200: IV. Presto vivace
17. Symphony No. 5 in B-Flat Major, D. 485: I. Allegro
18. Symphony No. 5 in B-Flat Major, D. 485: II. Andante con moto
19. Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto. Allegro molto - Trio
20. Symphony No. 5 in B-Flat Major, D. 485: IV. Allegro vivace
21. Symphony No. 8 in B Minor, D. 759 "Unfinished": I. Allegro moderato
22. Symphony No. 8 in B Minor, D. 759 "Unfinished": II. Andante con moto
23. Symphony No. 1 in D Major, D. 82: I. Adagio - Allegro vivace
24. Symphony No. 1 in D Major, D. 82: II. Andante
25. Symphony No. 1 in D Major, D. 82: III. Allegro
26. Symphony No. 1 in D Major, D. 82: IV. Allegro vivace
27. Symphony No. 2 in B-Flat Major, D. 125: I. Largo - Allegro vivace
28. Symphony No. 2 in B-Flat Major, D. 125: II. Andante
29. Symphony No. 2 in B-Flat Major, D. 125: III. Allegro vivace
30. Symphony No. 2 in B-Flat Major, D. 125: IV. Presto
31. Rosamunde, Op. 26, D. 797: Overture, D. 644 "Die Zauberharfe"
32. Rosamunde, Op. 26, D. 797: Ballet Music I. Allegro moderato
33. Rosamunde, Op. 26, D. 797: Ballet Music I. Andante un poco assai
34. Rosamunde, Op. 26, D. 797: Ballet Music II
35. Motoren, Op. 265
36. 's gibt nur a Kaiserstadt, 's gibt nur ein Wien, Op. 291
37. Carrière, Op. 200
38. Frauenherz, Op. 166
39. Hofball-Tänze, Op. 298
40. Bluette, Op. 271
41. Die Bajadere, Op. 351
42. Leichte Kavallerie: Ouvertüre
43. Freut euch des Lebens, Op. 340
44. Patronessen, Op. 286
45. Leichtfüssig
46. Neue Pizzicato Polka, Op. 449
47. Fata Morgana, Op. 330
48. Russischer Marsch, Op. 426
49. Dynamiden, Op. 173
50. Vorwärts!, Op. 127
51. Eingesendet, Op. 240
52. An der schönen blauen Donau, Op. 314
53. Radetzky-Marsch, Op. 228
54. Lagunen-Walzer, Op. 411
55. Hellenen-Polka, Op. 203
56. Albion-Polka, Op. 102
57. Liebeslieder-Walzer, Op. 114
58. Ritter Pásmán, Op. 441: Csárdás
59. Mit Extrapost, Op. 259
60. Ein Morgen, ein Mittag, ein Abend in Wien: Overture
61. Gruss an Prag, Op. 114
62. Wein, Weib und Gesang, Op. 333
63. Persischer Marsch, Op. 289
64. Die Libelle,Op. 204
65. Process-Polka, Op. 294
66. Künstler-Gruss, Op. 274
67. Marien-Klänge, Op. 214
68. Éljen a Magyar, Op. 332
69. Vom Donaustrande, Op. 356
70. An der schönen blauen Donau, Op. 314 (Recorded 1997)
71. Radetzky-Marsch, Op. 228 (Recorded 1997)
01. Symphony No. 9 in C Major, D. 944 "The Great": I. Andante - Allegro ma non troppo
02. Symphony No. 9 in C Major, D. 944 "The Great": II. Andante con moto
03. Symphony No. 9 in C Major, D. 944 "The Great": III. Scherzo. Allegro vivace - Trio
04. Symphony No. 9 in C Major, D. 944 "The Great": IV. Finale. Allegro vivace
05. Symphony No. 4 in C Minor, D. 417: I. Adagio molto - Allegro vivace
06. Symphony No. 4 in C Minor, D. 417: II. Andante
07. Symphony No. 4 in C Minor, D. 417: III. Menuetto. Allegro vivace - Trio
08. Symphony No. 4 in C Minor, D. 417: IV. Allegro
09. Symphony No. 6 in C Major, D. 589: I. Adagio - Allegro
10. Symphony No. 6 in C Major, D. 589: II. Andante
11. Symphony No. 6 in C Major, D. 589: III. Scherzo. Presto - Trio. Più lento
12. Symphony No. 6 in C Major, D. 589: IV. Allegro moderato
13. Symphony No. 3 in D Major, D. 200: I. Adagio maestoso - Allegro con brio
14. Symphony No. 3 in D Major, D. 200: II. Allegretto
15. Symphony No. 3 in D Major, D. 200: III. Menuetto. Vivace - Trio
16. Symphony No. 3 in D Major, D. 200: IV. Presto vivace
17. Symphony No. 5 in B-Flat Major, D. 485: I. Allegro
18. Symphony No. 5 in B-Flat Major, D. 485: II. Andante con moto
19. Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto. Allegro molto - Trio
20. Symphony No. 5 in B-Flat Major, D. 485: IV. Allegro vivace
21. Symphony No. 8 in B Minor, D. 759 "Unfinished": I. Allegro moderato
22. Symphony No. 8 in B Minor, D. 759 "Unfinished": II. Andante con moto
23. Symphony No. 1 in D Major, D. 82: I. Adagio - Allegro vivace
24. Symphony No. 1 in D Major, D. 82: II. Andante
25. Symphony No. 1 in D Major, D. 82: III. Allegro
26. Symphony No. 1 in D Major, D. 82: IV. Allegro vivace
27. Symphony No. 2 in B-Flat Major, D. 125: I. Largo - Allegro vivace
28. Symphony No. 2 in B-Flat Major, D. 125: II. Andante
29. Symphony No. 2 in B-Flat Major, D. 125: III. Allegro vivace
30. Symphony No. 2 in B-Flat Major, D. 125: IV. Presto
31. Rosamunde, Op. 26, D. 797: Overture, D. 644 "Die Zauberharfe"
32. Rosamunde, Op. 26, D. 797: Ballet Music I. Allegro moderato
33. Rosamunde, Op. 26, D. 797: Ballet Music I. Andante un poco assai
34. Rosamunde, Op. 26, D. 797: Ballet Music II
35. Motoren, Op. 265
36. 's gibt nur a Kaiserstadt, 's gibt nur ein Wien, Op. 291
37. Carrière, Op. 200
38. Frauenherz, Op. 166
39. Hofball-Tänze, Op. 298
40. Bluette, Op. 271
41. Die Bajadere, Op. 351
42. Leichte Kavallerie: Ouvertüre
43. Freut euch des Lebens, Op. 340
44. Patronessen, Op. 286
45. Leichtfüssig
46. Neue Pizzicato Polka, Op. 449
47. Fata Morgana, Op. 330
48. Russischer Marsch, Op. 426
49. Dynamiden, Op. 173
50. Vorwärts!, Op. 127
51. Eingesendet, Op. 240
52. An der schönen blauen Donau, Op. 314
53. Radetzky-Marsch, Op. 228
54. Lagunen-Walzer, Op. 411
55. Hellenen-Polka, Op. 203
56. Albion-Polka, Op. 102
57. Liebeslieder-Walzer, Op. 114
58. Ritter Pásmán, Op. 441: Csárdás
59. Mit Extrapost, Op. 259
60. Ein Morgen, ein Mittag, ein Abend in Wien: Overture
61. Gruss an Prag, Op. 114
62. Wein, Weib und Gesang, Op. 333
63. Persischer Marsch, Op. 289
64. Die Libelle,Op. 204
65. Process-Polka, Op. 294
66. Künstler-Gruss, Op. 274
67. Marien-Klänge, Op. 214
68. Éljen a Magyar, Op. 332
69. Vom Donaustrande, Op. 356
70. An der schönen blauen Donau, Op. 314 (Recorded 1997)
71. Radetzky-Marsch, Op. 228 (Recorded 1997)
Conductor Riccardo Muti has been regarded as the Toscanini of the present day. But not just a Toscanini-style, taskmaster who preaches fidelity to the score and presides over intense, hard-driven performances, Muti insists on beautiful tone as well as disciplined ensemble, and capitalizes on his youthful Italian glamour.
Muti initially learned piano and violin under his father, a physician. He attended the Verdi Conservatory in Milan, studying composition with Bruno Bettinelli and conducting with Antonino Votti.
Muti won the Guido Cantelli Conducting Competition in 1967. This led to his professional debut with the RAI Orchestra in 1968. In 1973 he became principal conductor of London's New Philharmonia, a post he retained until 1982. Longtime Philadelphia music director Eugene Ormandy effectively selected Muti as his successor in 1980.
Muti's tenure in Philadelphia was marked by cool relations with the orchestra and the press, as Muti tightened the orchestra's ensemble while retaining its tonal warmth. He made major changes in programming practices, offering concert operas and commissioning works by such tough modernists as Berio, Davidovsky, Kirchner, and Ran, as well as more iconoclastic Americans such as Bolcom and Rouse.
Muti's heart remained with opera, and in 1986 he agreed to become music director of La Scala (and principal conductor of the La Scala Philharmonic the following year). Muti left Philadelphia in 1992, rarely to return. In opera, Muti has tended to focus on Italian repertory, using critical editions of scores and discouraging singers from indulging in traditional interpolations.
Larger and more Italian-style controversy, indeed, awaited Muti in La Scala, where he clashed artistically with general manager Carlo Fontana, succeeded in having Fontana dismissed in favor of his own choice, but then faced a rebellion from the players. He resigned his post in April of 2005, but has remained immensely influential in opera through his close association with the Salzburg Festival, where he has conducted a large number of operatic performances.
Since 2010, Muti has been the music director of the Chicago Symphony Orchestra, as well as the music director of the Teatro dell'Opera di Roma, where in 2011 he led not only the chorus, but also the audience in a rendition of "Va pensiero," a chorus from Verdi's Nabucco (and something of an Italian national hymn), in a protest against arts budget cuts by the government of prime minister Silvio Berlusconi. In Chicago, Muti ingratiated himself with the city's sports-mad populace by donning a Chicago Blackhawks jersey during the team's 2013 championship run. Muti has remained a popular guest conductor internationally, and in 2018 he returned for his fifth turn with the baton at the Vienna Philharmonic New Year's Concert. Muti is married to festival director Maria Cristina Mazzavillani, and the couple has three children. ~ James Manheim
Muti initially learned piano and violin under his father, a physician. He attended the Verdi Conservatory in Milan, studying composition with Bruno Bettinelli and conducting with Antonino Votti.
Muti won the Guido Cantelli Conducting Competition in 1967. This led to his professional debut with the RAI Orchestra in 1968. In 1973 he became principal conductor of London's New Philharmonia, a post he retained until 1982. Longtime Philadelphia music director Eugene Ormandy effectively selected Muti as his successor in 1980.
Muti's tenure in Philadelphia was marked by cool relations with the orchestra and the press, as Muti tightened the orchestra's ensemble while retaining its tonal warmth. He made major changes in programming practices, offering concert operas and commissioning works by such tough modernists as Berio, Davidovsky, Kirchner, and Ran, as well as more iconoclastic Americans such as Bolcom and Rouse.
Muti's heart remained with opera, and in 1986 he agreed to become music director of La Scala (and principal conductor of the La Scala Philharmonic the following year). Muti left Philadelphia in 1992, rarely to return. In opera, Muti has tended to focus on Italian repertory, using critical editions of scores and discouraging singers from indulging in traditional interpolations.
Larger and more Italian-style controversy, indeed, awaited Muti in La Scala, where he clashed artistically with general manager Carlo Fontana, succeeded in having Fontana dismissed in favor of his own choice, but then faced a rebellion from the players. He resigned his post in April of 2005, but has remained immensely influential in opera through his close association with the Salzburg Festival, where he has conducted a large number of operatic performances.
Since 2010, Muti has been the music director of the Chicago Symphony Orchestra, as well as the music director of the Teatro dell'Opera di Roma, where in 2011 he led not only the chorus, but also the audience in a rendition of "Va pensiero," a chorus from Verdi's Nabucco (and something of an Italian national hymn), in a protest against arts budget cuts by the government of prime minister Silvio Berlusconi. In Chicago, Muti ingratiated himself with the city's sports-mad populace by donning a Chicago Blackhawks jersey during the team's 2013 championship run. Muti has remained a popular guest conductor internationally, and in 2018 he returned for his fifth turn with the baton at the Vienna Philharmonic New Year's Concert. Muti is married to festival director Maria Cristina Mazzavillani, and the couple has three children. ~ James Manheim
Year 2021 | Classical | FLAC / APE
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