Olivier Gardon - Louis Vierne: L'œuvre pour piano (2015)
BAND/ARTIST: Olivier Gardon
- Title: Louis Vierne: L'œuvre pour piano
- Year Of Release: 2015
- Label: Timpani
- Genre: Classical
- Quality: FLAC (tracks + booklet)
- Total Time: 2:19:20
- Total Size: 390 MB
- WebSite: Album Preview
Tracklist:
12 Préludes Op. 36
01. No. 1. Prologue (Maestoso)
02. No. 2. Tendresse (Andante)
03. No. 3. Pressentiment (Agitato)
04. No. 4. Souvenir d'un jour de joie (Allegro molto appassionato)
05. No. 5. Nostalgie (Andante con moto)
06. No. 6. Par gros temps (Largo)
07. No. 7. Evocation d'un jour d'angoisse (Poco lento)
08. No. 8. Dans la nuit (Grave)
09. No. 9. Suprême appel (Allegro molto agitato)
10. No. 10. Sur une tombe (Molto lento e sostenuto)
11. No. 11. Adieu (Moderato piu tosto lento)
12. No. 12. Seul (Molto maestoso)
Silhouettes d'Enfants Op. 43
13. I. Valse
14. II. Chanson
15. III. Divertissement
16. IV. Barcarolle
17. V. Gavotte dans le style ancien
Deux Pièces Op. 7
18. No. 1. Impression d'automne
19. No. 2. Intermezzo
20. Poème des cloches funèbres, Op. 39
Trois Nocturnes Op. 35
21. No. 1, La nuit avait envahi la nef de la cathédrale
22. No. 2. Au splendide mois de mai, lorsque les bourgeons rompaient l'écorce…
23. No. 3. La lumière rayonnait des astres de la nuit, le rossignol chantait...
Suite Bourguignonne Op. 17
24. I. Aubade
25. II. Idylle
26. III. Divertissement
27. IV. Légende bourguignonne
28. V. À l'angelus du soir
29. VI. Danse rustique
30. VII. Clair de lune
Solitude Op. 44
31. I. Hantise
32. II. Nuit blanche
33. III. Vision hallucinante
34. IV. La ronde fantastique des revenants
12 Préludes Op. 36
01. No. 1. Prologue (Maestoso)
02. No. 2. Tendresse (Andante)
03. No. 3. Pressentiment (Agitato)
04. No. 4. Souvenir d'un jour de joie (Allegro molto appassionato)
05. No. 5. Nostalgie (Andante con moto)
06. No. 6. Par gros temps (Largo)
07. No. 7. Evocation d'un jour d'angoisse (Poco lento)
08. No. 8. Dans la nuit (Grave)
09. No. 9. Suprême appel (Allegro molto agitato)
10. No. 10. Sur une tombe (Molto lento e sostenuto)
11. No. 11. Adieu (Moderato piu tosto lento)
12. No. 12. Seul (Molto maestoso)
Silhouettes d'Enfants Op. 43
13. I. Valse
14. II. Chanson
15. III. Divertissement
16. IV. Barcarolle
17. V. Gavotte dans le style ancien
Deux Pièces Op. 7
18. No. 1. Impression d'automne
19. No. 2. Intermezzo
20. Poème des cloches funèbres, Op. 39
Trois Nocturnes Op. 35
21. No. 1, La nuit avait envahi la nef de la cathédrale
22. No. 2. Au splendide mois de mai, lorsque les bourgeons rompaient l'écorce…
23. No. 3. La lumière rayonnait des astres de la nuit, le rossignol chantait...
Suite Bourguignonne Op. 17
24. I. Aubade
25. II. Idylle
26. III. Divertissement
27. IV. Légende bourguignonne
28. V. À l'angelus du soir
29. VI. Danse rustique
30. VII. Clair de lune
Solitude Op. 44
31. I. Hantise
32. II. Nuit blanche
33. III. Vision hallucinante
34. IV. La ronde fantastique des revenants
Re-release of the first recording of the complete piano works of the celebrated organist of Notre-Dame.
Twenty years ago, the first complete recording of Louis Vierne’s piano works appeared, performed by Olivier Gardon. It was at once acclaimed by the press, and rightly so: this is very great piano music played by a great pianist. Vierne borrowed from the Russians, from Schumann, from Fauré, but he stands out through his total commitment and an atmosphere approaching the tragic, a reflection of his own destiny.
Olivier Gardon is a truly great pianist who appears too infrequently on our concert platforms, and we tend to forget that he is a laureate of the ‘Marguerite Long’ and the ‘Queen Elisabeth’ competitions. His affinity with this music is complete (he has also performed chamber music works in the complete Timpani edition).
It would be churlish not to mention the particularly detailed, intelligent and exhaustive text by Jean-Pierre Mazeirat, who knows Vierne better than anyone, thus making this double album a magisterial reference within Timpani’s Vierne collection.
Twenty years ago, the first complete recording of Louis Vierne’s piano works appeared, performed by Olivier Gardon. It was at once acclaimed by the press, and rightly so: this is very great piano music played by a great pianist. Vierne borrowed from the Russians, from Schumann, from Fauré, but he stands out through his total commitment and an atmosphere approaching the tragic, a reflection of his own destiny.
Olivier Gardon is a truly great pianist who appears too infrequently on our concert platforms, and we tend to forget that he is a laureate of the ‘Marguerite Long’ and the ‘Queen Elisabeth’ competitions. His affinity with this music is complete (he has also performed chamber music works in the complete Timpani edition).
It would be churlish not to mention the particularly detailed, intelligent and exhaustive text by Jean-Pierre Mazeirat, who knows Vierne better than anyone, thus making this double album a magisterial reference within Timpani’s Vierne collection.
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